Jupiter: “Do you know what this will do to people when they find out the truth?” Stinger:“I don’t think that most people would want to know the truth.” From the movie "Jupiter Ascending".....
Now, I'm going to dive further and make the connections of the practices of bloodletting, fire walking and human sacrifice to the god Murugan. Now, we know that Shiva is the one called "Tohil" as stated in the Popol Vuh. Here is an excerpt from Wiki's information of Tohil: "Tohil was the patron god of the Kʼicheʼ and was that of a fire deity and he was also both a sun god and the god of rain. Tohil was also associated with mountains and he was a god of war, sacrifice and sustenance."
"In the Kʼicheʼ epic Popul Vuh, after the first people were created, they gathered at the mythical Tollan, the Place of the Seven Caves, to receive their language and their gods. The Kʼicheʼ, and others, there received Tohil. Tohil demanded blood sacrifice from the Kʼicheʼ and so they offered their own blood and also that of sacrificed captives taken in battle. In the Popul Vuh this consumption of blood by Tohil is likened to the suckling of an infant by its mother." Tohil was the patron deity of the Kaweq lineage of the Kʼicheʼ. He was associated with a sacred deerskin bundle that was said to embody him, and one of his titles was Qajawal Kej ("Our Lord Deer"). The deity was associated with thunder, lightning and the sunrise."
Here is what the chapter "Shiva in the Bible", is based on as the Deer God is Cernunnos of the Celts.
Jeremiah 19:4,5,9 "Because they have forsaken me, and have estranged this place, and have burned incense in it unto other gods, whom neither they nor their fathers have known, nor the kings of Judah, and have filled this place with the blood of innocents. They have built also the high places of Baal, to burn their sons with fire for burnt offerings unto Baal, which I commanded not, nor spake it, neither came it into my mind: Therefore, behold, the days come, saith the LORD, that this place shall no more be called Tophet, nor The valley of the son of Hinnom, but The valley of slaughter. And I will cause them to eat the flesh of their sons and the flesh of their daughters, and they shall eat every one the flesh of his friend in the siege and straitness, wherewith their enemies, and they that seek their lives, shall straiten them."
1st Kings 18:25-28 "And Elijah said unto the prophets of Baal, Choose you one bullock for yourselves, and dress it first; for ye are many; and call on the name of your gods, but put no fire under. And they took the bullock which was given them, and they dressed it, and called on the name of Baal from morning even until noon, saying, O Baal, hear us. But there was no voice, nor any that answered. And they leaped upon the altar which was made. And it came to pass at noon, that Elijah mocked them, and said, Cry aloud: for he is a god; either he is talking, or he is pursuing, or he is in a journey, or peradventure he sleepeth, and must be awaked. And they cried aloud, and cut themselves after their manner with knives and lancets, till the blood gushed out upon them."
Now, the Shiites would do this self-mutilating practice on themselves with knives and swords on the Day of Ashura. This bloodletting act is strikingly similar to the practices done by the priest of Baal with whom the Prophet Elijah was dealing with in 1st Kings 18:28 “And they cried aloud, and cut themselves after their manner with knives and lancets, till blood gushed out upon them.” Even the name Ashura sounds like the Queen goddess Asherah, wife of El. Shockingly, the Chinese in their "Taoist festivals" would embue the same boodletting practice.
Then based on the "Bloodletting" in Mesoamerica details this: "Bloodletting was the ritualized self-cutting or piercing of an individual's body that served a number of ideological and cultural functions within ancient Mesoamerican societies, in particular the Maya. When performed by ruling elites, the act of bloodletting was crucial to the maintenance of sociocultural and political structure. Bound within the Mesoamerican belief systems, bloodletting was used as a tool to legitimize the ruling lineage's socio-political position and, when enacted, was important to the perceived well-being of a given society or settlement."
"Bloodletting was performed by piercing a soft body part, generally the tongue, and scattering the blood or collecting it on amate, which was subsequently burned. The act of burning the sacrificed blood symbolized the transferral of the offering to the gods via its transformation into the rising smoke. Piercing was accomplished using obsidian prismatic blades, stingray spines, or shark's teeth. Under some circumstances, a rope with attached thorns or obsidian flakes would be pulled through the tongue."
"Jade or stone spines and teeth have been found in the archaeological record. Some of these jade artifacts have rather dull points but might have been used once the initial cut was made, or might purely be ritualistic objects not used in actual bloodletting. The location of the bloodletting on the body often correlated with an intended result or a corresponding symbolic representation. For example, drawing blood from the genitals, especially the male sex organs, would be done with the intent of increasing or representing human fertility."
"Ritualized bloodletting was typically performed by elites, settlement leaders, and religious figures (e.g., shamans) within contexts visible to the public. The rituals were enacted on the summits of pyramids or on elevated platforms that were usually associated with broad and open plazas or courtyards (where the masses could congregate and view the bloodletting). This was done so as to demonstrate the connection the person performing the auto-sacrifice had with the sacred sphere and, as such, a method used to maintain political power by legitimizing their prominent social, political, and/or ideological position. While usually carried out by a ruling male, prominent females are also known to have performed the act. The El Perú tomb of a female (called the "Queen's Tomb") contains among its many grave goods a ceremonial stingray spine associated with her genital region. One of the best-known lintels from Mesoamerica, Yaxchilan Lintel 24 (right), shows Lady Xoc drawing a barbed rope through her tongue. In front of her, her husband and the ruler of Yaxchilan, Shield Jaguar, is shown holding a torch."
"Among all the Mesoamerican cultures, sacrifice, in whatever form, was a deeply symbolic and highly ritualized activity with strong religious and political significance. Various kinds of sacrifice were performed within a range of sociocultural contexts and in association with a variety of activities, from mundane everyday activities to those performed by the elites and ruling lineages with the aim of maintaining social structure. The social structure was maintained by showing that rulers blood sacrifice to the gods showed the power they had."
"At its core, sacrifice symbolized the renewal of divine energy and, in doing so, the continuation of life. Its ability of bloodletting to do this is based on two intertwined concepts that are prevalent in the Maya belief system. The first is the notion that the gods had given life to humankind by sacrificing parts of their own bodies. The second is the central focus of their mythology on human blood, which signified life among the Maya."
"Within their belief system, human blood was partially made up of the blood of the gods, who sacrificed their own divine blood in creating life in humans. Thus, in order to continually maintain the order of their universe, the Maya believed that blood had to be given back to the gods. The rulers are giving their blood to empower the gods in return for giving them life."
Let's see this again in 1 Kings Chapter 18: "24And call ye on the name of your gods, and I will call on the name of the LORD: and the God that answereth by fire, let him be God. And all the people answered and said, It is well spoken. 25And Elijah said unto the prophets of Baal, Choose you one bullock for yourselves, and dress it first; for ye are many; and call on the name of your gods, but put no fire under. 26And they took the bullock which was given them, and they dressed it, and called on the name of Baal from morning even until noon, saying, O Baal, hear us. But there was no voice, nor any that answered. And they leaped upon the altar which was made."
"27And it came to pass at noon, that Elijah mocked them, and said, Cry aloud: for he is a god; either he is talking, or he is pursuing, or he is in a journey, or peradventure he sleepeth, and must be awaked. 28And they cried aloud, and cut themselves after their manner with knives and lancets, till the blood gushed out upon them. 29And it came to pass, when midday was past, and they prophesied until the time of the offering of the evening sacrifice, that there was neither voice, nor any to answer, nor any that regarded."
Now, let's take a look into the world of "Mortification". Here the etymology states this: "late 14c., mortification, "mortifying of the flesh, act of subduing the passions and appetites, suppression of bodily desires," from Late Latin mortificationem (nominative mortificatio) "a killing, putting to death," from past-participle stem of mortificare (see mortify). Meaning "death of one part of the body while the rest is still alive" is from early 15c. Sense of "feeling of humiliation" is recorded by 1640s."
"mortify (v.) late 14c., mortifien, "to kill, destroy the life of," from Old French mortefiier "destroy, overwhelm, punish," from Late Latin mortificare "cause death, kill, put to death," literally "make dead," from mortificus "producing death," from Latin mors (genitive mortis) "death" (from PIE root *mer- "to rub away, harm," also "to die" and forming words referring to death and to beings subject to death) + combining form of facere "to make, to do" (from PIE root *dhe- "to set, put"). Religious sense of "subdue the flesh by abstinence and discipline" is attested from early 15c. Sense of "humiliate, chagrin, vex" is recorded by 1690s (compare mortification). Related: Mortified; mortifying."
Now, let's look at "Self-flagellation": "Self-flagellation is the disciplinary and devotional practice of flogging oneself with whips or other instruments that inflict pain. In Catholicism, self-flagellation is practiced in the context of the doctrine of the mortification of the flesh and is seen as a spiritual discipline. It is often used as a form of penance and is intended to allow the flagellant to share in the sufferings of Jesus, bringing his or her focus to God (cf. Christian prayer). The main religions that practice self-flagellation include Christianity, Judaism, and Shia Islam. The ritual has been practiced among members of several Egyptian and Greco-Roman cults."
"Pain and suffering has always been a major part of one’s understanding of religion. Practices that induce pain have been able to transcend many different religions and cultures. While the methods used to inflict this pain may vary, the reasons behind this peculiar ritual seem to be very similar. A common goal of self-flagellation is the desire to emulate a certain prophet. Another main reason for this ritual is the idea that pain causes evil to exit the body. Self-flagellation was often seen as a form of punishment and penance. Despite the gruesome nature of this ritual, many cultures associate it with redemption and purity. While it emerged centuries ago, it is still a ritual that exists today in many parts of the world."
"Through the years, Christianity has formed a permanent tradition surrounding the doctrine of mortification of the flesh, ranging from self-denial, wearing hairshirts and chains, fasting and self-flagellation using the discipline. Many Christians use excerpts from the Bible to justify this ritual. For example, some interpreters claim that St. Paul’s statement: ‘I chastise my body’ refers to self-inflicted bodily scourging (1 Corinthians 9:27)."
"There are many prominent Christians who have practiced self-flagellation. Martin Luther, the Protestant Reformer, regularly practiced self-flagellation as a means of mortification of the flesh. Likewise, the Congregationalist writer Sarah Osborn also practiced self-flagellation in order "to remind her of her continued sin, depravity, and vileness in the eyes of God". It became "quite common" for members of the Tractarian movement within the Anglican Communion to practice self-flagellation using a discipline."
"Historically speaking, in the 11th century, Peter Damian, a Benedictine Christian monk in the Roman Catholic tradition, taught that spirituality should manifest itself in physical discipline; he admonished those who sought to follow Christ to practice self-flagellation for the duration of the time it takes one to recite forty Psalms, increasing the number of flagellations on holy days of the Christian kalendar."
"For Damian, only those who shared in the sufferings of Christ could be saved. Throughout Christian history, the mortification of the flesh, wherein one denies themselves physical pleasures, has been commonly followed by members of the clergy, especially in Christian monasteries and convents. Self-flagellation was imposed as a form of punishment as a means of penance for disobedient clergy and laity. In the 13th century, a group of Roman Catholics, known as the Flagellants, took this practice to its extreme ends. For example, it became a way to try to combat the plague through mitigation with the divine. The Flagellants were later condemned by the Roman Catholic Church as a cult in the 14th century. This ritual was also found in 16th century Japan. Japanese of the time who were converted to Christianity by Jesuit missionaries, were reported to have had sympathy for the Passion of the Christ, and they readily practiced self-flagellation to show their devotion."
"The earliest records of self-flagellation practiced by Japanese converts appeared in the year 1555 in the regions of Bungo and Hirado in Kyushu. These Japanese Christians wore crowns of thorns and bore crosses on their backs during the procession, which led to the place they had designated as the Mount of the Cross."
"Christians give various reasons for choosing to self-flagellate. One of the main reasons is to emulate the suffering of Christ during his Passion. As Jesus was whipped before his crucifixion, many see whipping themselves as a way to be closer to Jesus and as a reminder of that whipping. Many early Christians believed that in order to be closer to God, one would need to literally suffer through the pain of Christ."
"Saint Paul also alluded to inflicting bodily harm in order to feel closer to God in his letters to the Romans and to the Colossians. Self-flagellation was also seen as a form of purification, purifying the soul as repentance for any worldly indulgences. Self-flagellation is also used as a punishment on earth in order to avoid punishment in the next life. Self-flagellation was also seen as a way to control the body in order to focus only on God. By whipping oneself, one would find distraction from the pleasures of the world and be able to fully focus on worshiping God. Self-flagellation is also done to thank God for responding to a prayer or to drive evil spirits from the body (cf. Exorcism in Christianity)."
"The popularity of self-flagellation has abated, with some pious Christians choosing to practice the mortification of the flesh with acts like fasting or abstaining from a pleasure (cf. Lenten sacrifice). There is a debate within the Christian tradition about whether or not self-flagellation is of spiritual benefit, with some religious leaders condemning the practice and others, such as Pope John Paul II, having practiced self-flagellation. People who self-flagellate believe that they need to spiritually share in the suffering of Jesus, and continue this practice, both publicly and privately."
