Jupiter: “Do you know what this will do to people when they find out the truth?” Stinger:“I don’t think that most people would want to know the truth.” From the movie "Jupiter Ascending".....

Now, I'm going to dive further and make the connections of the practices of bloodletting, fire walking and human sacrifice to the god Murugan. Now, we know that Shiva is the one called "Tohil" as stated in the Popol Vuh. Here is an excerpt from Wiki's information of Tohil: "Tohil was the patron god of the Kʼicheʼ and was that of a fire deity and he was also both a sun god and the god of rain. Tohil was also associated with mountains and he was a god of war, sacrifice and sustenance."

"In the Kʼicheʼ epic Popul Vuh, after the first people were created, they gathered at the mythical Tollan, the Place of the Seven Caves, to receive their language and their gods. The Kʼicheʼ, and others, there received Tohil. Tohil demanded blood sacrifice from the Kʼicheʼ and so they offered their own blood and also that of sacrificed captives taken in battle. In the Popul Vuh this consumption of blood by Tohil is likened to the suckling of an infant by its mother." Tohil was the patron deity of the Kaweq lineage of the Kʼicheʼ. He was associated with a sacred deerskin bundle that was said to embody him, and one of his titles was Qajawal Kej ("Our Lord Deer"). The deity was associated with thunder, lightning and the sunrise."

Here is what the chapter "Shiva in the Bible", is based on as the Deer God is Cernunnos of the Celts.

In the Wiki states of Jacawitz: "Jacawitz (also spelt Jakawitz, Jakawits, Qʼaqʼawits and Hacavitz) was a mountain god of the Postclassic Kʼicheʼ Maya of highland Guatemala. He was the patron of the Ajaw Kʼicheʼ lineage and was a companion of the sun god Tohil. It is likely that he received human sacrifice. The word jacawitz means "mountain" in the lowland Maya language, and the word qʼaqʼawitz of the highland Maya means "fire mountain", which suggests that Jacawitz was mainly a fire deity, much like Tohil. In the Mam language, the similar word xqʼaqwitz means "yellow wasp" and the wasp was an important symbol of the deity and its associated lineage. In the Cholan languages, jacawitz means "first mountain", linking the god with the first mountain of creation."

Now, this is interesting as the term "Yellow Wasp", could connect to the God of fire in the Bible, as He sends the Hornets against the enemies of the Israelites.

Deuteronomy 7:20 "Moreover, the Lord your God will send the hornet against them, until those who are left and hide themselves from you perish."

Exodus 23:28 "I will send hornets ahead of you so that they will drive out the Hivites, the Canaanites, and the Hittites before you."

Joshua 24:12 "Then I sent the hornet before you and it drove out the two kings of the Amorites from before you, but not by your sword or your bow." Then when you look up "Beelzebub", they state it is a demon who is called "Lord of the Flies". But there are verses that state the Lord sending flies. 

Psalms 105:31 “He spake, and there came divers sorts of flies, and lice in all their coasts.”

Exodus 8:16-18 - "And the LORD said unto Moses, Say unto Aaron, Stretch out thy rod, and smite the dust of the land, that it may become lice throughout all the land of Egypt.And they did so; for Aaron stretched out his hand with his rod, and smote the dust of the earth, and it became lice in man, and in beast; all the dust of the land became lice throughout all the land of Egypt.And the magicians did so with their enchantments to bring forth lice, but they could not: so there were lice upon man, and upon beast."

Exodus 8:21-24 - "Else, if thou wilt not let my people go, behold, I will send swarms of flies upon thee, and upon thy servants, and upon thy people, and into thy houses: and the houses of the Egyptians shall be full of swarms of flies, and also the ground whereon they are.And I will sever in that day the land of Goshen, in which my people dwell, that no swarms of flies shall be there; to the end thou mayest know that I am the LORD in the midst of the earth.And I will put a division between my people and thy people: to morrow shall this sign be. And the LORD did so; and there came a grievous swarm of flies into the house of Pharaoh, and into his servants' houses, and into all the land of Egypt: the land was corrupted by reason of the swarm of flies."

Psalms 78:45 "He sent divers sorts of flies among them, which devoured them; and frogs, which destroyed them."

Isaiah 7:18 "And it shall come to pass in that day, that the LORD shall hiss for the fly that is in the uttermost part of the rivers of Egypt, and for the bee that is in the land of Assyria."

Now, according to John Lloyd Stephens, who visited the site of Tohil in the 1830s, states that the temple base measured 66 feet (20 m) square and it stood 33 feet (10 m) high. At that time the radial stairways were more-or-less intact. The number "33" along with the step pyramid connects to what Jacob saw in his dream, all indicating this God to be the Peacock Angel or the "Green Man".

Jeremiah 19:4,5,9 "Because they have forsaken me, and have estranged this place, and have burned incense in it unto other gods, whom neither they nor their fathers have known, nor the kings of Judah, and have filled this place with the blood of innocents. They have built also the high places of Baal, to burn their sons with fire for burnt offerings unto Baal, which I commanded not, nor spake it, neither came it into my mind: Therefore, behold, the days come, saith the LORD, that this place shall no more be called Tophet, nor The valley of the son of Hinnom, but The valley of slaughter. And I will cause them to eat the flesh of their sons and the flesh of their daughters, and they shall eat every one the flesh of his friend in the siege and straitness, wherewith their enemies, and they that seek their lives, shall straiten them."

1st Kings 18:25-28 "And Elijah said unto the prophets of Baal, Choose you one bullock for yourselves, and dress it first; for ye are many; and call on the name of your gods, but put no fire under. And they took the bullock which was given them, and they dressed it, and called on the name of Baal from morning even until noon, saying, O Baal, hear us. But there was no voice, nor any that answered. And they leaped upon the altar which was made. And it came to pass at noon, that Elijah mocked them, and said, Cry aloud: for he is a god; either he is talking, or he is pursuing, or he is in a journey, or peradventure he sleepeth, and must be awaked. And they cried aloud, and cut themselves after their manner with knives and lancets, till the blood gushed out upon them."

Now, the Shiites would do this self-mutilating practice on themselves with knives and swords on the Day of Ashura. This bloodletting act is strikingly similar to the practices done by the priest of Baal with whom the Prophet Elijah was dealing with in 1st Kings 18:28 “And they cried aloud, and cut themselves after their manner with knives and lancets, till blood gushed out upon them.” Even the name Ashura sounds like the Queen goddess Asherah, wife of El. Shockingly, the Chinese in their "Taoist festivals" would embue the same boodletting practice.

Then look at the pictures of the Ancient Aztecs, and how they would do the same bloodletting acts just like Priest of Baal in the Bible. To honor the god Tohil, they would pierce their ear lobes, their tongue and cut themselves in the "sameway" as the people (who worship Murugan) in Asia and elsewhere. Remember the eyes on this God...

Here below, details the human sacrifice that was being done towards the God Kulkukan. This God is Tohil as Baal in the Bible. This is the "black stone pillar" that is used to sacrifice the victims upon, and as they take their heart out, they call it the "Heart of God". This is what the story of Dionysus is based on, as the legend of the god who was torn up, but was resurrected with just his heart. Harold Krautz (Who studied the black goo) mentions a short Lovecraftian story of people sacrificing their children on a "black orifice stone". There is also Robert E. Howard's book called "The Black stone", as he states a similar ritual being done.

Then there is an article called "Allthatsinteresting.com: Mayan Child Sacrifices Found Buried With “Supernatural” Stones". "Researchers digging up an ancient Mayan city recently discovered nine child sacrifices buried with black stones that the Mayans believed held supernatural powers......"

In Robert Howard's book "Children of the night", details this excerpt: "...The cult worships the Dark Man, an ancient king of the Picts called Bran Mak Morn.....O'Donnel finds himself in earlier incarnation, when his name was Aryara and he was a member of the Sword People, one of the Aryan tribes involved in conquering Britain from the Picts. Still around are the "Children of the Night", snake-like people from whom the Picts conquered the land earlier and whom the Aryans consider vermin."

He begins to describe the "Children of the night": As Aryara, O'Donnel describes the Children of the Night as: Humans they were, of a sort, though I did not consider them so. They were short and stocky, with broad heads too large for their scrawny bodies. Their hair was snaky and stringy, their faces broad and square, with flat noses, hideously slanted eyes, a thin gash for a mouth, and pointed ears. They wore the skins of beasts, as did I, but these hides were but crudely dressed. They bore small bows and flint-tipped arrows, flint knives and cudgels. And they conversed in a speech as hideous as themselves, a hissing, reptilian speech that filled me with dread and loathing. They are frequently described as snakes or having snake-like qualities. The Aryan legends say that the Children—none of the Aryans know what they call themselves—used to own the land in an ancient "outworn age" until they were hunted and driven underground by the Picts."

(This sounds like the battle between the Aryans in India against the "Dasyus", the black tribes that were in the regions of China and India. See "The Real Aryans")

Now, it's interesting as the Book states of the worshipers to have long stringy "snake-like hair", only reminds me of the movie "Apocalyptico", to which the women's hair style were described the same way. Could they actually be depicting the black people's hair style? Reminds me of the Alien hairstyle from the Movie "Species"......

"Sun−worship, as the ancient religion of Atlantis, underlies all the superstitions of the colonies of that country. The Samoyed woman says to the sun, "When thou, god, risest, I too rise from my bed." Every morning even now the Brahmans stand on one foot, with their hands held out before them and their faces turned to the east, adoring the sun. "In Germany or France one may still see the peasant take off his hat to the rising sun." ("Anthropology," p. 361.)

The Romans, even, in later times, worshipped the sun at Emesa, under the name of Elagabalus, "typified in the form of a black conical stone, which it was believed had fallen from heaven." The conical stone was the emblem of Bel. Did it have relation to the mounds and pyramids? Sun−worship was the primitive religion of the red men of America. It was found among all the tribes. (Dorman, "Origin of Primitive Superstitions, p. 338.) The Chichimecs called the sun their father. The Comanches have a similar belief."

(Based from Ignatius Donnelly's "Atlantis: the antediluvian world". Read "Acts 19:35" about the "image" that fell from Heaven)

There was a bloodletting practice that was done by the monks in the earlier times of the Catholic Church, as it's the same as the Aztecs and the Murugan festival. The heart of Jesus is based on the heart of Dionysus, for after the Titans cuts him up to pieces, but was revived with either the phallus or the heart. The same story was done when Osiris was cut into pieces by Set, but was resurrected later on. Now, having to see this connection on where the "blood of Jesus" is based on the same sacrifices their sins. Since Shiva is Tohil, and Melek taus would connect to Osiris, Bacchus, and the Peacock Angel Melek Taus. Here states this:

Page 309 The MERCURY of Egypt, Teut-tat, is the same as the Gothic Thiod-tat, or query, Thiod-ad ?* Here we come, perhaps, at the origin of Qeoj. Jayadeva describes Buddha as bathing in blood, or sacrificing his life to wash away the offences of mankind, and thereby to make them partakers of the kingdom of heaven. On this the author of the Cambridge Key** says, "Can a Christian doubt that this Buddha was the type of the Saviour of the world ?" This Buddha the Cantab. supposes to have been Enoch.... (From the book "The Anacalypsis")

The God called Tohil would be considered the God of "atonement" who demands the shedding of blood. Based from the Nag Hammadi details an Angel called "Nebro" who was said to be "defiled" with blood. 

The dying and rising god appears through many myths, but it seems that it either details this god to be a woman or her son that dies and rises up again. This is where the story of Quetzalcoatl dying and rising again comes into play like the Phoenix, as well his symbol is Venus, which means that this deity connects to Aphrodite as the Queen of Heaven. Dionysus' story states that the Titans (sometimes Prometheus) slew Dionysus and tore him apart, with either the phallus or the heart left. Depending on the story states that Zeus (or Athena) takes the heart and regrows Dionysus through his thigh and becomes a fully formed god again, thus the dying and rising relationship. Below details the priest wearing the "crested" helmet, thus connecting to the God that came down from the skies. These Crest has the shape of the mushroom....

Here you can see the many "eyes" of this god which connects to the peacock symbolism. Kali is also called "Itzpapalotl" who is shown below as the goddess with "many eyes", which is "Obsidian Butterfly", or the black butterfly. The moth that she is associated with is strangely called "Rothschildia Orizaba" or the "Orizaba Moth". Based from learning about Huitzilopochtli, details that he coems forth from his mother and cuts his sister into pieces in the great battle. When seeing who the sister is, it's shown to be the Goddess Itzpapalotl, but under another name "Tlaltecuhtli". This story is similar to Set cutting up Osiris into pieces, and Dionysus/Bacchus being cut up into pieces. The same story goes for the Klamath legend on the Sky God Skell defeating and cutting up Llao the Lord of the Underworld.

Now, this moth is said to be apart of the "Saturniids", which are moths belonging to the "Lepidoptera" such as Royal silk moths and the Emperor Moths. Strangely again, the Giant Emperor Moth is also called "The Giant Peacock Moth" because it has many "eyes". So, the name "Rothschild" connects to this particular butterfly which has many "eyes" thus revealing that they worship this goddess. And the name "Giant peacock Moth" is also called "Saturnia Pyre", linking to Saturn which also relates to the goddess Kali who carries a sickle.

It is mentioned that this Goddess was featured in the book to film adaption called "No one gets out alive" (book by Adam Neville). Based from the Wiki states this:

"Plot Ambar, an undocumented Mexican immigrant, moves to Cleveland after the death of her mother. She used to take care of her ailing mother and could never live a normal life as her mother's condition deteriorated further. Ambar tells her friend that she relocated to the United States to support her mother. She finds a dilapidated boarding house run by Red; he demands the first month's rent up front, which Ambar gives him from a reserve of cash she appears to have saved up for her move."

"Soon odd things start happening to her both at the new boarding house and outside. One night she sees a man banging his head against the door, who she later learns is Red's sick brother, Becker." "She gives a co-worker the remainder of her savings to obtain a fake ID that will allow her to continue working but the co-worker betrays her, taking the money and quitting the next day. Ambar asks her boss for the co-worker's address and then an advance on her next pay but is fired instead. With no money, unable to receive help from Beto, a distant cousin, and not wanting to return to the house after the visions, Ambar is forced to call Red. They meet at a nearby cafe and Red promises to refund her deposit, but only if she returns to the house as he claims to not have enough cash on him."

"When they arrive at the boarding house, Ambar confronts Red since the cash is not in her room as promised. Becker forces Ambar into her room and she locks herself inside, joined by two Romanian women who have also moved into the boarding house. As Red and Becker are preparing the women to be taken down to the basement, Beto comes looking for Ambar but is killed by Becker."