Then there is the practice before "Yom Kippur": "Another religion that participates in self-flagellation is Judaism. The Jewish community has practiced self-flagellation as a way to create a high moral standard. Many religions believe that pain and suffering leads to salvation and purity. During the Middle Ages, Jewish men would practice self-flagellation on the day before Yom Kippur. Passages such as “it shall be a holy convocation unto you; and ye shall afflict your souls” (Leviticus 23:27) were used to justify these actions. They used whips to themselves on the back 39 times. To put this into context, Norman Toby Simms explained, “Understanding what this kind of collective blood-letting means or how it functions in the middle of a civilized society is one thing — a study of the anthropology of culture, a history of religion, a deep psychological analysis of troubled souls; seeing the way in which it could be used at many levels of conscious and unconscious simulation/dissimulation by diverse groups of people seeking to deny, defer, define and redefine their place in history is another — a study, such as this, with aesthetic, dramatic and witty aims in mind."
Now, in that particular verse of Leviticus 23:27 states this: “Also on the tenth day of this seventh month there shall be a day of atonement: it shall be a holy convocation unto you; and ye shall afflict your souls, and offer an offering made by fire unto the LORD.”
Now, it's not known what "afflicting the soul" actually means (as it could be fasting), but it does not state to afflict the "flesh", but the "Soul". However, if it's the same stated above, then it's no different than the Baal worship that Elijah had to deal with (based from the "Anacalypsis" details Buddha washing away sins which is a part of Dagon worship). Here in the etymology states this: "late 14c., "to cast down" (a sense now obsolete), from Old French aflicter, from Latin afflictare "to damage, harass, torment," frequentative of affligere (past participle afflictus) "to dash down, overthrow," from ad "to" (see ad-) + fligere (past participle flictus) "to strike," from PIE root *bhlig- "to strike" (source also of Greek phlibein "to press, crush," Czech blizna "scar," Welsh blif "catapult"). The weakened or transferred meaning "to trouble in body or mind, harass, distress," is attested from 1530s. Related: Afflicted; afflicting."
Then on the term "Soul" states this: "A substantial entity believed to be that in each person which lives, feels, thinks and wills" [Century Dictionary], Old English sawol "spiritual and emotional part of a person, animate existence; life, living being," from Proto-Germanic *saiwalō (source also of Old Saxon seola, Old Norse sala, Old Frisian sele, Middle Dutch siele, Dutch ziel, Old High German seula, German Seele, Gothic saiwala), of uncertain origin. Sometimes said to mean originally "coming from or belonging to the sea," because that was supposed to be the stopping place of the soul before birth or after death [Barnhart]; if so, it would be from Proto-Germanic *saiwaz (see sea). Klein explains this as "from the lake," as a dwelling-place of souls in ancient northern Europe. Meaning "spirit of a deceased person" is attested in Old English from 971. As a synonym for "person, individual, human being" (as in every living soul) it dates from early 14c. Soul-searching (n.) is attested from 1871, from the phrase used as a present-participle adjective (1610s). Distinguishing soul from spirit is a matter best left to theologians."
It seems that it's more likely towards the sense of "Soul" than the flesh. Then there is a part of Deuteronomy where it details the criminal getting whipped: Deuteronomy Chapter 25 "1If there be a controversy between men, and they come unto judgment, that the judges may judge them; then they shall justify the righteous, and condemn the wicked. 2And it shall be, if the wicked man be worthy to be beaten, that the judge shall cause him to lie down, and to be beaten before his face, according to his fault, by a certain number. 3Forty stripes he may give him, and not exceed: lest, if he should exceed, and beat him above these with many stripes, then thy brother should seem vile unto thee."
Back to the "Self flagellation" in the Wiki: "Much of the Twelver Shia Islam community tries to emulate Imam Husain through self-flagellation in the same ways that the Christians tried to emulate Jesus Christ. This is exhibited through the public performance of matam. The Shia counterpart to a Christian flagellant was called a matamdar. This ritual of matam is meant to reaffirm one's faith and relationships by creating a deep bond among the participants through their shared religious devotion. Despite the violent nature of this ritual, the love and vulnerability associated with it makes it a fundamentally positive and affirmational ritual performance. Many Shia communities worldwide march in massive parades every year on the Day of Ashura, during the mourning of Muharram, to commemorate the Battle of Karbala and the martyrdom of Imam Hussein."
"During these parades, devotees hit themselves on the chest or slash themselves with blades on chains called zanjerzani. Though it is uncommon, some Shia communities hit themselves on the back with chains and sharp objects such as knives. This happens in many countries including India, Pakistan, Iraq, Afghanistan, Iran, Saudi Arabia, Lebanon, United States, and Australia. Self-flagellation is just as controversial in Islam as it is in Christianity. There was a case in Manchester UK where a Shia family forced their children to self-flagellation, which brought condemnation upon the entire practice. Muslims responded saying that forcing your children to do this is wrong, but the practice as done by a consenting adult should not be condemned as it is essential to their faith. However, many Shia leaders realize that this practice, though only performed during Ashura, is another thing that could give the world a bad view of Muslims. Some leaders have recommended donating blood instead of self-flagellation in order to bleed in remembrance of Hussein's sacrifice."
This bloodletting practice or the practice of self-flagellation rituals, are merely towards the God Dagon. It's no surprise that even the Jews do this before the day of "Yom Kippur", or as they call "The Day of Atonement". Here, these practices are shown throughout the world from the "passing your children through the fire", to the "blood spilling", the "grove worship", "piercing the body", and human sacrifice. Here in the festival of "Shiva Gajan", the devotees are put on crosses which is interesting....
The Anacalypsis, Page 309: "The MERCURY of Egypt, Teut-tat, is the same as the Gothic Thiod-tat, or query, Thiod-ad ?* Here we come, perhaps, at the origin of Qeoj. Jayadeva describes Buddha as bathing in blood, or sacrificing his life to wash away the offences of mankind, and thereby to make them partakers of the kingdom of heaven. On this the author of the Cambridge Key** says, "Can a Christian doubt that this Buddha was the type of the Saviour of the world ?" This Buddha the Cantab. supposes to have been Enoch...."
Amos 5:25,26: “Have ye offered unto me sacrifices and offerings in the wilderness forty years, O house of Israel? But ye have borne the tabernacle of your Moloch and Chiun your images, the star of your god, which ye made to yourselves.”
Deuteronomy 7:5 “But thus shall ye deal with them; ye shall destroy their altars, and break down their images, and cut down their groves, and burn their graven images with fire.”
Deuteronomy 14:1 “Ye are the children of the LORD your God: ye shall not cut yourselves, nor make any baldness between your eyes for the dead.”
This reminds me of the movie "Hellraiser", when the demons (or Angels) would come to tear and cut the flesh apart (somewhat sadomasochist). Based from the movie, you can connect the dots from there.... There is a scene with the character Frank being pulled by chains into a "crucifix" position, but before he is torn apart, he says "and Jesus wept". The "torn apart" reference is based on Dionysus being torn apart, but then is "resurrected" with either just the heart or the phallus. There are too many references to the Black cube and the puzzle box all connecting to the Saturnian symbolism...
Now, through symbolism, the first man killed being Abel in the Bible would be linked to Yama and Osiris as they were considered the first man to die, to which are established as the Lord of the underworld. It's also interesting that the statement from Jesus stating, "You are of your father the devil who was a liar and a murderer from the beginning who abode not in the truth...", as this statement would have many say that this is Cain connecting to the Egyptian God Set (though there were other people and nations already living before the race of Adam's seed). Cain's mark details that whoever kills him will receive 7-fold. The term "7 is linked to Enoch in this manner. Genesis 4 11-15. (What's interesting is that Abel and Cain were both the product of the Serpent and Eve and not Adam. Hence why Adam said of Set I have begotten a son my image)
13And Cain said unto the LORD, My punishment is greater than I can bear.
It's also shown that Cain lived a long time, and having children as they were entitled "father of the tents and cattle" and "of artificer of iron and brass" sounds like the God of Metallurgy or the God of Cattle and such (The term "God of" is merely the inventor of something). The term artificer is the inventor of metallurgy (Tubal Cain) to which connects to Hephaestus or "Vulcan". The symbol of Vulcan as Star Trek's Spock uses the hand insignia connects to the Jewish Vulcan of the "goat hoof". Vulcan also connects to the African God "Ogun". Based from the Wiki states this:
"Ogun or Ogoun is a Yoruba Orisha that is adopted in several African religions. Ògún is a warrior and a powerful spirit of metal work,[1][2][3]as well as of rum and rum-making. He is also known as the "god of iron" and is present in Yoruba religion, Santería, Haitian Vodou, WestAfrican Vodun, Candomblé, Umbanda and the folk religion of the Gbe people. He attempted to seize the throne after the demise of Ọbàtálá, who reigned twice, before and after Oduduwa, but was ousted by Obalufon Ogbogbodirin and sent on an exile – an event that serves as the core of the Ọlọ́jọ́ Festival."
"In Yoruba religion, Ogun is a primordial orisha in Yoruba Land. In some traditions, he is said to have cleared a path for the other orisha to enter Earth, using a metal axe and with the assistance of a dog. To commemorate this, one of his praise names, ororiki, is Osin Imoleor the "first of the primordial Orisha to come to Earth". He is the god of war and metals. In his earthly life Ogun is said to be the first king of Ife. When some of his subjects failed to show respect, Ogun killed them and ultimately himself with his own sword. He disappeared into the earth at a place called Ire-Ekiti, with the promise to help those who call on his name. His followers believe him to have wo ile sun, to have disappeared into the earth's surface instead of dying. Throughout his earthly life, he is thought to have fought for the people of Ire, thus is known also as Onire."
"The primary symbols of Ogun are iron, the dog, and the palm frond. They symbolize Ogun's role in transformation, mediation, and function. Iron is the primary emblem of Ogun. Ogun altars and ceremonies display and use iron objects both in Yoruba areas and across the African diaspora. Followers of Ogun wear chains of iron implements; Ogun festivals feature the display of knives, guns, blacksmith implements, scissors, wrenches, and other iron implements from daily life. Meats are sacrifices for Ogun. Dogs are the traditional companions of hunters, but Ogun's personality is also seen as "doglike": aggressive, able to face danger, and straightforward..."
"In Dahomey religion, Gu is the vodun of war and patron deity of smiths and craftsmen. He was sent to earth to make it a suitable place for men to live happily, and he has not yet finished this task."
The symbolism of metallurgy, dogs and the "Palm frond" connects to "Vulcan" in which is the hoof of a goat. The Palm symbolism is based on the Phoenix and is shown in the same style in the Vatican Church. Rum making as the God in the Bible would drink wine links him to Bacchus/Dionysus who is Anubis/Osiris. Being festival is Saturnalia cult.
Then there is the Music video "Square and Hammer" by the band called "Ghost". And of course, you can see the six-pointed star symbolism, the "G" symbolism as it connects to the 7th letter, and the 7th celestial body (from the Sun) of the Solar system is Saturn. Now, I have heard that the term "Square and Hammer" is based on the Freemasonic cudgel that is used in court, but also connects to the Cube of God as well.
Then as the lead singer carries the "Pope" image, you will see how this connects to the Aztec God of death "Mictlantecuhtli", and the Skull faced "Baron Samedhi". The High Wizard is a Vodun Priest as they will put on the corpse face and carry a wand or a cane. Based from the Youtuber "Almost False" had interviewed an ex-Satanist who described the actual cults of the Wizard and states that when you see in Pink's like a pill Music video, the wizard in the top hat carries a wand. Baron Samedhi wears the Top hat and many pop culture references detail this. This is why the band "Ghost wears the corpse face because they know what they are doing. In the music video also details the band holding the "Hand of Sabazios" insignia, to which connects to Bacchus/Dionysus. The eye of Baron Samedhi is closed thus exposing the "one eye" symbolism, and also Vishnu gives one of his eyes to Siva as the most beautiful gift to which becomes the lotus flower. Here many Movies and pop culture deal with this hidden insignia. Then there is the Aghoris who are the worshipers of Shiva. They would put the ashes of the dead upon themselves, smoke ganja drink alcohol, to cannibalism and holding the skulls of the dead. Obviously, Shiva who is Mahakala is called the Lord of the Graveyard, so they worship the God of the underworld who represents death. Shiva is also known as Saturn who is Shani. Youd have to wonder why the God of fire in the Bible tells the Israelites about the importance of Sabbath which is Saturday (hence Black Sabbath).
If you look at the video called "Rapture" by Blondie, you will see Baron Samedi dancing in the beginning wearing all white. Then they show 3 women wearing white dancing (Voodoo, Santeria), and a woman passing by with a goat. Then in the end Baron Samedi leads them into the underworld indicating that the souls are being led into hell. These are just some of the esoteric breakdowns based on witchcraft shown through the entertainment industry. Based from sources, the true Druidic Priest is based on the Grand Wizard who wears a "top hat", carries a wand or a cane, and wears corpse makeup. This is likened to "Papa Legba" of the Voodoo Orishas. Again, if the reader saw the music video "Like a pill", you'll notice a man wearing corpse paint, a top hat and carrying a wand. Even the movie "Doctor Sleep" details a person wearing a "top hat".