"Becker takes one of the Romanian women downstairs; Red tells Ambar that his dad was an archeologist (as seen in the home movies at the start of the film) who brought back a stone box from his trip to Mexico in 1963. Something about the box led Red's father, along with his mother, Mary, to trap and murder women (the ghosts that Ambar has seen and heard throughout the house). Discovering what they had done, Red wanted to leave but Becker insisted on staying: each woman sacrificed improved Becker's health. Becker comes back and takes Ambar to the basement, where she sees the other girl decapitated. He ties Ambar to a stone slab in front of an altar where the box sits, opens the box and leaves the room, shutting the door behind him. Beto is still alive, unties amber and they try to escape. But it's only a dream."

"Ambar begins dreaming about her mother on her deathbed while a creature slowly emerges from the box and takes Ambar's head between its hands in order to read her mind and learn what Ambar has sacrificed. The dream reveals that Ambar killed her mother: she lied to her friend about her reason for moving to the USA and the money saved was originally to support her mother in the nursing home."

"This causes the monster, the Aztec goddess Ītzpāpālōtl (God of Paradise made possible through sacrifice), associated with the moth seen in the movie (Rothschildia erycina), to accept the sacrifice and retreat into the box. Ambar hears Becker and Red preparing the last girl for sacrifice. Becker notices he isn't healing. Amber grabs an ancient weapon from the study and goes upstairs where she injures Red and is then attacked by Becker."

"The Romanian woman tries to help but is thrown over the balcony and killed by him. Becker begins choking Amber but she slices his jugular and smashes his head with the weapon. She hears Red shuffling around in the next room and manages to get him downstairs and tied onto the stone table where she watches the monster bite off his head. As she is leaving the house her ankle, broken by Becker earlier, suddenly heals as she had sacrificed Red to the monster. In the background, Red can be seen as a ghost."

Here behind the Goddess is a "black box" from which she comes out from....

In the movie itself reveals the red and white paint shown on the female protagonist, thus connecting to the Goddess in the codex above (Moth symbolism is shown throughout the Movie as well). Now, based from the symbolism to the Goddess Itzapalotl, details the "Black butterfly" or "Obsidian butterfly" reference, and based from the excerpt "The deity is shown brandishing a severed leg, thought to be a symbol of battle...", does detail a connection to the Jaguar God Tezcatlipoca losing a leg to the "Earthmonster". This can also relate to the story of the Norse Tyr losing his hand to Fenrir the wolf as well.

Based from the excerpt states this on Tezcatlipoca: Creation histories: "In one of the Aztec accounts of creation, Quetzalcoatl and Tezcatlipoca joined forces to create the world. Before their act there was only the sea and the crocodilian earthmonster called Cipactli. To attract her, Tezcatlipoca used his foot as bait, and Cipactli ate it. The two gods then captured her, and distorted her to make the land from her body. After that, they created the people, and people had to offer sacrifices to comfort Cipactli for her sufferings. Because of this, Tezcatlipoca is depicted with a missing foot." "Another story of creation goes that Tezcatlipoca turned himself into the sun, but Quetzalcoatl was furious possibly because they were enemies, he is a night god or due to his missing foot, so he knocked Tezcatlipoca out of the sky with a stone club."

"Angered, Tezcatlipoca turned into a jaguar and destroyed the world. Quetzalcoatl replaced him and started the second age of the world and it became populated again. Tezcatlipoca overthrew Quetzalcoatl, forcing him to send a great wind that devastated the world, and the people who survived were turned into monkeys. Tlaloc, the god of rain, then became the sun. But he had his wife taken away by Tezcatlipoca. Angered in turn, he would not make it rain for several years until, in a fit of rage, he made it rain fire with the few people who survived the assault turning into the birds."

"Chalchihuitlicue the Water Goddess then became the sun. However, she was crushed by Tezcatlipoca's accusation that she only pretended to be kind. She cried for many years and the world was destroyed by the resulting floods. Those people who survived the deluge were turned into fish." Now, look at "Cipactli" the Earthmonster: "Cipactli (Classical Nahuatl: Cipactli "crocodile" or "caiman") was the first day of the Aztec divinatory count of 13 X 20 days (the tonalpohualli) and Cipactonal "Sign of Cipactli" was considered to have been the first diviner. In Aztec cosmology, the crocodile symbolized the earth floating in the primeval waters. According to one Aztec tradition, Teocipactli "Divine Crocodile" was the name of a survivor of the flood who rescued himself in a canoe and again repopulated the earth." "In the Mixtec Vienna Codex (Codex Vindobonensis Mexicanus I), Crocodile is a day associated with dynastic beginnings. In Aztec mythology, Cipactli was a primeval sea monster, part crocodilian, part fish, and part toad or frog, with indefinite gender. Always hungry, every joint on its body was adorned with an extra mouth."

"The deity Tezcatlipoca sacrificed a foot when he used it as bait to draw the monster nearer. He and Quetzalcoatl created the earth from its body. Karl A. Taube has noted that among the Formative-period Olmec and the pre-Hispanic Maya peoples, crocodilians were identified with rain-bringing wind, probably because of the widespread belief that wind and rain clouds are “breathed” out of cave openings in the earth. A series of Olmec-style basreliefs from Chalcatzingo in the state of Morelos portrays crocodilians breathing rain clouds from their upturned mouths. Portable green stone Olmec sculptures depict crocodilians in similar positions, indicating that they are probably also breathing."

"In the Maya tzolk'in, the day Cipactli corresponds to Imix. In the Mayan Popol Vuh, the name of the earthquake demon, Sipakna, apparently derives from Cipactli. Sipakna is the demon Sipak of 20th century Highland Maya oral tradition. In Migian, Cipactli is Quanai. In other versions, Cipactli is called Tlaltecuhtli, a deity referred to as the "earth monster".

Then based on "Tlaltecuhtli" states this in the Wiki: "Tlaltecuhtli (Classical Nahuatl, Tlāltēuctli) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos."

"In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, she had to be kept sated by human sacrifices which would ensure the continued order of the world." "According to a source, in the creation of the Earth, the gods did not tire of admiring the liquid world, no oscillations, no movements, so Tezcatlipoca and Quetzalcoatl thought that the newly created world should be inhabited. And for this, they made Mrs. Tlalcihuatl, 'Lady of the earth', come down from heaven, and Tlaltecuhtli, 'Lord of the earth', would be her consort."

"Tezcatlipoca and Quetzalcoatl create the Earth from the body of Cipactli, a giant alligator self-created in the Omeyocan. Tlaltecuhtli is known from several post-conquest manuscripts that surveyed Mexica mythology and belief systems, such as the Histoyre du méchique, Florentine Codex, and Codex Bodley, both compiled in the sixteenth century."

"Tlaltecuhtli is typically depicted as a squatting toad-like creature with massive claws, a gaping mouth, and crocodile skin, which represented the surface of the earth. In carvings, her mouth is often shown with a river of blood flowing from it or a flint knife between her teeth, a reference to the human blood she thirsted for. Her elbows and knees are often adorned with human skulls, and she sometimes appears with multiple mouths full of sharp teeth all over her body. In some images, she wears a skirt made of human bones and a star border, a symbol of her primordial sacrifice."

"Many sculptures of Tlaltecuhtli were meant only for the gods and were not intended to be seen by humans. She was often carved onto the bottom of sculptures where they made contact with the earth, or on the undersides of stone boxes called cuauhxicalli ("eagle box"), which held the sacrificial hearts she was so partial to. In reference to her mythological function as the support of the earth, Tlaltecuhtli was sometimes carved onto the cornerstones of temples, such as the pyramid platform at El Tajin....."

Creation narrative: "According to the Bodley Codex, there were four earth gods — Tlaltecuhtli, Coatlicue, Cihuacoatl and Tlazolteotl. In the Mexica creation story, Tlaltecuhtli is described as a sea monster (sometimes called Cipactli) who dwelled in the ocean after the fourth Great Flood. She was an embodiment of the chaos that raged before creation."

"One day, the gods Quetzalcoatl and Tezcatlipoca descended from the heavens in the form of serpents and found the monstrous Tlaltecuhtli (Cipactli) sitting on top of the ocean with giant fangs, crocodile skin, and gnashing teeth calling for flesh to feast on. The two gods decided that the fifth cosmos could not prosper with such a horrible creature roaming the world, and so they set out to destroy her. To attract her, Tezcatlipoca used his foot as bait, and Tlaltecuhtli ate it."

"In the fight that followed, Tezcatlipoca lost his foot and Tlaltecuhtli lost her lower jaw, taking away her ability to sink below the surface of the water. After a long struggle, Tezcatlipoca and Quetzalcoatl managed to rip her body in two — from the upper half came the sky, and from the lower came the earth. She remained alive, however, and demanded human blood as repayment for her sacrifice."

"The other gods were angered to hear of Tlaltecuhtli's treatment and decreed that the various parts of her dismembered body would become the features of the new world. Her skin became grasses and small flowers, her hair the trees and herbs, her eyes the springs and wells, her nose the hills and valleys, her shoulders the mountains, and her mouth the caves and rivers."

"According a source, all the deities of the earth are female, except the advocation of Tezcatlipoca, which is Tepeyollotl, 'heart of the hill', and Tlaltecuthli, 'lord earth', which the latter is formed by the center of the body of Cipactli, which is It owes its other name, Tlalticpaque, 'lord of the world'. Tlaltecuhtli meets Coatlicue as a consort as the devourer, and Coatlicue as the one who gives continuous birth to new beings, men and animals."

Rites and rituals: "Tlatlecuhtli's head is shown flung back with a serpent tongue and a sacrificial knife between her teeth Since Tlaltecuhtli's body was transformed into the geographical features, the Mexica attributed strange sounds from the earth as either the screams of Tlaltecuhtli in her dismembered agony, or her calls for human blood to feed her. As a source of life, it was thought necessary to appease Tlaltecuhtli with blood sacrifices, especially human hearts."

"The Aztecs believed that Tlatlecuhtli's insatiable appetite had to be satisfied or the goddess would cease her nourishment of the earth and crops would fail. The Mexica believe Tlaltecuhtli to swallow the sun between her massive jaws at dusk, and regurgitate it the next morning at dawn. The fear that this cycle could be interrupted, like during solar eclipses, was often the cause of uneasiness and increased ritual sacrifice."

"Tlaltecuhtli's connection to the sun ensured that she was included in the prayers offered to Tezcatlipoca before Aztec military campaigns. Finally, because of Tlatlecuhtli's association with fertility, midwives called on her aid during difficult births—when an "infant warrior" threatened to kill the mother during labor." (Then there is the Gender identity debate based on this Goddess) Then when observing the images, you can see that this image connect to the "Tzitzimitl". Based from the Wiki states this: "In Aztec mythology, a Tzitzimitl is a monstrous deity associated with stars. They were depicted as skeletal female figures wearing skirts often with skull and crossbone designs. In postconquest descriptions they are often described as "demons" or "devils", but this does not necessarily reflect their function in the prehispanic belief system of the Aztecs."

"The Tzitzimimeh were female deities, and as such related to fertility, they were associated with the Cihuateteo and other female deities such as Tlaltecuhtli, Coatlicue, Citlalicue and Cihuacoatl and they were worshipped by midwives and parturient women. The leader of the tzitzimimeh was the goddess Itzpapalotl who was the ruler of Tamoanchan, the paradise where the Tzitzimimeh resided. The Tzitzimimeh were also associated with the stars and especially the stars that can be seen around the Sun during a solar eclipse."

"This was interpreted as the Tzitzimimeh attacking the Sun, thus causing the belief that during a solar eclipse, the tzitzimime would descend to the earth and possess men. It was said that if the Tzitzimimeh could not start a bow fire in the empty chest cavity of a sacrificed human at the end of a 52-year calendar round, the fifth sun would end and they would descend to devour the last of men."

"The Tzitzimimeh were also feared during other ominous periods of the Aztec world, such as during the five unlucky days called Nemontemi which marked an unstable period of the year count, and during the New Fire ceremony marking the beginning of a new calendar round; both were periods associated with the fear of change. The Tzitzimimeh had a double role in Aztec religion: they were protectresses of the feminine and progenitresses of mankind. They were also powerful and dangerous, especially in periods of cosmic instability."

Now, there are verses that implicate the Lord as having "eyes", if this pertain to the eyes of the Peacock. 2 Chronicles 16:9 "For the eyes of the LORD run to and fro throughout the whole earth, to shew himself strong in the behalf of them whose heart is perfect toward him. Herein thou hast done foolishly: therefore from henceforth thou shalt have wars."

Revelation Chapter 4:6 "And before the throne there was a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, were four beasts full of eyes before and behind." I often think if this also refers to the Peacock angel as well...

Here in the Wiki about Itzapapalotl states this: "In Aztec religion, Ītzpāpālōtl ("Obsidian Butterfly") was a striking skeletal warrior goddess who ruled over the paradise world of Tamoanchan, the paradise of victims of infant mortality and the place identified as where humans were created. She is the mother of Mixcoatl and is particularly associated with the moth Rothschildia orizaba from the family Saturniidae. Some of her associations are birds and fire."

"However, she primarily appears in the form of the Obsidian Butterfly. Itzpapalotl's name can either mean "obsidian butterfly" or "clawed butterfly"; the latter meaning seems most likely. It's quite possible that clawed butterfly refers to the bat and in some instances Itzpapalotl is depicted with bat wings. However, she can also appear with clear butterfly or eagle attributes. Her wings are obsidian or tecpatl (flint) knife tipped.

(In the Manuscript of 1558, Itzpapalotl is described as having "blossomed into the white flint, and they took the white and wrapped it in a bundle")

"She could appear in the form of a beautiful, seductive woman or terrible goddess with a skeletal head and butterfly wings supplied with stone blades. Although the identity remains inconclusive, the Zapotec deity named Goddess 2J by Alfonso Caso and Ignacio Bernal may be a Classic Zapotec form of Itzpapalotl. In many instances Goddess 2J, whose image is found on ceramic urns, is identified with bats. "In folklore, bats are sometimes called "black butterflies". Itzpapalotl is sometimes represented as a goddess with flowing hair holding a trophy leg. The femur is thought by some scholars to have significance as a war trophy or a sacred object in Pre-Hispanic art."

"Itzpapalotl is the patron of the day and associated with the stars Cozcuauhtli and Trecena 1 House in the Aztec calendar. The Trecena 1 House is one of the five western trecena dates dedicated to the cihuateteo, or women who had died in childbirth. Not only was Itzpapalotl considered one of the cihuateteo herself, but she was also one of the tzitzimime, star demons that threatened to devour people during solar eclipses. One of the prominent aspects of the ritual surrounding Itzpapalotl relates to the creation story of the Aztec tribe, the Chichimec."