Now, what's interesting is how some statues would show the deity doing what people may call the "devil horned" hand insignia, that is being symbolized amongst the "Rock n Roll" genre. This insignia is said be used in Buddhism called "Karana mudra", to ward off black magic from sorcery. Based from Taoism they are shown casting this same insignia as well and is shown to be involved in magic and removing evil spirits. As I see the images of "Shang-di" and "Xuanwu" doing this same hand insignia, it's shown that this portrayal in Taoism. You can also see Quetzalcoatl, Krishna and "Aristotle" who is depicted black in the Islamic version, doing the hand insignia. But as I see further that the Black God of fire Acala or Mahakala who is Shiva and Agni is shown doing the same thing. The practices of sorcery and black magic, however, it's shown that they started to get into many things as the "Book of Enoch" states that witchcraft would be one of the "secrets" of Heaven given to mankind. Remember the movie "Silent Hill" 2006? The character named Dahlia makes this hand insignia to conjure up the demon Pyramid head to attack the girl (here is a display of a cosplayer as I can't find the actual image but look in the scene).
Now, when we look up Moloch we would get images of a giant molten idol of a humanoid bull to which the Jews was said to have sacrificed their children to. Based from the Wiki states this:
"Moloch, Molech, or Molek[b]is a word which appears in the Hebrew Bible several times, primarily in the Book of Leviticus. The Greek Septuagint translates many of these instances as "their king", but maintains the word or name Moloch in others, including one additional time in the Book of Amos where the Hebrew text does not attest the name. The Bible strongly condemns practices that are associated with Moloch, which are heavily implied to include child sacrifice.[2]
Traditionally, the name Moloch has been understood as referring to a Canaanite god.[3]However, since 1935, scholars have speculated that Moloch refers to the sacrifice itself, since the Hebrew word mlk is identical in spelling to a term that means "sacrifice" in the closely related Punic language.[4]This second position has grown increasingly popular, but it remains contested.[5]Among proponents of this second position, controversy continues as to whether the sacrifices were offered to Yahweh or another deity, and whether they were a native Israelite religious custom or a Phoenician import. Since the medieval period, Moloch has often been portrayed as a bull-headed idol with outstretched hands over a fire; this depiction takes the brief mentions of Moloch in the Bible and combines them with various sources, including ancient accounts of Carthaginian child sacrifice and the legend of the Minotaur. Beginning in the modern era, "Moloch" has been figuratively used in reference to a power which demands a dire sacrifice.[8]A god Moloch appears in various works of literature and film, such as John Milton's Paradise Lost (1667),Gustave Flaubert's Salammbô (1862),Giovanni Pastrone's Cabiria (1914), Fritz Lang's Metropolis (1927), and Allen Ginsberg's "Howl" (1955).
The word Moloch (מלך) occurs eight times in the Masoretic Text, the standard Hebrew text of the Bible. Five of these are in Leviticus, with one in1 Kings, one in 2 Kings and another in The Book of Jeremiah. Seven instances include the Hebrew definite article ha-('the') or have a prepositional form indicating the presence of the definite article.[9]All of these texts condemn Israelites who engage in practices associated with Moloch, and most associate Moloch with the use of children as offerings.[19]
Leviticus repeatedly forbids the practice of offering children to Moloch:
And thou shalt not give any of thy seed to set them apart to Molech, neither shalt thou profane the name of thy God: I am the LORD.
The majority of the Leviticus references come from a single passage of four lines:[20]
Moreover, thou shalt say to the children of Israel: Whosoever he be of the children of Israel, or of the strangers that sojourn in Israel, that giveth of his seed unto Molech; he shall surely be put to death; the people of the land shallstone him with stones. I also will set My face against that man, and will cut him off from among his people, because he hath given of his seed unto Molech, to defile My sanctuary, and to profane My holy name. And if the people of the land do at all hide their eyes from that man, when he giveth of his seed unto Molech, and put him not to death; then I will set My face against that man, and against his family, and will cut him off, and all that go astray after him, to go astray after Molech, from among their people.
In 1 Kings, Solomon is portrayed as introducing the cult of Moloch to Jerusalem:
Then did Solomon build a high place for Chemosh the detestation of Moab, in the mount that is before Jerusalem, and for Molech the detestation of the children of Ammon.
This is the sole instance of the name Moloch occurring without the definite article in the Masoretic text: it may offer a historical origin of the Moloch cult in the Bible,[9]or it may be a mistake for Milcom, the Ammonite god (thus the reading in some manuscripts of the Septuagint).[11][9]
In 2 Kings, Moloch is associated with the tophet in the valley of Gehenna when it is destroyed by king Josiah:
And he defiled Topheth, which is in the valley of the son of Hinnom, that no man might make his son or his daughter to pass through the fire to Molech.
The same activity of causing children "to pass over the fire" is mentioned, without reference to Moloch, in numerous other verses of the Bible, such as in Deuteronomy (Deuteronomy 12:31, 18:10), 2 Kings (2 Kings 16:3; 17:17; 17:31; 21:6), 2 Chronicles (2 Chronicles 28:3; 33:6), the Book of Jeremiah (Jeremiah 7:31, 19:5) and the Book of Ezekiel (Ezekiel 16:21; 20:26, 31; 23:37).[21]
Lastly, the prophet Jeremiah condemns practices associated with Moloch as showing infidelity to Yahweh:[22]
And they built thehigh placesof Baal, which are in the valley of the son of Hinnom, to set apart their sons and their daughters unto Molech; which I commanded them not, neither came it into My mind, that they should do this abomination; to cause Judah to sin.
Given the name's similarity to the Hebrew wordmelek"king", scholars have also searched the Masoretic text to find instances ofmelekthat may be mistakes for Moloch. Most scholars consider only one instance as likely a mistake, in Isaiah:[23]
For a hearth is ordered of old; yea, for the king [melek] it is prepared, deep and large; the pile thereof is fire and much wood; the breath of the LORD, like a stream of brimstone, doth kindle it.
So, based on Moloch is shown to have the bull symbolism, but they are not detailing where this image really came from. Remember all religions came from India and based on Moloch who is depicted as "Bull" deity shows that this is another form of Shiva who is Yama the God of the underworld. Here we see the comparisons between Yama the God of death and the underworld and Moloch to whom is also shown with "3 eyes". This is Mahishasura, Osiris, Agni and Mahakala the Demon King.
Then there is the band called "Betzefer", and the music video "The Devil went down to the holy Land". If you watch the beginning, you will see the "Beast" (see "Shiva in the Bible") putting a coin in slot machine that has "7 eyes". This is based on Revelation 5:6 “And I beheld, and, lo, in the midst of the throne and of the four beasts, and in the midst of the elders, stood a Lamb as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth.” Also see the movie "Altered States" on the seven eyed lamb and the God on the Cross.
Now based on the inverted cross, we get the idea that it's basically a symbol of Satan, thus relating to the Catholic Pope and Satanism etc. Then based on other related info, states that it's based on St. Peter being crucified in this manner, because (as the story states) was unworthy to be crucifed in the upright manner as Jesus. The crucifixion of Odin on the tree of Yggdrasril is based on Odin hanging either upside down, or in the form of the cross (upright) for nine days (with a spear on his side) just to attain the wisdom. Of course, there is the story of how he sacrifices his "eye" as well.
Remember, Odin's day is based on "Wednesday" (Strange connection to "Ash Wednesday"), and is based on "Mercury" and "Hermes" (In Spanish is "Miercoles"). Hermes is shown with the Caduceus to which relates to the Queen of Heaven symbolism, which "Iris would be the original wielder.
Now, based on the name "Peter" is really based on "Jupiter", as "Piter" and "Pater" is based on "Father" or as they state Sky Father Jupiter. Just like Zeus is based on Dios, Dyeus to God which is the "Dog". as it relates to the "Sky Father" or God in Heaven. This is why the name "St. Peter's square" and "St. Peter's Basilica" is referenced this way, because it's not a man but a Black God that is adored. The feet of St. Peter stick out in the same manner as Zeus, along with the worship of the "Queen of Heaven", who is called "Vatika" the Goddess of death to which is named the Vatican. Zeus Poseidon and Hades are merely one and the same God and would often be called "Ammon Zeus" which is Amun, Amen Ra, Serapis and Anubis, Shiva, Osiris alternatively. In any case, the symbolism all belongs to the Bacchic Osirian story and the God that was crucified. The lamb symbolism all goes back to Agni as the God Prometheus that was crucified on the cross
Interesting enough, I find it fascinating on how the Cross is worn by Celebrities, Rap stars, Rock stars, Porn stars, Prostitutes, Politicians, Mafia, Gangsters, witches etc. and yet, is deemed as holy symbol by the Christians. If Rome rules the whole world, and is the one that changed everybody's history, then I question the ideology on the origin of this Cross, and what it really represents (as the Cross of Dagon). The Caduceus of Isis is really a Christian Cross symbol used in the pharmaceutical companies. Even the term "Pharmakeia" is based on "Drug sorcery". The drug are merely potions, to which they "manipulate" how you feel on your body. Here in Strong's concordance states this: "pharmakeia: the use of medicine, drugs or spells". Based on the Cross of Dagon it remains a Pagan symbol to this day...
Then look at the pictures of the Ancient Aztecs, and how they would do the same bloodletting acts just like Priest of Baal in the Bible. To honor the god Tohil, they would pierce their ear lobes, their tongue and cut themselves in the "same way" as the people who worship Murugan in India in Asia and elsewhere. Remember the eyes on this Goddess is based on the Peacock symbolism.
Clearly the Bible is correct as the Children of Israel got into all sorts of abominations to this day. The Bible clearly states that Jesus Christ, the "Lord and Saviour" of the world is based on Dagon worship. This ritual is also shown among the ancient Aztecs and other tribes that would offer "blood", piercing themselves and Human sacrifice to Baal. Now with all of this said, it becomes clear that there were many changes to the Bible just to fit the narrative of the coming of Dagon and to amalgamate this God with the life of the real Prophet called Jesus, as it's to regurgitate this right back to the worship of Dagon and the Black Goddess (As shown with the bloodletting, the mortification of the flesh, the grove worship, the fire walking...) So again, it's no different than what people have been doing in these religions for hundreds of years....
Psalms 16:4 “Their sorrows shall be multiplied that hasten after another god: their drink offerings of blood will I not offer, nor take up their names into my lips.”
Micah Chapter 3:1And I said, Hear, I pray you, O heads of Jacob, and ye princes of the house of Israel. Is it not for you to know judgment?
Now, here the etymology of "Blood" states this: "Old English blod "blood, fluid which circulates in the arteries and veins," from Proto-Germanic *blodam "blood" (source also of Old Frisian blod, Old Saxon blôd, Old Norse bloð, Middle Dutch bloet, Dutch bloed, Old High German bluot, German Blut, Gothic bloþ), according to some sources from PIE *bhlo-to-, perhaps meaning "to swell, gush, spurt," or "that which bursts out" (compare Gothic bloþ "blood," bloma "flower"), from suffixed form of root *bhel- (3) "to thrive, bloom." But Boutkan finds no certain IE etymology and assumes a non-IE origin."
"There seems to have been an avoidance in Germanic, perhaps from taboo, of other PIE words for "blood," such as *esen- (source of poetic Greek ear, Old Latin aser, Sanskrit asrk, Hittite eshar); also *krew-, which seems to have had a sense of "blood outside the body, gore from a wound" (source of Latin cruour "blood from a wound," Greek kreas "meat"), but which came to mean simply "blood" in the Balto-Slavic group and some other languages. Inheritance and relationship senses (also found in Latin sanguis, Greek haima) emerged in English by mid-13c. Meanings "person of one's family, race, kindred; offspring, one who inherits the blood of another" are late 14c. As the fluid of life (and the presumed seat of the passions), blood has stood for "temper of mind, natural disposition" since c. 1300 and been given many figurative extensions. Slang meaning "hot spark, a man of fire" [Johnson] is from 1560s. Blood pressure attested from 1862. Blood money is from 1530s; originally money paid for causing the death of another. Blood type is from 1928."
"That there were different types of human blood was discovered c. 1900 during early experiments in transfusion. To get blood from a stone "do the impossible" is from 1660s. Expression blood is thicker than water attested by 1803, in reference to family ties of those separated by distance. New (or fresh) blood, in reference to new members of an organization or group, especially ones bringing new ideas and fresh vigor or strength, is from 1880."
Here are some excerpts on "Blood" in the Bible:
Genesis 4:10 “And he said, What hast thou done? the voice of thy brother's blood crieth unto me from the ground.”
Genesis 4:11 “And now art thou cursed from the earth, which hath opened her mouth to receive thy brother's blood from thy hand;”
Genesis 9:5 “And surely your blood of your lives will I require; at the hand of every beast will I require it, and at the hand of man; at the hand of every man's brother will I require the life of man.”
Genesis 9:6 “Whoso sheddeth man's blood, by man shall his blood be shed: for in the image of God made he man.”
Exodus 4:9 “And it shall come to pass, if they will not believe also these two signs, neither hearken unto thy voice, that thou shalt take of the water of the river, and pour it upon the dry land: and the water which thou takest out of the river shall become blood upon the dry land.”
Exodus 12:7 “And they shall take of the blood, and strike it on the two side posts and on the upper door post of the houses, wherein they shall eat it.”
Exodus 22:3 “If the sun be risen upon him, there shall be blood shed for him; for he should make full restitution; if he have nothing, then he shall be sold for his theft.”
Exodus 24:8 “And Moses took the blood, and sprinkled it on the people, and said, Behold the blood of the covenant, which the LORD hath made with you concerning all these words.”
Exodus 29:20 “Then shalt thou kill the ram, and take of his blood, and put it upon the tip of the right ear of Aaron, and upon the tip of the right ear of his sons, and upon the thumb of their right hand, and upon the great toe of their right foot, and sprinkle the blood upon the altar round about.”
Exodus 29:21 “And thou shalt take of the blood that is upon the altar, and of the anointing oil, and sprinkle it upon Aaron, and upon his garments, and upon his sons, and upon the garments of his sons with him: and he shall be hallowed, and his garments, and his sons, and his sons' garments with him.”
Leviticus 3:17 “It shall be a perpetual statute for your generations throughout all your dwellings, that ye eat neither fat nor blood.”
Leviticus 4:6 “And the priest shall dip his finger in the blood, and sprinkle of the blood seven times before the LORD, before the vail of the sanctuary.”
Leviticus 4:30 “And the priest shall take of the blood thereof with his finger, and put it upon the horns of the altar of burnt offering, and shall pour out all the blood thereof at the bottom of the altar.”
Leviticus 5:9 “And he shall sprinkle of the blood of the sin offering upon the side of the altar; and the rest of the blood shall be wrung out at the bottom of the altar: it is a sin offering.”
Leviticus 7:26 “Moreover ye shall eat no manner of blood, whether it be of fowl or of beast, in any of your dwellings.”
Leviticus 8:23 “And he slew it; and Moses took of the blood of it, and put it upon the tip of Aaron's right ear, and upon the thumb of his right hand, and upon the great toe of his right foot.”
Leviticus 8:30 “And Moses took of the anointing oil, and of the blood which was upon the altar, and sprinkled it upon Aaron, and upon his garments, and upon his sons, and upon his sons' garments with him; and sanctified Aaron, and his garments, and his sons, and his sons' garments with him.”
Leviticus 17:14 “For it is the life of all flesh; the blood of it is for the life thereof: therefore I said unto the children of Israel, Ye shall eat the blood of no manner of flesh: for the life of all flesh is the blood thereof: whosoever eateth it shall be cut off.”
Leviticus 19:26 “Ye shall not eat anything with the blood: neither shall ye use enchantment, nor observe times.”
These are just examples of blood in the Bible. The verses states that they would sprinkle blood upon the people and even the clothes of the Priest. I Have doubts based on the bloody practice of these Animal sacrifice. For example, in the story of Jephtah details him sacrificing his daughter in a burnt offering (virgin sacrificed). However, even Micah 3 describes Cannibalism and "flaying" of the skin, which was ritualistically done amongst the Aztecs. Then let's take the "Lamb" that was slaughtered for the sins of mankind, in which is based on Jesus Christ dying on the cross.
I know they state it to be on the spiritual aspect, but even Matthew 27 states this: "24When Pilate saw that he could prevail nothing, but that rather a tumult was made, he took water, and washed his hands before the multitude, saying, I am innocent of the blood of this just person: see ye to it. 25Then answered all the people, and said, His blood be on us, and on our children." It's noted that the origin of this Eucharist practice is the Bacchic worship that is done to this day.
There are Catholic/Christian ideologies that try to spin this verse to being something else, however, after seeing how this connects to Dagon/Baal, then I know that it has nothing to do with the other God. Based from the book "The Anacalypsis", details the Buddha washing himself with blood to cleanse the world. This Buddha, who is Jesus Christ and Thoth is the black God Dagon sheds his blood for mankind's sins is Prometheus.
Revelation 12:11 “And they overcame him by the blood of the Lamb, and by the word of their testimony; and they loved not their lives unto the death.”
Revelation 7:14 “And I said unto him, Sir, thou knowest. And he said to me, These are they which came out of great tribulation, and have washed their robes, and made them white in the blood of the Lamb.”
Revelation 1:5 “And from Jesus Christ, who is the faithful witness, and the first begotten of the dead, and the prince of the kings of the earth. Unto him that loved us, and washed us from our sins in his own blood,”
1 John 5:6 “This is he that came by water and blood, even Jesus Christ; not by water only, but by water and blood. And it is the Spirit that beareth witness, because the Spirit is truth.” (The life is in the Blood)
Romans 3:25 “Whom God hath set forth to be a propitiation through faith in his blood, to declare his righteousness for the remission of sins that are past, through the forbearance of God;”
Romans 5:9 “Much more then, being now justified by his blood, we shall be saved from wrath through him.”
1 Corinthians 10:16 “The cup of blessing which we bless, is it not the communion of the blood of Christ? The bread which we break, is it not the communion of the body of Christ?”
Ephesians 1:7 “In whom we have redemption through his blood, the forgiveness of sins, according to the riches of his grace;”
Colossians 1:14 “In whom we have redemption through his blood, even the forgiveness of sins:”
Hebrews 9:12 “Neither by the blood of goats and calves, but by his own blood he entered in once into the holy place, having obtained eternal redemption for us.”
Hebrews 9:14 “How much more shall the blood of Christ, who through the eternal Spirit offered himself without spot to God, purge your conscience from dead works to serve the living God?”
Hebrews 9:22 “And almost all things are by the law purged with blood; and without shedding of blood is no remission.”
1 John 1:7 “But if we walk in the light, as he is in the light, we have fellowship one with another, and the blood of Jesus Christ his Son cleanseth us from all sin.”
1 Peter 1:19 “But with the precious blood of Christ, as of a lamb without blemish and without spot:”
1 Peter 1:2 “Elect according to the foreknowledge of God the Father, through sanctification of the Spirit, unto obedience and sprinkling of the blood of Jesus Christ: Grace unto you, and peace, be multiplied.”
Hebrews 12:24 “And to Jesus the mediator of the new covenant, and to the blood of sprinkling, that speaketh better things than that of Abel.”
Hebrews 12:4 “Ye have not yet resisted unto blood, striving against sin.”
Hebrews 10:4 “For it is not possible that the blood of bulls and of goats should take away sins.”
Acts 20:28 “Take heed therefore unto yourselves, and to all the flock, over the which the Holy Ghost hath made you overseers, to feed the church of God, which he hath purchased with his own blood.”
Now, when looking into these animal sacrifices and why God demands this is because this God is Dagon who is Shiva and Agni. I had wonder why based from what I had listed the countless times the blood is shown to being important to this being and that is it's based on witchcraft. Judaism, Hinduism, Christianity Islam and other religions that require blood goes back to the Vodun practices towards the Black Gods. Erlik Khan is stated to be worshiped through animal sacrifices and this being is the Lord of the Underworld and the Black God of fire. Since this would be the God of fire who instructed the people to do so, now we can see that something is wrong because this is the Devil.
A Youtuber who goes by "Mr. Mythos" did an excellent and thorough research based the title "Is Yahwe a dragon?" Here he lists somethings like coals being kindled, smoke coming forth from his nose and fire breathing to even virgin women being sacrificed. This was shown how the Bible doesn't go into detail when the Midianite girls was given to the Lord....
Here below, details the human sacrifice that was being done towards the God Kulkukan (this God is Tohil as Baal in the Bible). This is the "black stone pillar" that is used to sacrifice the victims upon, and as they take their heart out, as they call it the "Heart of God". This is what the story of Dionysus is based on, as the legend of the god who was torn up but was resurrected with just his heart. Harold Krautz (Who studied the black goo) mentions a short Lovecraftian story of people sacrificing their children on a "black orifice stone". There is also Robert E. Howard's book called "The Black stone", as he states a similar ritual being done.
Then there is an article called "Allthatsinteresting.com: Mayan Child Sacrifices Found Buried With “Supernatural” Stones". "Researchers digging up an ancient Mayan city recently discovered nine child sacrifices buried with black stones that the Mayans believed held supernatural powers......"
In Robert Howard's book "Children of the night", details this excerpt: "...The cult worships the Dark Man, an ancient king of the Picts called Bran Mak Morn.....O'Donnel finds himself in earlier incarnation, when his name was Aryara and he was a member of the Sword People, one of the Aryan tribes involved in conquering Britain from the Picts. Still around are the "Children of the Night", snake-like people from whom the Picts conquered the land earlier and whom the Aryans consider vermin."
He begins to describe the "Children of the night": As Aryara, O'Donnel describes the Children of the Night as: Humans they were, of a sort, though I did not consider them so. They were short and stocky, with broad heads too large for their scrawny bodies. Their hair was snaky and stringy, their faces broad and square, with flat noses, hideously slanted eyes, a thin gash for a mouth, and pointed ears. They wore the skins of beasts, as did I, but these hides were but crudely dressed. They bore small bows and flint-tipped arrows, flint knives and cudgels. And they conversed in a speech as hideous as themselves, a hissing, reptilian speech that filled me with dread and loathing. They are frequently described as snakes or having snake-like qualities. The Aryan legends say that the Children—none of the Aryans know what they call themselves—used to own the land in an ancient "outworn age" until they were hunted and driven underground by the Picts."
"Sun−worship, as the ancient religion of Atlantis, underlies all the superstitions of the colonies of that country. The Samoyed woman says to the sun, "When thou, god, risest, I too rise from my bed." Every morning even now the Brahmans stand on one foot, with their hands held out before them and their faces turned to the east, adoring the sun. "In Germany or France one may still see the peasant take off his hat to the rising sun." ("Anthropology," p. 361.)
The Romans, even, in later times, worshipped the sun at Emesa, under the name of Elagabalus, "typified in the form of a black conical stone, which it was believed had fallen from heaven." The conical stone was the emblem of Bel. Did it have relation to the mounds and pyramids? Sun−worship was the primitive religion of the red men of America. It was found among all the tribes. (Dorman, "Origin of Primitive Superstitions, p. 338.) The Chichimecs called the sun their father. The Comanches have a similar belief."
(Based from Ignatius Donnelly's "Atlantis: the antediluvian world". Read "Acts 19:35" about the "image" that fell from Heaven)
There was a bloodletting practice that was done by the monks in the earlier times of the Catholic Church, as it's the same as the Aztecs and the Murugan festival. The heart of Jesus is based on the heart of Dionysus, for after the Titans cuts him up to pieces, but was revived with either the phallus or the heart. The same story was done when Osiris was cut into pieces by Set but was resurrected later on.
The God called Tohil would be considered the God of "atonement" who demands the shedding of blood. Based from the Nag Hammadi details an Angel called "Nebro" who was said to be "defiled" with blood.
The dying and rising god appears through many myths, but it seems that it either details this god to be a woman or her son that dies and rises up again. This is where the story of Quetzalcoatl dying and rising again comes into play like the Phoenix, as well his symbol is Venus, which means that this deity connects to Aphrodite as the Queen of Heaven. Dionysus' story states that the Titans (sometimes Prometheus) slew Dionysus and tore him apart, with either the phallus or the heart left. Depending on the story states that Zeus (or Athena) takes the heart and regrows Dionysus through his thigh and becomes a fully formed god again, thus the dying and rising relationship. Below details the priest wearing the "crested" helmet, thus connecting to the God that came down from the skies. These Crest has the shape of the mushroom. The Goddess Cybele is known as "Phrygia" thus connecting the "Crest" symbolism amongst the Dogons, the Greeks, Romans, Tibetans, Hawaiians etc....
Then here you can see the many "eyes" of this god which connects to the peacock symbolism. Kali is also called "Itzpapalotl" who is shown below as the goddess with "many eyes", which is "Obsidian Butterfly", or the black butterfly. The moth that she is associated with is strangely called "Rothschildia Orizaba" or the "Orizaba Moth". Based from learning about Huitzilopochtli, details that he comes forth from his mother and cuts his sister into pieces in the great battle. When seeing who the sister is, it's shown to be the Goddess Itzpapalotl, but under another name "Tlaltecuhtli". This story is similar to Set cutting up Osiris into pieces, and Dionysus/Bacchus being cut up into pieces and the Klamath legend on the Sky God Skell defeating and cutting up Llao the Lord of the Underworld. Remember, Kagutsuchi the fire God is then cut up into eight pieces by Izanagi.