"The ritual is illustrated in the sixteenth century document known as the Map of Cuauhtinchan No. 2. An illustration from this document shows Chichimec warriors emerging out of a seven-chambered cave behind Itzpapalotl. The deity is shown brandishing a severed leg, thought to be a symbol of battle. Beginning in the 1990s, archeologists exploring the Barranca Del Aguila region, southwest of Mexico City, have discovered caves carved to simulate the seven chambered cave, known as Chicomoztoc, from the ritual creation narrative."

"According to the Manuscript of 1558, section VII, Itzpapalotl was one of two divine 2-headed doe-deers (the other one being Chimalman) who temporarily transformed themselves into women in order to seduce men. Itzpapalotl approached the two "cloud serpents named Xiuhnel and Mimich", who transformed themselves into men (so as to disguise themselves when all the others of the Centzonmimixcoa had been slain in the ambush?). To Xiuhnel, Itzpapalotl said "Drink, Xiuhnel." Xiuhnel drank the blood and then immediately lay down with her. Suddenly she ... devoured him, tore open his breast. ... Then Mimich ... ran and ... descended into a thorny barrel cactus, fell into it, and the woman fell down after him."

"In the myth-history narrative of the Annales de Cuauhtitlan, the cloud deity victims take the form of deer, the hearts of whom are eaten by Itzpapalotl. The theme of the heart devouring goddess appears in other global mythologies."

It states that she is known to be called the "two headed Deer", thus a link to the double headed Peacock. Here reveals the "Peacock" symbolism. Based from "The Testament of Amram" details the Watcher with "eyes" on his cloak.

In the show called "Berserk", actually details the same situation as the character Griffith sacrifices his friends to be eaten by the monsters from the Abyss, during the time of the "Solar Eclipse". The Beginning of "Gravity Falls" shows an alternate Introduction as the villain "Bill Cipher" takes over the world, a black hole is shown in the sky. The famous song by Sound Garden called "Black Hole Sun", details the people getting sucked into the black Sun. This is mentioned in Revelations 9:2-11, for when the sky and Sun darkens. Then there is the symbol of the black Sun in which, has an obscure history......

(Though I already know what the rapture came from, but could this be based on Blondie's song called "Rapture", as an alien invasion?)

David Bowie's song "Black Star" obviously gives a lot of hidden symbolism, as it also shows the Black Sun. The lyric in the beginning states "In the Villa of the Ormen", states "Villa" to mean a housing complex, and the term "Ormen" is supposed to mean "serpent" in the Old Norse language. Some sources pertain it to be the planet Saturn, but what is interesting is how they show a woman with a long tail. This subtly connects to "Helmayat el Zaytoun" Cairo, as the place where the Egyptian workers claim they saw people with tails living under the city. The woman holding the Skull may have a connection to the Aztec goddess Itzpapalotl, who comes forth from the stars to feast upon human flesh (this is done on the "Black Sun").

A candle stick that looks like the egg phallus from which comes forth the creature, then they show three men crucified on crosses, and a creature with dreadlocks carrying a sickle (which looks like worms) coming towards them. It seems like a sacrifice to the Aztec goddess Itzpapalotl (as Kali), as she also refered to the Peacock angel and the Saturnian goddess of the black sun. Though there are other theories based on this symbol, but it's interesting to see a certain symbol stand out amongst these connections.

Then there is a race called "Tzitzimitl" detailing this: "In Aztec mythology, a Tzitzimitl is a monstrous deity associated with stars. They were depicted as skeletal female figures wearing skirts often with skull and crossbone designs. In Postconquest descriptions they are often described as "demons" or "devils" - but this does not necessarily reflect their function in the prehispanic belief system of the Aztecs."

"The Tzitzimimeh were female deities, and as such related to fertility, they were associated with the Cihuateteo and other female deities such as Tlaltecuhtli, Coatlicue, Citlalicue and Cihuacoatl and they were worshipped by midwives and parturient women. The leader of the tzitzimimeh was the goddess Itzpapalotl who was the ruler of Tamoanchan - the paradise where the Tzitzimimeh resided."

"The Tzitzimimeh were also associated with the stars and especially the stars that can be seen around the Sun during a solar eclipse. This was interpreted as the Tzitzimimeh attacking the Sun, thus causing the belief that during a solar eclipse, the tzitzimime would descend to the earth and possess men. It was said that if at the end of a 52-year calendar round, that if they could not start a bow fire in the empty chest cavity of a sacrificed human, that the fifth sun would end, and tzitzimimes would descend to devour the last of men. The Tzitzimimeh were also feared during other ominous periods of the Aztec world, such as during the five unlucky days called Nemontemi which marked an unstable period of the year count, and during the New Fire ceremony marking the beginning of a new calendar round - both were periods associated with the fear of change. The Tzitzimimeh had a double role in Aztec religion: they were protectresses of the feminine and progenitresses of mankind. They were also powerful and dangerous, especially in periods of cosmic instability."

So,  could these goddesses be known for the "Skull and Cross bones", thus connecting to the Skull and Cross bone society? Then there is Skull and Cross bone symbolism among the Nazis as well.

Did you know that the movie "Indiana Jones and the Temple of Doom", is based on the cult of Kali worshipers called "Thugee" (Which is where the term "Thug" comes from as one who swindles or is a deciever). In the movie would detail a victim getting his heart pulled out by a Priest and the body is then thrown into the lava. But as the body is burnt, the heart combusts into flames until disintergration. This is what the heart of Jesus being burnt with fire resembles as the heart is sacrificed to the Sun god.

(There is a story on "Krishna's heart", based on after his death and cremation, his heart was the only organ untouched. This is similar to the heart of Dionysus being the only organ left after the Titans tore him apart)

Then in the movie "Indiana Jones and the Temple of doom", would detail flayed human skin being hunged for display, thus paying homage to the goddess Kali, as shown below. Now, this again pay homage to the Aztec deity called "Xipe Totec", which is a god who would wear human skin around his body.

The "Predator" alien would "flay" off the skin of his victims, and a demon called "Pyramid head" (for obvious reasons), who in the movie "Silent Hill", is shown tearing the skin off a living victim. This is what the God of fire was warning about to the Children of Israel before they went into the land as this is the god Moloch. 

The human sacrifices that is done by the Aztecs all shows that is a connection from America to Europe, the Middle East and India. This is the god that the God of fire didn't want the Israelites worship, prior to going into the land. The symbol called "Sudasharna Chakra" as it is shown as a six-pointed star. He is the peacock angel to which the whole world has always been worshiped from the ancient times. Then the irony is that they all have the six-pointed star which is the symbol of Moloch, who again is based on Peacock Angel.

Now, in Judges 11:29-39, reveals a man having to "sacrifice" his virgin daughter to God after the promise of defeating the Ammonites. Let's see the excerpt: "29 Then the Spirit of the Lord came upon Jephthah, and he passed over Gilead, and Manasseh, and passed over Mizpeh of Gilead, and from Mizpeh of Gilead he passed over unto the children of Ammon. 30 And Jephthah vowed a vow unto the Lord, and said, If thou shalt without fail deliver the children of Ammon into mine hands, 31 Then it shall be, that whatsoever cometh forth of the doors of my house to meet me, when I return in peace from the children of Ammon, shall surely be the Lord's, and I will offer it up for a burnt offering. 32 So Jephthah passed over unto the children of Ammon to fight against them; and the Lord delivered them into his hands."