Now, this moth is said to be apart of the "Saturniids", which are moths belonging to the "Lepidoptera" such as Royal silk moths and the Emperor Moths. Strangely again, the Giant Emperor Moth is also called "The Giant Peacock Moth" because it has many "eyes". So, the name "Rothschild" connects to this particular butterfly which has many "eyes" thus revealing that they worship this goddess. And the name "Giant peacock Moth" is also called "Saturnia Pyre", linking to Saturn which also relates to the goddess Kali who carries a sickle.
It is mentioned that this Goddess was featured in the book to film adaption called "No one gets out alive" (book by Adam Neville). Based from the Wiki states this:
"Plot Ambar, an undocumented Mexican immigrant, moves to Cleveland after the death of her mother. She used to take care of her ailing mother and could never live a normal life as her mother's condition deteriorated further. Ambar tells her friend that she relocated to the United States to support her mother. She finds a dilapidated boarding house run by Red; he demands the first month's rent up front, which Ambar gives him from a reserve of cash she appears to have saved up for her move."
"Soon odd things start happening to her both at the new boarding house and outside. One night she sees a man banging his head against the door, who she later learns is Red's sick brother, Becker." "She gives a co-worker the remainder of her savings to obtain a fake ID that will allow her to continue working but the co-worker betrays her, taking the money and quitting the next day. Ambar asks her boss for the co-worker's address and then an advance on her next pay but is fired instead. With no money, unable to receive help from Beto, a distant cousin, and not wanting to return to the house after the visions, Ambar is forced to call Red. They meet at a nearby cafe and Red promises to refund her deposit, but only if she returns to the house as he claims to not have enough cash on him."
"When they arrive at the boarding house, Ambar confronts Red since the cash is not in her room as promised. Becker forces Ambar into her room and she locks herself inside, joined by two Romanian women who have also moved into the boarding house. As Red and Becker are preparing the women to be taken down to the basement, Beto comes looking for Ambar but is killed by Becker."
"Becker takes one of the Romanian women downstairs; Red tells Ambar that his dad was an archeologist (as seen in the home movies at the start of the film) who brought back a stone box from his trip to Mexico in 1963. Something about the box led Red's father, along with his mother, Mary, to trap and murder women (the ghosts that Ambar has seen and heard throughout the house). Discovering what they had done, Red wanted to leave but Becker insisted on staying: each woman sacrificed improved Becker's health. Becker comes back and takes Ambar to the basement, where she sees the other girl decapitated. He ties Ambar to a stone slab in front of an altar where the box sits, opens the box and leaves the room, shutting the door behind him. Beto is still alive, unties amber and they try to escape. But it's only a dream."
"Ambar begins dreaming about her mother on her deathbed while a creature slowly emerges from the box and takes Ambar's head between its hands in order to read her mind and learn what Ambar has sacrificed. The dream reveals that Ambar killed her mother: she lied to her friend about her reason for moving to the USA and the money saved was originally to support her mother in the nursing home."
"This causes the monster, the Aztec goddess Ītzpāpālōtl (God of Paradise made possible through sacrifice), associated with the moth seen in the movie (Rothschildia erycina), to accept the sacrifice and retreat into the box. Ambar hears Becker and Red preparing the last girl for sacrifice. Becker notices he isn't healing. Amber grabs an ancient weapon from the study and goes upstairs where she injures Red and is then attacked by Becker."
"The Romanian woman tries to help but is thrown over the balcony and killed by him. Becker begins choking Amber but she slices his jugular and smashes his head with the weapon. She hears Red shuffling around in the next room and manages to get him downstairs and tied onto the stone table where she watches the monster bite off his head. As she is leaving the house her ankle, broken by Becker earlier, suddenly heals as she had sacrificed Red to the monster. In the background, Red can be seen as a ghost."
Here behind the Goddess is a "black box" from which she comes out from....
In the movie itself reveals the red and white paint shown on the female protagonist, thus connecting to the Goddess in the codex above (Moth symbolism is shown throughout the Movie as well). Now, based from the symbolism to the Goddess Itzapalotl, details the "Black butterfly" or "Obsidian butterfly" reference, and based from the excerpt "The deity is shown brandishing a severed leg, thought to be a symbol of battle...", does detail a connection to the Jaguar God Tezcatlipoca losing a leg to the "Earthmonster". This can also relate to the story of the Norse Tyr losing his hand to Fenrir the wolf as well.
Based from the excerpt states this on Tezcatlipoca: Creation histories: "In one of the Aztec accounts of creation, Quetzalcoatl and Tezcatlipoca joined forces to create the world. Before their act there was only the sea and the crocodilian earthmonster called Cipactli. To attract her, Tezcatlipoca used his foot as bait, and Cipactli ate it. The two gods then captured her, and distorted her to make the land from her body. After that, they created the people, and people had to offer sacrifices to comfort Cipactli for her sufferings. Because of this, Tezcatlipoca is depicted with a missing foot."
"Another story of creation goes that Tezcatlipoca turned himself into the sun, but Quetzalcoatl was furious possibly because they were enemies, he is a night god or due to his missing foot, so he knocked Tezcatlipoca out of the sky with a stone club."
"Angered, Tezcatlipoca turned into a jaguar and destroyed the world. Quetzalcoatl replaced him and started the second age of the world and it became populated again. Tezcatlipoca overthrew Quetzalcoatl, forcing him to send a great wind that devastated the world, and the people who survived were turned into monkeys. Tlaloc, the god of rain, then became the sun. But he had his wife taken away by Tezcatlipoca. Angered in turn, he would not make it rain for several years until, in a fit of rage, he made it rain fire with the few people who survived the assault turning into the birds."
"Chalchihuitlicue the Water Goddess then became the sun. However, she was crushed by Tezcatlipoca's accusation that she only pretended to be kind. She cried for many years and the world was destroyed by the resulting floods. Those people who survived the deluge were turned into fish." Now, look at "Cipactli" the Earthmonster: "Cipactli (Classical Nahuatl: Cipactli "crocodile" or "caiman") was the first day of the Aztec divinatory count of 13 X 20 days (the tonalpohualli) and Cipactonal "Sign of Cipactli" was considered to have been the first diviner. In Aztec cosmology, the crocodile symbolized the earth floating in the primeval waters. According to one Aztec tradition, Teocipactli "Divine Crocodile" was the name of a survivor of the flood who rescued himself in a canoe and again repopulated the earth." "In the Mixtec Vienna Codex (Codex Vindobonensis Mexicanus I), Crocodile is a day associated with dynastic beginnings. In Aztec mythology, Cipactli was a primeval sea monster, part crocodilian, part fish, and part toad or frog, with indefinite gender. Always hungry, every joint on its body was adorned with an extra mouth."
"The deity Tezcatlipoca sacrificed a foot when he used it as bait to draw the monster nearer. He and Quetzalcoatl created the earth from its body. Karl A. Taube has noted that among the Formative-period Olmec and the pre-Hispanic Maya peoples, crocodilians were identified with rain-bringing wind, probably because of the widespread belief that wind and rain clouds are “breathed” out of cave openings in the earth. A series of Olmec-style basreliefs from Chalcatzingo in the state of Morelos portrays crocodilians breathing rain clouds from their upturned mouths. Portable green stone Olmec sculptures depict crocodilians in similar positions, indicating that they are probably also breathing."
"In the Maya tzolk'in, the day Cipactli corresponds to Imix. In the Mayan Popol Vuh, the name of the earthquake demon, Sipakna, apparently derives from Cipactli. Sipakna is the demon Sipak of 20th century Highland Maya oral tradition. In Migian, Cipactli is Quanai. In other versions, Cipactli is called Tlaltecuhtli, a deity referred to as the "earth monster".
This is based on Tyr getting his hand bitten off by Fenrir the wolf story.
Then based on "Tlaltecuhtli" states this in the Wiki: "Tlaltecuhtli (Classical Nahuatl, Tlāltēuctli) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos."
"In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, she had to be kept sated by human sacrifices which would ensure the continued order of the world." "According to a source, in the creation of the Earth, the gods did not tire of admiring the liquid world, no oscillations, no movements, so Tezcatlipoca and Quetzalcoatl thought that the newly created world should be inhabited. And for this, they made Mrs. Tlalcihuatl, 'Lady of the earth', come down from heaven, and Tlaltecuhtli, 'Lord of the earth', would be her consort."
"Tezcatlipoca and Quetzalcoatl create the Earth from the body of Cipactli, a giant alligator self-created in the Omeyocan. Tlaltecuhtli is known from several post-conquest manuscripts that surveyed Mexica mythology and belief systems, such as the Histoyre du méchique, Florentine Codex, and Codex Bodley, both compiled in the sixteenth century."
"Tlaltecuhtli is typically depicted as a squatting toad-like creature with massive claws, a gaping mouth, and crocodile skin, which represented the surface of the earth. In carvings, her mouth is often shown with a river of blood flowing from it or a flint knife between her teeth, a reference to the human blood she thirsted for. Her elbows and knees are often adorned with human skulls, and she sometimes appears with multiple mouths full of sharp teeth all over her body. In some images, she wears a skirt made of human bones and a star border, a symbol of her primordial sacrifice."
"Many sculptures of Tlaltecuhtli were meant only for the gods and were not intended to be seen by humans. She was often carved onto the bottom of sculptures where they made contact with the earth, or on the undersides of stone boxes called cuauhxicalli ("eagle box"), which held the sacrificial hearts she was so partial to. In reference to her mythological function as the support of the earth, Tlaltecuhtli was sometimes carved onto the cornerstones of temples, such as the pyramid platform at El Tajin....."
Creation narrative: "According to the Bodley Codex, there were four earth gods — Tlaltecuhtli, Coatlicue, Cihuacoatl and Tlazolteotl. In the Mexica creation story, Tlaltecuhtli is described as a sea monster (sometimes called Cipactli) who dwelled in the ocean after the fourth Great Flood. She was an embodiment of the chaos that raged before creation."
"One day, the gods Quetzalcoatl and Tezcatlipoca descended from the heavens in the form of serpents and found the monstrous Tlaltecuhtli (Cipactli) sitting on top of the ocean with giant fangs, crocodile skin, and gnashing teeth calling for flesh to feast on. The two gods decided that the fifth cosmos could not prosper with such a horrible creature roaming the world, and so they set out to destroy her. To attract her, Tezcatlipoca used his foot as bait, and Tlaltecuhtli ate it."
"In the fight that followed, Tezcatlipoca lost his foot and Tlaltecuhtli lost her lower jaw, taking away her ability to sink below the surface of the water. After a long struggle, Tezcatlipoca and Quetzalcoatl managed to rip her body in two — from the upper half came the sky, and from the lower came the earth. She remained alive, however, and demanded human blood as repayment for her sacrifice."
"The other gods were angered to hear of Tlaltecuhtli's treatment and decreed that the various parts of her dismembered body would become the features of the new world. Her skin became grasses and small flowers, her hair the trees and herbs, her eyes the springs and wells, her nose the hills and valleys, her shoulders the mountains, and her mouth the caves and rivers."
"According a source, all the deities of the earth are female, except the advocation of Tezcatlipoca, which is Tepeyollotl, 'heart of the hill', and Tlaltecuthli, 'lord earth', which the latter is formed by the center of the body of Cipactli, which is It owes its other name, Tlalticpaque, 'lord of the world'. Tlaltecuhtli meets Coatlicue as a consort as the devourer, and Coatlicue as the one who gives continuous birth to new beings, men and animals."
Rites and rituals: "Tlatlecuhtli's head is shown flung back with a serpent tongue and a sacrificial knife between her teeth Since Tlaltecuhtli's body was transformed into the geographical features, the Mexica attributed strange sounds from the earth as either the screams of Tlaltecuhtli in her dismembered agony, or her calls for human blood to feed her. As a source of life, it was thought necessary to appease Tlaltecuhtli with blood sacrifices, especially human hearts."
"The Aztecs believed that Tlatlecuhtli's insatiable appetite had to be satisfied or the goddess would cease her nourishment of the earth and crops would fail. The Mexica believe Tlaltecuhtli to swallow the sun between her massive jaws at dusk, and regurgitate it the next morning at dawn. The fear that this cycle could be interrupted, like during solar eclipses, was often the cause of uneasiness and increased ritual sacrifice."
"Tlaltecuhtli's connection to the sun ensured that she was included in the prayers offered to Tezcatlipoca before Aztec military campaigns. Finally, because of Tlatlecuhtli's association with fertility, midwives called on her aid during difficult births—when an "infant warrior" threatened to kill the mother during labor." (Then there is the Gender identity debate based on this Goddess) Then when observing the images, you can see that this image connect to the "Tzitzimitl". Based from the Wiki states this: "In Aztec mythology, a Tzitzimitl is a monstrous deity associated with stars. They were depicted as skeletal female figures wearing skirts often with skull and crossbone designs. In postconquest descriptions they are often described as "demons" or "devils", but this does not necessarily reflect their function in the prehispanic belief system of the Aztecs."
"The Tzitzimimeh were female deities, and as such related to fertility, they were associated with the Cihuateteo and other female deities such as Tlaltecuhtli, Coatlicue, Citlalicue and Cihuacoatl and they were worshipped by midwives and parturient women. The leader of the tzitzimimeh was the goddess Itzpapalotl who was the ruler of Tamoanchan, the paradise where the Tzitzimimeh resided. The Tzitzimimeh were also associated with the stars and especially the stars that can be seen around the Sun during a solar eclipse."