"33 And he smote them from Aroer, even till thou come to Minnith, even twenty cities, and unto the plain of the vineyards, with a very great slaughter. Thus the children of Ammon were subdued before the children of Israel. 34 And Jephthah came to Mizpeh unto his house, and, behold, his daughter came out to meet him with timbrels and with dances: and she was his only child; beside her he had neither son nor daughter."

"35 And it came to pass, when he saw her, that he rent his clothes, and said, Alas, my daughter! thou hast brought me very low, and thou art one of them that trouble me: for I have opened my mouth unto the Lord, and I cannot go back. 36 And she said unto him, My father, if thou hast opened thy mouth unto the Lord, do to me according to that which hath proceeded out of thy mouth; forasmuch as the Lord hath taken vengeance for thee of thine enemies, even of the children of Ammon."

"37 And she said unto her father, Let this thing be done for me: let me alone two months, that I may go up and down upon the mountains, and bewail my virginity, I and my fellows. 38 And he said, Go. And he sent her away for two months: and she went with her companions, and bewailed her virginity upon the mountains."

"39 And it came to pass at the end of two months, that she returned unto her father, who did with her according to his vow which he had vowed: and she knew no man. And it was a custom in Israel, 40 That the daughters of Israel went yearly to lament the daughter of Jephthah the Gileadite four days in a year."

Now, this is evidence of Human sacrifice being done after the "spirit of the Lord" came upon Jephtah. But then here in Jeremiah 19:4-6 "Because they have forsaken me, and have estranged this place, and have burned incense in it unto other gods, whom neither they nor their fathers have known, nor the kings of Judah, and have filled this place with the blood of innocents; 5 They have built also the high places of Baal, to burn their sons with fire for burnt offerings unto Baal, which I commanded not, nor spake it, neither came it into my mind: 6 Therefore, behold, the days come, saith the Lord, that this place shall no more be called Tophet, nor The valley of the son of Hinnom, but The valley of slaughter."

Now, just from this excerpt reveals that it "wasn't" this God's intention to have the Israelites do these things, but shows that Baal was involved in these rituals. It is apparent that the same situation was done from Abraham and his son Isaac, as he was going to sacrifice his son to God, but the angel had stopped him.

This clearly distinguishes one God from the other, as one is known to have groves and the other hates groves. The Bees symbolism is shown amongst the Wickerman movie and the six-pointed star, as it's one of the symbols of Dagon. Then the popular sci-fi show called "V" (1983 and 2009), really details the connection of the reptilian Queen ruling over her kind, in the same fashion as the Queen of heaven. Now, in the last season of the last episode detailed the Queen crying blood, as she tries to enamor mankind with her power.

This is very much the same way the Catholics do when they look up to the Queen of heaven, who as well, are shown with blood dripping from the eyes. I wonder if these apparent "apparitions" be done the same manner by these Extraterrestial entities. Another theory is based on "Project Blue beam", as mere Holograms are used to manipulate the public masses. Now, the letter "V" can symbolize the "Vector" symbolism, or even "V" representing Kali's symbol as the Yoni.

Based from the website "greatdreams.com" states this excerpt: "The Peacock Angel in other Religions The Yezidis maintain that Tawsi Melek is manifest in all religions, although not always in the form of a peacock. It is because of this that the various manifestations of Tawsi Melek are not grouped together as being his various masks. The following are just a few of the various manifestations of Tawsi Melek in religions worldwide:

Murugan/Skanda/Sanat Kumara of the Hindus

Al-Khadir, the “Green Man,” of the Moslems King

Melchizedek of the Jews

St. George of the Knights Templar

Enki of the Sumerians

Dionysus of the Greeks

Osiris of the Egyptians

Quetzlcoatl of the Mexicans Masaw of the Hopi Indians.

The Peacock Angel in Christianity:

"Since its inception, the Peacock Angel has been manifest in the Christian religion as the leader of the Seven Archangels, St. Michael, whose earthly reflection is St. George, which is a name for Al-Khadir (which is a Sufi for Tawsi Melek) The color ray associated with both Michael and Tawsi Melek is blue, and like Tawsi Melek’s Hindu manifestation of Karttikeya, the Commander of the Angelic Host, St. Michael serves a similar function in Christianity."

"The symbol of the peacock has long been embraced within Christianity. The bird was the original symbol of the Catholic Church (the peacock denoted the many-eyed church) and it was an early symbol of Jesus, denoting the Christ’s resurrection and immortality. Because of these associations to the Christ peacocks were commonly portrayed in medieval paintings hovering around the baby Jesus’s crib."

"During the time Jesus walked the Earth, and also afterwards, the peacock alternated with the phoenix as the symbol of immortality in both Egypt and the Middle East. It is for this reason that the peacock was associated with the Christian St. Barbara even though she was the patron saint of Heliopolis, the ancient home of the phoenix."

"The Pope's Peacock Standard on display at Charlemagne's Coronation One of the great mysteries of Jesus and his Apostles is the story of St. Thomas and how he became transformed into a peacock in India. According to legend, after embarking upon his proselytizing mission in Chennai, the southern India headquarters of the Peacock Angel as the Hindu Murugan, St. Thomas quickly attracted the censure of the local priesthood who resolved to kill him."

"But when they went to locate St. Thomas the apostle had transformed himself into a peacock and was thus very hard to track down. When they did finally capture St. Thomas the apostle died as a peacock rather than a man. Speculation suggests that St. Thomas may have associated the peacock with his master Jesus and united with him at the completion of his life."

Based from the information in "Galactic Warfare" 21&22, I had detailed that the Peacock symbolism pertains to the Black God Osiris who is the dragon god. So, after understanding who Michael the Archangel really is, and how this Atlantean religion came from the Dragon Gods from the skies, then everything started to make sense. The Michael battling the dragon god is based on Azazil and Red Horn who battles the different Gods. The original thoutht was this would be based on Michael the Archangel (as this is not the name of this being), but actually came with the Dragon God after the great battle, who is Thoth the Atlantean. In the "Testament of Amram" details the Watcher having a visage of a serpent and eyes like a Peacock. This pertains to Melek Taus. This is further addressed in the "Galactic Warfare series". 

Now, based from Dr. Bergrun's research and claims of working with NASA, he details how there are these huge cylindrical shaped ships creating energy rings on the planet Saturn. If this is the case, then could there be more to Saturn and how there is life beyond the Earth's atsmosphere? There is a video called "NASA discovers miracle of Kaaba (Infinite Radiation)", with Dr Abd Al-Baset Sayyid, of the Egyptian National Research Center (Aired in Saudi Arabia, 2005).

This Doctor states that when they had went to outer space, that Neil Armstrong (as the Doctor states) had taken pictures and states the earth as a "dark hanging sphere" - "who hung it?"

(Indicating that Allah is the one who hung the earth in it's place)

They also discovered that Earth emits radiation, and was written down in the Internet for 21 days (regarding the origin of this said radiation), but then disappeared. He then states that "there was intent for this not to be viewed, and thus was taken down"... But then the clip goes to where the radiation is really originating from, and turns out to be from the Kaaba. He states that they had found the radiation to be emitted from the Kaaba, and that it is considered a "short wave radiation".

NASA had zoomed in from where the radiation was coming from and saw that it's coming from the Kaaba. He said that the radiation is infinite as it reaches up to Mars and beyond. But the question is, "where is this radiation reaching up to?"