"This was interpreted as the Tzitzimimeh attacking the Sun, thus causing the belief that during a solar eclipse, the tzitzimime would descend to the earth and possess men. It was said that if the Tzitzimimeh could not start a bow fire in the empty chest cavity of a sacrificed human at the end of a 52-year calendar round, the fifth sun would end and they would descend to devour the last of men."
"The Tzitzimimeh were also feared during other ominous periods of the Aztec world, such as during the five unlucky days called Nemontemi which marked an unstable period of the year count, and during the New Fire ceremony marking the beginning of a new calendar round; both were periods associated with the fear of change. The Tzitzimimeh had a double role in Aztec religion: they were protectresses of the feminine and progenitresses of mankind. They were also powerful and dangerous, especially in periods of cosmic instability."
Now, there are verses that implicate the Lord as having "eyes", if this pertain to the eyes of the Peacock. 2 Chronicles 16:9 "For the eyes of the LORD run to and fro throughout the whole earth, to shew himself strong in the behalf of them whose heart is perfect toward him. Herein thou hast done foolishly: therefore from henceforth thou shalt have wars."
Revelation Chapter 4:6 "And before the throne there was a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, were four beasts full of eyes before and behind." I often think if this also refers to the Peacock angel as well...
Here in the Wiki about Itzapapalotl states this: "In Aztec religion, Ītzpāpālōtl ("Obsidian Butterfly") was a striking skeletal warrior goddess who ruled over the paradise world of Tamoanchan, the paradise of victims of infant mortality and the place identified as where humans were created. She is the mother of Mixcoatl and is particularly associated with the moth Rothschildia orizaba from the family Saturniidae. Some of her associations are birds and fire."
"However, she primarily appears in the form of the Obsidian Butterfly. Itzpapalotl's name can either mean "obsidian butterfly" or "clawed butterfly"; the latter meaning seems most likely. It's quite possible that clawed butterfly refers to the bat and in some instances Itzpapalotl is depicted with bat wings. However, she can also appear with clear butterfly or eagle attributes. Her wings are obsidian or tecpatl (flint) knife tipped.
(In the Manuscript of 1558, Itzpapalotl is described as having "blossomed into the white flint, and they took the white and wrapped it in a bundle")
"She could appear in the form of a beautiful, seductive woman or terrible goddess with a skeletal head and butterfly wings supplied with stone blades. Although the identity remains inconclusive, the Zapotec deity named Goddess 2J by Alfonso Caso and Ignacio Bernal may be a Classic Zapotec form of Itzpapalotl. In many instances Goddess 2J, whose image is found on ceramic urns, is identified with bats. "In folklore, bats are sometimes called "black butterflies". Itzpapalotl is sometimes represented as a goddess with flowing hair holding a trophy leg. The femur is thought by some scholars to have significance as a war trophy or a sacred object in Pre-Hispanic art."
"Itzpapalotl is the patron of the day and associated with the stars Cozcuauhtli and Trecena 1 House in the Aztec calendar. The Trecena 1 House is one of the five western trecena dates dedicated to the cihuateteo, or women who had died in childbirth. Not only was Itzpapalotl considered one of the cihuateteo herself, but she was also one of the tzitzimime, star demons that threatened to devour people during solar eclipses. One of the prominent aspects of the ritual surrounding Itzpapalotl relates to the creation story of the Aztec tribe, the Chichimec."
"The ritual is illustrated in the sixteenth century document known as the Map of Cuauhtinchan No. 2. An illustration from this document shows Chichimec warriors emerging out of a seven-chambered cave behind Itzpapalotl. The deity is shown brandishing a severed leg, thought to be a symbol of battle. Beginning in the 1990s, archeologists exploring the Barranca Del Aguila region, southwest of Mexico City, have discovered caves carved to simulate the seven chambered cave, known as Chicomoztoc, from the ritual creation narrative."
"According to the Manuscript of 1558, section VII, Itzpapalotl was one of two divine 2-headed doe-deers (the other one being Chimalman) who temporarily transformed themselves into women in order to seduce men. Itzpapalotl approached the two "cloud serpents named Xiuhnel and Mimich", who transformed themselves into men (so as to disguise themselves when all the others of the Centzonmimixcoa had been slain in the ambush?). To Xiuhnel, Itzpapalotl said "Drink, Xiuhnel." Xiuhnel drank the blood and then immediately lay down with her. Suddenly she ... devoured him, tore open his breast. ... Then Mimich ... ran and ... descended into a thorny barrel cactus, fell into it, and the woman fell down after him."
"In the myth-history narrative of the Annales de Cuauhtitlan, the cloud deity victims take the form of deer, the hearts of whom are eaten by Itzpapalotl. The theme of the heart devouring goddess appears in other global mythologies."
It states that she is known to be called the "two headed Deer", thus a link to the double headed Peacock. Here reveals the "Peacock" symbolism. Based from "The Testament of Amram" details the Watcher with "eyes" on his cloak.
Then there is a race called "Tzitzimitl" detailing this: "In Aztec mythology, a Tzitzimitl is a monstrous deity associated with stars. They were depicted as skeletal female figures wearing skirts often with skull and crossbone designs. In Postconquest descriptions they are often described as "demons" or "devils" - but this does not necessarily reflect their function in the prehispanic belief system of the Aztecs."
"The Tzitzimimeh were female deities, and as such related to fertility, they were associated with the Cihuateteo and other female deities such as Tlaltecuhtli, Coatlicue, Citlalicue and Cihuacoatl and they were worshipped by midwives and parturient women. The leader of the tzitzimimeh was the goddess Itzpapalotl who was the ruler of Tamoanchan - the paradise where the Tzitzimimeh resided."
"The Tzitzimimeh were also associated with the stars and especially the stars that can be seen around the Sun during a solar eclipse. This was interpreted as the Tzitzimimeh attacking the Sun, thus causing the belief that during a solar eclipse, the tzitzimime would descend to the earth and possess men. It was said that if at the end of a 52-year calendar round, that if they could not start a bow fire in the empty chest cavity of a sacrificed human, that the fifth sun would end, and tzitzimimes would descend to devour the last of men. The Tzitzimimeh were also feared during other ominous periods of the Aztec world, such as during the five unlucky days called Nemontemi which marked an unstable period of the year count, and during the New Fire ceremony marking the beginning of a new calendar round - both were periods associated with the fear of change. The Tzitzimimeh had a double role in Aztec religion: they were protectresses of the feminine and progenitresses of mankind. They were also powerful and dangerous, especially in periods of cosmic instability."
So, could these goddesses be known for the "Skull and Cross bones", thus connecting to the Skull and Cross bone society? Then there is Skull and Cross bone symbolism among the Nazis as well.
Did you know that the movie "Indiana Jones and the Temple of Doom", is based on the cult of Kali worshipers called "Thugee" (Which is where the term "Thug" comes from as one who swindles or is a deceiver). In the movie would detail a victim getting his heart pulled out by a Priest and the body is then thrown into the lava. But as the body is burnt, the heart combusts into flames until disintegration. This is what the heart of Jesus being burnt with fire resembles as the heart is sacrificed to the Sun god. It's noted that in the Movie Indiana Jones comes under control under witchcraft to which a Voodoo doll was made.
There is a story on "Krishna's heart" based on after his death and cremation, his heart was the only organ untouched. This is similar to the heart of Dionysus being the only organ left after the Titans tore him apart.
Then in the movie "Indiana Jones and the Temple of doom", would detail flayed human skin being hunged for display, thus paying homage to the goddess Kali, as shown below. Now, this again pay homage to the Aztec deity called "Xipe Totec", which is a god who would wear human skin around his body.
The "Predator" alien would "flay" off the skin of his victims, and a demon called "Pyramid head" (for obvious reasons), who in the movie "Silent Hill", is shown tearing the skin off a living victim. This is what the God of fire was warning about to the Children of Israel before they went into the land as this is the god Moloch. These are references towards Shiva who flays the tiger and wears the skin, as well Sun Wukong and Anubis would do this.
The human sacrifices that is done by the Aztecs all shows that is a connection from America to Europe, the Middle East and India. This is the god that God didn't want the Israelites to worship prior to going into the land. The symbol called "Sudasharna Chakra" as it is shown as a six-pointed star. This is the black God to which the whole world has always been worshiped from the ancient times. Then the irony is that they all have the six-pointed star which is the symbol of Moloch, who again is based on Dagon.
Now, in Judges 11:29-39, reveals a man having to "sacrifice" his virgin daughter to God after the promise of defeating the Ammonites. Let's see the excerpt: "29 Then the Spirit of the Lord came upon Jephthah, and he passed over Gilead, and Manasseh, and passed over Mizpeh of Gilead, and from Mizpeh of Gilead he passed over unto the children of Ammon. 30 And Jephthah vowed a vow unto the Lord, and said, If thou shalt without fail deliver the children of Ammon into mine hands, 31 Then it shall be, that whatsoever cometh forth of the doors of my house to meet me, when I return in peace from the children of Ammon, shall surely be the Lord's, and I will offer it up for a burnt offering. 32 So Jephthah passed over unto the children of Ammon to fight against them; and the Lord delivered them into his hands."
"33 And he smote them from Aroer, even till thou come to Minnith, even twenty cities, and unto the plain of the vineyards, with a very great slaughter. Thus the children of Ammon were subdued before the children of Israel. 34 And Jephthah came to Mizpeh unto his house, and, behold, his daughter came out to meet him with timbrels and with dances: and she was his only child; beside her he had neither son nor daughter."
"35 And it came to pass, when he saw her, that he rent his clothes, and said, Alas, my daughter! thou hast brought me very low, and thou art one of them that trouble me: for I have opened my mouth unto the Lord, and I cannot go back. 36 And she said unto him, My father, if thou hast opened thy mouth unto the Lord, do to me according to that which hath proceeded out of thy mouth; forasmuch as the Lord hath taken vengeance for thee of thine enemies, even of the children of Ammon."
"37 And she said unto her father, Let this thing be done for me: let me alone two months, that I may go up and down upon the mountains, and bewail my virginity, I and my fellows. 38 And he said, Go. And he sent her away for two months: and she went with her companions, and bewailed her virginity upon the mountains."
"39 And it came to pass at the end of two months, that she returned unto her father, who did with her according to his vow which he had vowed: and she knew no man. And it was a custom in Israel, 40 That the daughters of Israel went yearly to lament the daughter of Jephthah the Gileadite four days in a year."
Now, this is evidence of Human sacrifice being done after the "spirit of the Lord" came upon Jephtah. But then here in Jeremiah 19:4-6 "Because they have forsaken me, and have estranged this place, and have burned incense in it unto other gods, whom neither they nor their fathers have known, nor the kings of Judah, and have filled this place with the blood of innocents; 5 They have built also the high places of Baal, to burn their sons with fire for burnt offerings unto Baal, which I commanded not, nor spake it, neither came it into my mind: 6 Therefore, behold, the days come, saith the Lord, that this place shall no more be called Tophet, nor The valley of the son of Hinnom, but The valley of slaughter."
Now, just from this excerpt reveals that it "wasn't" this God's intention to have the Israelites do these things, but shows that Baal was involved in these rituals. It is apparent that the same situation was done from Abraham and his son Isaac, as he was going to sacrifice his son to God, but the angel had stopped him.
Then the popular sci-fi show called "V" (1983 and 2009), really details the connection of the reptilian Queen ruling over her kind, in the same fashion as the Queen of heaven. Now, in the last season of the last episode detailed the Queen crying blood, as she tries to enamor mankind with her power. This is very much the same way the Catholics do when they look up to the Queen of heaven, who as well, are shown with blood dripping from the eyes. I wonder if these apparent "apparitions" be done the same manner by these Extraterrestrial entities. Another theory is based on "Project Blue beam", as mere Holograms are used to manipulate the public masses. Now, the letter "V" can symbolize the "Vector" symbolism, or even "V" representing Kali's symbol as the Yoni.
Based from the website "greatdreams.com" states this excerpt: "The Peacock Angel in other Religions The Yezidis maintain that Tawsi Melek is manifest in all religions, although not always in the form of a peacock. It is because of this that the various manifestations of Tawsi Melek are not grouped together as being his various masks. The following are just a few of the various manifestations of Tawsi Melek in religions worldwide:
Murugan/Skanda/Sanat Kumara of the Hindus
Al-Khadir, the “Green Man,” of the Moslems King
Melchizedek of the Jews
St. George of the Knights Templar
Enki of the Sumerians
Dionysus of the Greeks
Osiris of the Egyptians
Quetzlcoatl of the Mexicans
Masaw of the Hopi Indians.
The Peacock Angel in Christianity:
"Since its inception, the Peacock Angel has been manifest in the Christian religion as the leader of the Seven Archangels, St. Michael, whose earthly reflection is St. George, which is a name for Al-Khadir (which is a Sufi for Tawsi Melek) The color ray associated with both Michael and Tawsi Melek is blue, and like Tawsi Melek’s Hindu manifestation of Karttikeya, the Commander of the Angelic Host, St. Michael serves a similar function in Christianity."
"The symbol of the peacock has long been embraced within Christianity. The bird was the original symbol of the Catholic Church (the peacock denoted the many-eyed church) and it was an early symbol of Jesus, denoting the Christ’s resurrection and immortality. Because of these associations to the Christ peacocks were commonly portrayed in medieval paintings hovering around the baby Jesus’s crib."
"During the time Jesus walked the Earth, and also afterwards, the peacock alternated with the phoenix as the symbol of immortality in both Egypt and the Middle East. It is for this reason that the peacock was associated with the Christian St. Barbara even though she was the patron saint of Heliopolis, the ancient home of the phoenix."
"The Pope's Peacock Standard on display at Charlemagne's Coronation One of the great mysteries of Jesus and his Apostles is the story of St. Thomas and how he became transformed into a peacock in India. According to legend, after embarking upon his proselytizing mission in Chennai, the southern India headquarters of the Peacock Angel as the Hindu Murugan, St. Thomas quickly attracted the censure of the local priesthood who resolved to kill him."
"But when they went to locate St. Thomas the apostle had transformed himself into a peacock and was thus very hard to track down. When they did finally capture St. Thomas the apostle died as a peacock rather than a man. Speculation suggests that St. Thomas may have associated the peacock with his master Jesus and united with him at the completion of his life."
Now, I had detailed that the Peacock symbolism pertains to the Black God Osiris who is the dragon god. So, after understanding who Dagon really is, and how this Atlantean religion came from the Dragon Gods from the skies, then everything started to make sense. The Michael battling the dragon god is based on Garuda who battles the Naga. It's noted that Melek Taus (Peacock Angel) is Quetzalcoatl, Osiris, Dionysus, Krishna, and Massau'u as the Lord of the Underworld and the God of fire.
Another interesting note was from Credo Mutwa's interview by David Icke, in the minute mark of 2:37-38, detailed a strange encounter before Icke's visit. He stated that there was a group of Americans that came to him and threatened to shut up or they'll kill his wife, and that some creature who goes by "Aza a Zar"? or Melchizedek is watching him. He doesn't detail any further but talks about Lake Titicaca and the UFOs. I couldn't make out the first name but it's an alternate name to Melchizedek. There are secret societies in Africa (and all over the world), but sure enough many secrets were spilled in that interview.....
Now, based from Dr. Bergrun's research and claims of working with NASA, he details how there are these huge cylindrical shaped ships creating energy rings on the planet Saturn. If this is the case, then could there be more to Saturn and how there is life beyond the Earth's atsmosphere? There is a video called "NASA discovers miracle of Kaaba (Infinite Radiation)", with Dr Abd Al-Baset Sayyid, of the Egyptian National Research Center (Aired in Saudi Arabia, 2005).
This Doctor states that when they had went to outer space, that Neil Armstrong (as the Doctor states) had taken pictures and states the earth as a "dark hanging sphere" - "who hung it?"
(Indicating that Allah is the one who hung the earth in it's place)
They also discovered that Earth emits radiation, and was written down in the Internet for 21 days (regarding the origin of this said radiation), but then disappeared. He then states that "there was intent for this not to be viewed, and thus was taken down"... But then the clip goes to where the radiation is really originating from, and turns out to be from the Kaaba. He states that they had found the radiation to be emitted from the Kaaba, and that it is considered a "short wave radiation".
NASA had zoomed in from where the radiation was coming from and saw that it's coming from the Kaaba. He said that the radiation is infinite as it reaches up to Mars and beyond. But the question is, "where is this radiation reaching up to?"
(There is a string of radiation reaching to the heavens)
So, when the Muslims go to do their pilgrimage of Hajj or Umrah, they would feel this "surge of energy" emanating from the Kaaba. (I know this from experience as I also visited the Kaaba, and had kissed the black stone three times) He states that the British Museum has three black stones in their possession, and that this black stone does not come from our Solar system... Can this "energy", that these cylindicral shaped ships are emitting, be based from the Kaaba on Earth? This energy would have to be same radiation that is mentioned by NASA as the "Van Allen" radiation belts. Otherwise, how or why would NASA not mention anything about this radiation coming from Mecca?
Here is an excerpt from the website Spiritual life.org on The Prophet Idris: "Hermes Trismegistus: Sayyid Ahmed Amiruddin has pointed out that Hermes Trismegistus is the builder of the Pyramids of Giza and has a major place in Islamic tradition. He writes, “Hermes Trismegistus is mentioned in the Quran in verse 19:56-57: ‘Mention, in the Book, Idris, that he was truthful, a prophet. We took him up to a high place ‘”. The Jabirian corpus contains the oldest documented source for the Emerald Tablet of Hermes Trismegistus, translated by Jābir ibn Hayyān(Geber) for the Hashemite Caliph of Baghdad Harun al-Rashid the Abbasid. Jābir ibn Hayyān, a Shiite, identified as Jābir al-Sufi, was a student of Ja’far al-Sadiq, Husayn ibn ‘Ali’s great grandson. Thus, for the Abbasid’s and the Alid’s, the writings of Hermes Trismegistus were considered sacred, as an inheritance from the Ahl al-Bayt and the Prophets. These writings were recorded by the Ikhwan al-Safa, and subsequently translated from Arabic into Persian, Turkish, Hebrew, Russian, and English. In these writings, Hermes Trismegistus is identified as Idris, the infallible Prophet who traveled to outer space from Egypt, and to heaven, whence he brought back a cache of objects from the Eden of Adam and the Black Stone from where he landed on earth in India."
So, in Revelations 12:7-12 details the struggle in the Heavens and how the Dragon and his angels came to Earth, thus is linked to Thoth and the Atlanteans coming down to meet the indigenous inhabitants of the Earth (hairy barbarians as stated in the Emerald Tablets). The twist is that the Emerald Tablets states they landed in Egypt as in North Africa, however, it's shown that they landed in "India" first (some accounts detail Sri Lanka as Adam had also landed there). Then from there they had met with a "dusky" race to which would be the Indians as they were all over India and Sumeria. This story ties in with Wesley Swift's info on the Sumerian accounts of the coming of the Dragon God and his people. This is why India is the most mysterious country on Earth because the Gods had landed there and why Hinduism (as this Ancient Atlantean cult) became the mother of all religions along with the worship of the Black Stone....
Here is information based on the "Black stone" to which came from a video by "Tim Hayes". Based from this Tohil Book (which I can't find the true title) states this:
(Mohammedanism) "There is a parallel between the Popol Vuh and Mohammedanism which is almost literal. We are told that in the last Chapter of the Popol Vuh that in the great white temple built by the last great prehistoric Kings of the Quiches there was preserved a cube of stone, black and polished, which was used for purposes of divination, such as crystal gazers yet practice, and such as the Jewish High Priest practiced the Urim and Thummim."
"The strange aspect of this is not that the stone was in the shape of a cube, or that it was black, or that it was smooth, all of which are the exact parallelisms to Mohammedan sacred stone at Mecca, but that the name of it and of the Temple where it was preserved was "Caabaha", meaning "House of sacrifice"; and Zakabaha, "White House of Sacrifices".
"Now the Arabian name is Kaaba meaning Square of Cube- not white Temple, as it does with the Quiche.But the similarity is so striking Brasseur de Bourbourg says that it was this coincidence which first opened his eyes to the astonishing parallelisms to other religious systems found in the Popol Vuh."
Next book states "Theosophy/The Word": "The implement of this God is, of course, as sacred as God himself, for the simple reason that it has absorbed his virtue. It is his festish, his symbol, it comes in time to represent him, to act as his surrogate, so to speak. So, it would seem, was the case in Atlantis. The sacred flint pickhammer of Poseidon became symbolic of him in the Island continent, it was probably kept wrapped up, in linen, in his temple, as the black stone of Jupiter-the stone into which the God had been turned when an infant-was kept in his shrine at Pergamos, or the arrows of "Huitzilopochtli" in his teocalli at Mexico."
"A similar stone fetished is that enshrined in the Kaaba at Mecca, where it is wrapped up in silks. From Atlantis this idea of Godhead may have spread to America on the one hand, and to Spain and Europe generally on the other, eventually reaching localities so widely apart as Egypt and Scandinavia. We find in the Myths of the Toltecs of Mexico mention of a certain Huemac or "Great hand" associated with Quetzalcoatl, the culture hero from the East, and perhaps identical with him, and in those of the Maya a Kab-ul or "working hand".
In case the reader doesn't know what the "stone that Zeus" had turned into is based, it's called the "Omphalos" stone. Here is what the Wiki states of this:
"An omphalos is a religious stone artifact, or baetylus. In Ancient Greek, the word ὀμφᾰλός (omphalós) means "navel". Among the Ancient Greeks, it was a widespread belief that Delphi was the center of the world. According to the myths regarding the founding of the Delphic Oracle, Zeus, in his attempt to locate the center of the earth, launched two eagles from the two ends of the world, and the eagles, starting simultaneously and flying at equal speed, crossed their paths above the area of Delphi, and so was the place where Zeus placed the stone."
"Omphalos is also the name of the stone given to Cronus. In the ancient world of the Mediterranean, it was a powerful religious symbol. Omphalos Syndrome refers to the belief that a place of geopolitical power and currency is the most important place in the world."
"Most accounts locate the Delphi omphalos in the adyton (sacred part of the temple) near the Pythia (oracle). The stone sculpture itself (which may be a copy), has a carving of a knotted net covering its surface, and a hollow center, widening towards the base."
"The omphalos represents the stone which Rhea wrapped in swaddling clothes, pretending it was Zeus, in order to deceive Cronus. (Cronus was the father who swallowed his children so as to prevent them from usurping him as he had deposed his own father, Uranus). Omphalos stones were believed to allow direct communication with the gods."
"Holland (1933) suggested that the stone was hollow to allow intoxicating vapours breathed by the Oracle to channel through it. Erwin Rohde wrote that the Python at Delphi was an earth spirit, who was conquered by Apollo and buried under the Omphalos. However, understanding of the use of the omphalos is uncertain due to destruction of the site by Theodosius I and Arcadius in the 4th century CE."
Exodus 28:30 "You shall put in the breastpiece of judgment the Urim and the Thummim, and they shall be over Aaron’s heart when he goes in before the Lord; and Aaron shall carry the judgment of the sons of Israel over his heart before the Lord continually."
Leviticus 8:8 Verse Concepts He then placed the breastpiece on him, and in the breastpiece he put the Urim and the Thummim."
Numbers 27:21 "Moreover, he shall stand before Eleazar the priest, who shall inquire for him by the judgment of the Urim before the Lord. At his command they shall go out and at his command they shall come in, both he and the sons of Israel with him, even all the congregation.”
Deuteronomy 33:8 "Of Levi he said, “Let Your Thummim and Your Urim belong to Your godly man, Whom You proved at Massah, With whom You contended at the waters of Meribah;"
Once again, the Black stone is mentioned time and time again. Here you can see why it's called the "Black Stone of Jupiter", and how this connects to the Black God Osiris. Interesting enough, the Kaaba's representation shows that this type of religious system came from Atlantis. Based from learning about the "Black Cube" of Saturn, there is a Children's show (?) called "Wonder over Yonder", as there is a scene of a "Black Cube" walking about while the song goes "Little Black Cube of Darkness". Based from the website "wanderoveryonder.fandom.com" states this:
"Little Black Cube of Darkness" is a short song that plays during the animatic credits of "The Fancy Party". It first plays on the radio during the chorus while the Black Cube starts up its car and drives away, then plays again in "The Battle Royale" after failing to pick up the Ring of Invincibility, and then plays in full throughout "The Black Cube".
Lyrics Part I
♪ I’m just a little black cube of darkness
♪ ♪ A little black cube of darkness
♪ ♪ Black cube of darkness
♪ ♪ A little black cube
♪ ♪ My edges are sharp, my corners are pointy
♪ ♪ My complexion’s opaque.
♪ ♪ Just looking, yeah looking, for a place to fit in
♪ ♪ But I’m never the right shape
♪ ♪ I’m just a little black cube of darkness
♪ ♪ A little black cube of darkness
♪ ♪ A little black cube of darkness
♪ ♪ A little black cube ♪
Part II ♪ Takin’ a positive attitude now, won’t let things drag me down
♪ ♪ Folks start to panic, I won’t get all manic ‘cause I’m floating off the ground
♪ ♪ My contours are sleek, my surface is shiny, nothing gets in my way
♪ ♪ My upbeat composure’s gonna help me find closure, what a wonderful day!