(There is a string of radiation reaching to the heavens)

So, when the Muslims go to do their pilgrimage of Hajj or Umrah, they would feel this "surge of energy" emanating from the Kaaba. (I know this from experience as I also visited the Kaaba, and had kissed the black stone three times) He states that the British Museum has three black stones in their possession, and that this black stone does not come from our Solar system... Can this "energy", that these cylindicral shaped ships are emitting, be based from the Kaaba on Earth? This energy would have to be same radiation that is mentioned by NASA as the "Van Allen" radiation belts. Otherwise, how or why would NASA not mention anything about this radiation coming from Mecca?

Here is information based on the "Black stone" to which came from a video by "Tim Hayes". Based from this Tohil Book (which I can't find the true title) states this:

(Mohammedanism) "There is a parallel between the Popol Vuh and Mohammedanism which is almost literal. We are told that in the last Chapter of the Popol Vuh that in the great white temple built by the last great prehistoric Kings of the Quiches there was preserved a cube of stone, black and polished, which was used for purposes of divination, such as crystal gazers yet practice, and such as the Jewish High Priest practiced the Urim and Thummim."

"The strange aspect of this is not that the stone was in the shape of a cube, or that it was black, or that it was smooth, all of which are the exact parallelisms to Mohammedan sacred stone at Mecca, but that the name of it and of the Temple where it was preserved was "Caabaha", meaning "House of sacrifice"; and Zakabaha, "White House of Sacrifices".

"Now the Arabian name is Kaaba meaning Square of Cube- not white Temple, as it does with the Quiche.But the similarity is so striking Brasseur de Bourbourg says that it was this coincidence which first opened his eyes to the astonishing parallelisms to other religious systems found in the Popol Vuh."

Next book states "Theosophy/The Word": "The implement of this God is, of course, as sacred as God himself, for the simple reason that it has absorbed his virtue. It is his festish, his symbol, it comes in time to represent him, to act as his surrogate, so to speak. So, it would seem, was the case in Atlantis. The sacred flint pickhammer of Poseidon became symbolic of him in the Island continent, it was probably kept wrapped up, in linen, in his temple, as the black stone of Jupiter-the stone into which the God had been turned when an infant-was kept in his shrine at Pergamos, or the arrows of "Huitzilopochtli" in his teocalli at Mexico."

"A similar stone fetished is that enshrined in the Kaaba at Mecca, where it is wrapped up in silks. From Atlantis this idea of Godhead may have spread to America on the one hand, and to Spain and Europe generally on the other, eventually reaching localities so widely apart as Egypt and Scandinavia. We find in the Myths of the Toltecs of Mexico mention of a certain Huemac or "Great hand" associated with Quetzalcoatl, the culture hero from the East, and perhaps identical with him, and in those of the Maya a Kab-ul or "working hand".

In case the reader doesn't know what the "stone that Zeus" had turned into is based, it's called the "Omphalos" stone. Here is what the Wiki states of this:

"An omphalos is a religious stone artifact, or baetylus. In Ancient Greek, the word ὀμφᾰλός (omphalós) means "navel". Among the Ancient Greeks, it was a widespread belief that Delphi was the center of the world. According to the myths regarding the founding of the Delphic Oracle, Zeus, in his attempt to locate the center of the earth, launched two eagles from the two ends of the world, and the eagles, starting simultaneously and flying at equal speed, crossed their paths above the area of Delphi, and so was the place where Zeus placed the stone."

"Omphalos is also the name of the stone given to Cronus. In the ancient world of the Mediterranean, it was a powerful religious symbol. Omphalos Syndrome refers to the belief that a place of geopolitical power and currency is the most important place in the world."

"Most accounts locate the Delphi omphalos in the adyton (sacred part of the temple) near the Pythia (oracle). The stone sculpture itself (which may be a copy), has a carving of a knotted net covering its surface, and a hollow center, widening towards the base."

"The omphalos represents the stone which Rhea wrapped in swaddling clothes, pretending it was Zeus, in order to deceive Cronus. (Cronus was the father who swallowed his children so as to prevent them from usurping him as he had deposed his own father, Uranus). Omphalos stones were believed to allow direct communication with the gods."

"Holland (1933) suggested that the stone was hollow to allow intoxicating vapours breathed by the Oracle to channel through it. Erwin Rohde wrote that the Python at Delphi was an earth spirit, who was conquered by Apollo and buried under the Omphalos. However, understanding of the use of the omphalos is uncertain due to destruction of the site by Theodosius I and Arcadius in the 4th century CE."

Exodus 28:30 "You shall put in the breastpiece of judgment the Urim and the Thummim, and they shall be over Aaron’s heart when he goes in before the Lord; and Aaron shall carry the judgment of the sons of Israel over his heart before the Lord continually."

Leviticus 8:8 Verse Concepts He then placed the breastpiece on him, and in the breastpiece he put the Urim and the Thummim."

Numbers 27:21 "Moreover, he shall stand before Eleazar the priest, who shall inquire for him by the judgment of the Urim before the Lord. At his command they shall go out and at his command they shall come in, both he and the sons of Israel with him, even all the congregation.”

Deuteronomy 33:8 "Of Levi he said, “Let Your Thummim and Your Urim belong to Your godly man, Whom You proved at Massah, With whom You contended at the waters of Meribah;"

Once again, the Black stone is mentioned time and time again. Here you can see why it's called the "Black Stone of Jupiter", and how this connects to the Black God Osiris. Interesting enough, the Kaaba's representation shows that this type of religious system came from Atlantis. Based from learning about the "Black Cube" of Saturn, there is a Children's show (?) called "Wonder over Yonder", as there is a scene of a "Black Cube" walking about while the song goes "Little Black Cube of Darkness". Based from the website "wanderoveryonder.fandom.com" states this:

"Little Black Cube of Darkness" is a short song that plays during the animatic credits of "The Fancy Party". It first plays on the radio during the chorus while the Black Cube starts up its car and drives away, then plays again in "The Battle Royale" after failing to pick up the Ring of Invincibility, and then plays in full throughout "The Black Cube".

Lyrics Part I

♪ I’m just a little black cube of darkness

♪ ♪ A little black cube of darkness

♪ ♪ Black cube of darkness

♪ ♪ A little black cube

♪ ♪ My edges are sharp, my corners are pointy

♪ ♪ My complexion’s opaque.

♪ ♪ Just looking, yeah looking, for a place to fit in

♪ ♪ But I’m never the right shape

♪ ♪ I’m just a little black cube of darkness

♪ ♪ A little black cube of darkness

♪ ♪ A little black cube of darkness

♪ ♪ A little black cube

Part II ♪ Takin’ a positive attitude now, won’t let things drag me down

♪ ♪ Folks start to panic, I won’t get all manic ‘cause I’m floating off the ground

♪ ♪ My contours are sleek, my surface is shiny, nothing gets in my way

♪ ♪ My upbeat composure’s gonna help me find closure, what a wonderful day!