♪ ♪ I’m a little black cube (black cube) of sunshine
♪ ♪ A black cube (black cube) of sunshine
♪ ♪ Black cube (black cube) of sunshine ♪ ♪ A little black cube (He’s a little black cube) ♪
Part III ♪ Actin’ all chummy, try to help out somebody ♪ ♪ But they freak out, then I freak out
♪ ♪ Try to make conversation, but before I am able ♪ ♪ Well, I freak out, then they freak out
♪ ♪ Black cube of darkness
♪ ♪ Little black cube of darkness ♪ ♪ Black cube of darkness
♪ ♪ Little black cube ♪
Part IV ♪ Take a deep breath now
♪ ♪ Don’t do anything crazy
♪ ♪ Just don’t freak out, No, don’t freak out
♪ ♪ It’s a misunderstanding, sure that they’ll understand it unless they don’t understand it
♪ ♪ They never do understand it, but don’t freak out, never freak out ♪
Part V ♪ We’re all just little black cubes of darkness
♪ ♪ Little black cubes of darkness
♪ ♪ Little black cubes of darkness
♪ ♪ Little black cubes. :') ♪
Now I will continue: "This is, of course, a deification of the hand that wields the craftsman tool, as it's obvious from it's representations from the native manuscripts. Quetzalcoatl was the craftsman, the mason, the artificer cunning in the making of jewelry and beautiful things, whoc am out of the Atlantic. In his Maya-Quiche form of Tohil, he is represented by a stone flint."
"Here, then, we have the culture bringer who cam out of the sea actually represented by what seems to the central symbol and nucleus of the Atlantean culture complex. Moreover, he is associated with the planet Venus. Indeed, he is that planet. We will remember that the interpreter of that of the Aztec codex Telleriano-Remensis, says of him: They name him "one cane", which is the star Venus, of which they tell the fabled accredited among them. Tlauizcalpan Tecutli is the star Venus, the first created light before the deluge. "This star is Quetzalcoatl". This identification, of course, binds the various parts of the Atlantis complex together with double strength...."
(Atlantis in America by Lewis Spence and Paul Tice. continuing)
"...Quetzalcoatl it is also to be noted, "caused hurricanes" and "destroyed the world by the wind", as the God of the flint stone well might have done. But we find this "Great Hand" even more closely with Atlantis in the medieval legends associated with the Atlantic Ocean. In the map of Bianco dated 1436, is to be observed an Island having the strange legend underneath it "Yd Laman Satanaxio", generally translated "The Hand of Satan".
"Formalcani, an Italian writer, noticed it, and failed to understand the allusion until he chanced quite fortuitously to stumble on a reference to a similar name in an old Italian Romance, which told how, in a certain part of "India", a great hand rose everyday from the sea and carried off a number of the inhabitants into the Ocean. The tale is evidently eloquent of earthquake or similar catastrophe, of which seems to be a memory....."
(There is "This tree grows out of Hell" and another book)
"....Hurakan, although connected with the above quartettein the enumeration of titles of the Supreme deity, keeps aloof from the lower sphere in which these move at times, and is even invoked by Gucumatz, who calls him, among other names, Creator, he who begets and gives being. That he was held to be distinct, and worshiped as such by the Quiches, maybe seen from the fact that they had one high Priest for Gucumatz, and another for Tohil, another name for Hurakan, who seems to have ranked degree above the former."
"He represented the thunder and lightning, and his particular title seems to have been Heart of Heaven, under which were included the three phases of his attribute, the thunder, the lightning, the thunderbolt, or, as stated in another place, the flash, the track of the lightning, and the thunderbolt, another conception of a trinity. He is also called "Centre of the Earth" and is represented with thunder in his hand. The bird Voc is his messenger. Miller considers him a Sun God, probably because of the "Heart of Heaven", which means nothing."
"....while others hold him to be identical with the Tlalocs, the Mexican rain Gods. He is doubtless the same as Tohil, the leader of the Quiche Gods, who is represented by the sign of "water", but whose name signifies rumble, clash...he was also the God of fire, and as such gave his people fire by shaking his sandals."
"...Tohil and the other members of the trinity, Avilix, and Hacavitz, also represented the thunder, the lightning, and the thunderbolt, were a family of Gods given by the Creator...."
"The flint with which Brinton identifies Tohil, may perhaps, be the Black stone brought from the far East, and venerated in the temple of Kaaba. house of sacrifice, at Utatlan, but there is no confirmation by the Chroniclers....."
(this was based from the works of Hubert Howe Bancroft: "The Native Races")
(Secret teachings of all ages)
"...Xibalba he considers to be the shadowy or etherical sphere which, according to the Mystery teachings, was located within the body of the Planet itself. The fourth book of the Popol Vuh concludes with an account of the erection of a majestic temple, where was preserved a sacred black divining stone, cubicle in shape."
"Gucumatz of Quetzalcoatl, partakes of the many attributes of King Solomon: the account temple building of the Popol Vuh is a reminder of the story of Solomon's temple, and undoubtedly has a similar significance. Brasseur de Bourbourg was first attracted to the study of religious parallelism in the Popol Vuh by fact that the temple, together with the black stone which it contained, was named the Caabaha, a name astonishing similar to that of the Temple, or Caaba, which contains the "sacred black stone" of Islam."
(This was based from Manly P. Hall's "The secret teachings of all ages")
Now, let's break this down. So, they had mentioned Huracan and his bird messenger Voc which is similar to Zeus and the eagle and he is Quetzalcoatl who is known for the "flint stone" which is the black stone that fell from Heaven. First let's see what the Wiki states on Huracan:
Huracán ("one legged"), often referred to as U Kʼux Kaj, the "Heart of Sky",[2]is a Kʼicheʼ Maya god of wind, storm, fire and one of the creator deities who participated in all three attempts at creating humanity.[3]He also caused the Great Flood after the second generation of humans angered the gods. He supposedly lived in the windy mists above the floodwaters and repeatedly invoked "earth" until land came up from the seas. His name, understood as 'One-Leg', suggests god Kof Postclassic and Classic Maya iconography, a deity of lightning with one human leg,[4]and one leg shaped like a serpent. God K is commonly referred to as Bolon Tzacab or Kʼawiil and was a god associated with power, creation, and lightning.[5]The name may ultimately derive from huracan, a Carib word,[6]and the source of the words hurricane and or can (European windstorm).
Now let's see Chaac in the Wiki:
Chaac is the name of the Maya god of rain, thunder, and lightning. With his lightning axe, Chaac strikes the clouds, causing them to produce thunder and rain. Chaac corresponds to Tlaloc among the Aztecs....Chaac is usually depicted with a human body showing reptilian or amphibian scales, and with a non-human head evincing fangs and a long, pendulous nose. In the Classic style, a shell serves as his ear ornament. He often carries a shield and a lightning axe, the axe being personified by a closely related deity, K'awiil, called Bolon Dzacab in Yucatec.
Then K'awiil states this:
Kʼawiil, in the Post-Classic codices corresponding to God K, is a Maya deity identified with power, creation, and lightning.[1]He is characterized by a zoomorphic head, with large eyes, long, upturned snout and attenuated serpent foot.[2]As a creator god, K'awiil usually has a torch, stone celt, or cigar coming out of his forehead that symbolizes the spark of life. One of his legs does not end in a foot but in a snake with an open mouth, from which another being can emerge. As lightning and power personified, K'awiil is often carried like an axe by rain gods or as a sceptre by Maya rulers.
Then based on Sugaar states this:
In Basque mythology, Sugaar (also Sugar, Sugoi, Suarra, Maju) is the male half of a pre-Christian Basque deity associated with storms and thunder. He is normally imagined as a dragon or serpent. Unlike his female consort, Mari, there are very few remaining legends about Sugaar. The basic purpose of his existence is to periodically join with Mari in the mountains to generate the storms.
In one myth Sugaar seduces a Scottish princess in the village of Mundaka to father the mythical first Lord of Biscay, Jaun Zuria. This legend is believed to be a fabrication made to legitimize the Lordship o fBiscay as a separate state from Navarre, because there is no historical account of such a lord. Only the fact that the delegates of Mundaka were attributed with the formal privilege of being the first to vote in the Biltzar(Parliament) of the province may look as unlikely indication of the partial veracity of this legend.
Etymology:
The name Suga(a)r is derived from suge (serpent) and-ar (male), thus "male serpent".[1]The suggestions of a formation based on su(fire) and gar(flame), thus yielding "flame of fire" are considered folk etymology.[1]
Sugoi, another name of the same deity, has two possible interpretations, either a suge+o[h]i (former, "old serpent") or su+goi ("high fire"). There is no likely etymology for the third name of this god, Maju.
Local legends on Sugaar:
- In Ataun he is said to have two homes: in the caves of Amunda and Atarreta. He is said to have been witnessed crossing the sky in form of fire-sickle, what is considered presage of storms. In this area is also said that Sugaar punishes the children that disobey their parents.
- In Azkoitia Sugaar is clearly identified with Maju. He meets Mari on Fridays (the day of the akelarre or sabbat), conceiving then the storms.
- In Betelu Sugaar is known as Suarra and considered a demon. There they say that he travels
- through the sky in the shape of a fireball, between the mountains Balerdi and Elortalde.
Then this states in the Wiki: Herensuge is the name for a mythical dragon in the Basque language. In Basque mythology, dragons appear sparingly, sometimes with seven heads. Herensuge often also appear in the form of a serpent.[1]The seven heads were believed to be the offspring of the Herensuge dragon. When the little dragons were fully grown, they would fall off their mother's head. Only the god Sugaar is associated with this creature but more often with a serpent.
A legend describes a Navarrese knight, Teodosio de Goñi, who while making penance for double parricide in the Aralar Range rescues a woman that had been given as ransom to the dragon. When the chains that tie his ankles are bitten by the dragon and he sees no way of defeating it, the knight prays to Saint Michael to save him. In Heaven, the archangel is notified, but refuses to enter the fight without God. The archangel arrives with God over his head and decapitates the dragon, liberating Teodosio from his chains and ending his penance.
This legend is associated to the monastery of San Miguel de Aralar. It has been interpreted as a way of justifying the break from the religion and customs of pagan Basques and the adoption of Christianity and, specifically, the veneration for St. Michael. Otherwise, it is very similar to other European legends of knights and dragons, which likely had a significant influence on it.
Then comes the story of the "One legged One" in the Red Horn story. This story details some interesting connections to the fall of the Devil.
"The first incarnation of the chief of the devils, Herešgúnina, was called "One Legged One," since Earth Maker had created him with just one leg, and that was flat.1Others say that Earth Maker, from his place atop the sky, made him as the first man. When he was finished, he set him by the sun at its zenith to dry, but the excessive heat caused one of his legs to crack and fall off. Yet others say that the Earth maker dropped him, and the leg broke off when he hit the earth.2
Originally, he lived with his adopted sister in a hill after the fashion of Water spirits. She was abducted by buffalo because she allowed herself to be fooled by Trickster while One Legged One was away looking for a wife. The buffalo squeezed her waist so thin by carrying her between their horns that One Legged One made her the spirit chief of the ants.
It was One Legged One under the name Wareksankeka (< Wareksągéga,"He whose Upper Leg has been Cut [Off]."), who opposed Bladder, killing all of his brothers except the youngest, whom he whipped with a thorn bush. Bladder, whom Earth maker created to overcome the evil spirits plaguing mankind, hunted down One Legged One and eventually killed him by smashing him to pieces with a single kick,5or by pushing his body aside after beheading him. The youngest brother, who wounded One Legged One, turned out to be Morning Star.6As was only known to a few, when Bladder pushed One Legged One's body to the side during their beheading context, his head became the solar disk, which continually rebounds from east to west.
So, we see a common theme and that is the God called Zeus is a Dragon god. This is based on Poseidon who as they mentioned is known for the "flint stone" which is the Black stone of Atlantis. He is Typhon, Osiris and even Abraxas who is known to have serpents for legs and carrying a stick, to which One Legged One would be carrying in similar situation (Thorn Bush). I think there is a story that shows Zeus having serpentine legs as well, but as this the "one legged one" is the Dragon god. In China the dragon is known to control thunder and lightning, so I see this version of Zeus as the Dragon God relating to Hades and Poseidon, Saturn, Hermes, and Typhon. Then from the Basque the Dragon God called Sugaar would have a wife called "Mari" which I find connects to Mary or the Black Madonna. They are also known as Fuxi and Nuwa, Damballah and Ayida-Weddo (also Erzulie Dantor the Queen of Heaven Black Madonna again) and Typhon and Echidna as well. Sugaar connects to the seven headed dragon, to which will connect to the Buddha, Vishnu and the Lemurian symbolism.
Here it is known that this is Typhon and would be Saturn who is Shiva the Dragon God that had battled Garuda in the great war. This is why it's important to separate and discern what they are referring to as Zeus, because it's obvious that the "flint stone" is really the Black stone or Sivalingam to which came down with the Dragon Gods. Just as I had stated, there are two beings referred to as "Enoch" or "Thoth" and it goes back to Genesis 3:15 as the seed of the woman steps on the head of the serpent and the serpent biting the heel, is based on Garuda battling the Naga, Indra battling Vritra and Michael the Archangel battling Satan. The "one legged one" is the Dragon God that was defeated by the Angel to which were cast down from Heaven.