♪ ♪ I’m a little black cube (black cube) of sunshine

♪ ♪ A black cube (black cube) of sunshine

♪ ♪ Black cube (black cube) of sunshine ♪ ♪ A little black cube (He’s a little black cube) ♪

Part III ♪ Actin’ all chummy, try to help out somebody ♪ ♪ But they freak out, then I freak out

♪ ♪ Try to make conversation, but before I am able ♪ ♪ Well, I freak out, then they freak out

♪ ♪ Black cube of darkness

♪ ♪ Little black cube of darkness ♪ ♪ Black cube of darkness

♪ ♪ Little black cube ♪

Part IV ♪ Take a deep breath now

♪ ♪ Don’t do anything crazy

♪ ♪ Just don’t freak out, No, don’t freak out

♪ ♪ It’s a misunderstanding, sure that they’ll understand it unless they don’t understand it

♪ ♪ They never do understand it, but don’t freak out, never freak out ♪

Part V ♪ We’re all just little black cubes of darkness

♪ ♪ Little black cubes of darkness

♪ ♪ Little black cubes of darkness

♪ ♪ Little black cubes. :') ♪

Now I will continue: "This is, of course, a deification of the hand that wields the craftsman tool, as it's obvious from it's representations from the native manuscripts. Quetzalcoatl was the craftsman, the mason, the artificer cunning in the making of jewelry and beautiful things, whoc am out of the Atlantic. In his Maya-Quiche form of Tohil, he is represented by a stone flint." 

"Here, then, we have the culture bringer who cam out of the sea actually represented by what seems to the central symbol and nucleus of the Atlantean culture complex. Moreover, he is associated with the planet Venus. Indeed, he is that planet. We will remember that the interpreter of that of the Aztec codex Telleriano-Remensis, says of him: They name him "one cane", which is the star Venus, of which they tell the fabled accredited among them. Tlauizcalpan Tecutli is the star Venus, the first created light before the deluge. "This star is Quetzalcoatl". This identification, of course, binds the various parts of the Atlantis complex together with double strength...." (Atlantis in America by Lewis Spence and Paul Tice. continuing) "...Quetzalcoatl it is also to be noted, "caused hurricanes" and "destroyed the world by the wind", as the God of the flint stone well might have done. But we find this "Great Hand" even more closely with Atlantis in the medieval legends associated with the Atlantic Ocean. In the map of Bianco dated 1436, is to be observed an Islandhaving the strange legend underneath it "Yd Laman Satanaxio", generally translated "The Hand of Satan".

"Formalcani, an Italian writer, noticed it, and failed to understand the allusion until he chanced quite fortuitously to stumble on a reference to a similar name in an old Italian Romance, which told how, in a certain part of "India", a great hand rose everyday from the sea and carried off a number of the inhabitants into the Ocean. The tale is evidently eloquent of earthquake or similar catastrophe, of which seems to be a memory....."

(There is "This tree grows out of Hell" and another book)

"....Hurakan, although connected with the above quartettein the enumeration of titles of the Supreme deity, keeps aloof from the lower sphere in which these move at times, and is even invoked by Gucumatz, who calls him, among other names, Creator, he who begets and gives being. That he was held to be distinct, and worshiped as such by the Quiches, maybe seen from the fact that they had one high Priest for Gucumatz, and another for Tohil, another name for Hurakan, who seems to have ranked degree above the former."

"He represented the thunder and lightning, and his particular title seems to have been Heart of Heaven, under which were included the three phases of his attribute, the thunder, the lightning, the thunderbolt, or, as stated in another place, the flash, the track of the lightning, and the thunderbolt, another conception of a trinity. He is also called "Centre of the Earth" and is represented with thunder in his hand. The bird Voc is his messenger. Miller considers him a Sun God, probably because of the "Heart of Heaven", which means nothing."

"....while others hold him to be identical with the Tlalocs, the Mexican rain Gods. He is doubtless the same as Tohil, the leader of the Quiche Gods, who is represented by the sign of "water", but whose name signifies rumble, clash...he was also the God of fire, and as such gave his people fire by shaking his sandals."

"...Tohil and the other members of the trinity, Avilix, and Hacavitz, also represented the thunder, the lightning, and the thunderbolt, were a family of Gods given by the Creator...."

"The flint with which Brinton identifies Tohil, may perhaps, be the Black stone brought from the far East, and venerated in the temple of Kaaba. house of sacrifice, at Utatlan, but there is no confirmation by the Chroniclers....."

(this was based from the works of Hubert Howe Bancroft: "The Native Races")

(Secret teachings of all ages)

"...Xibalba he considers to be the shadowy or etherical sphere which, according to the Mystery teachings, was located within the body of the Planet itself. The fourth book of the Popol Vuh concludes with an account of the erection of a majestic temple, where was preserved a sacred black divining stone, cubicle in shape."

"Gucumatz of Quetzalcoatl, partakes of the many attributes of King Solomon: the account temple building of the Popol Vuh is a reminder of the story of Solomon's temple, and undoubtedly has a similar significance. Brasseur de Bourbourg was first attracted to the study of religious parallelism in the Popol Vuh by fact that the temple, together with the black stone which it contained, was named the Caabaha, a name astonishing similar to that of the Temple, or Caaba, which contains the "sacred black stone" of Islam. "

(This was based from Manly P. Hall's "The secret teachings of all ages")

In the article "America: the constellation of the Eagle", details this: "It is a fact that at Memphis, Egypt, in the Pyramids, under the guidance of the Kings, the Mystic Rites were worked many thousands of years ago, but at that time Egypt and the continent of America were one and the same. In America, rediscovered in the fifteenth century and repopulated in the seventeenth, was recovered Egypt and the Promised Land, or the land of the Constellation of the Eagle. No matter how numerous or complicated the works of a lock may be, if but the right key be applied. The Great Pyramid proves to be the long-sought key to the mysteries at once of Mythology and of the great world religions. With the consequent wrecking of the continent of America when the globe became involved in the consequences of the disorder of the skies."

"America (known to the Mystic as Atlantis), when this ruin befell, was the seat of the greatest empire that has ever existed, and its irresistible armies were terrorizing all Europe and Asia. Study of the American constellations Scorpio, Sagittarius, and Capricornus, reveals the immemorial antiquity of the name of America, and the significance of the arms of the United States. The fact once recognized that it is impossible to separate the Eagle from America – the “Land shadowed with wings” of Isaiah, over which accordingly appear two grand eagles, the red swan flying down the milky way, and the winged steeds, Yegasus and Equelus, all the wings known to astronomy – without taking the Bear from Russia, Perseus from Persia, and a flood of light is poured upon the history and mythology; and where heretofore much has been vague and inscrutable, now we are able at least, to see men, as trees, walking. When, following the course of the constellations, those immovable and perpetually fastened upon America are reached, it will appear that, while all that is sublime in the historic past centers upon Egypt, all that is sublime in the prehistoric past centers upon America (Atlantis); and as the curtain which has hitherto concealed the prehistoric connection between the peoples of ancient Egypt and of America, is lifted, it will be seen that, the people of the Eagle on the Nile being descended from the original people of the Eagle on this Continent, the twain are one, and that prehistoric America was the Original Egypt or Eagle-land, prior to the mighty dispensation in the days of Peleg, when the earth was divided, and the great globe itself was nearly rent asunder."

"Says Agassiz: “First born among continents, America has been falsely denominated the New World. Hers was the first dry land lifted out of the Waters, hers was the first shore washed by the ocean that enveloped all the earth besides; and while Europe was represented only by islands rising here and there above the sea, America (Atlantis) already stretched in an unbroken line of land from Nova Scotia to the far West.”

"America was evidently peopled from the old continent, because there were only eight persons saved at the Deluge; the principal part of their posterity, during the whole of the first century after that event occupied the very center of Asia. Some say that America was peopled by the Carthaginians who possessed the Cape Verde Islands, which are only three weeks sail from that continent."

"Their ships, having women and children on board, might miss the intended Islands, before the invention of the compass; and if so, they would inevitably be driven by the Trade Winds to the coast of America. Others, judging from the similarity of some religious rites, have conjectured that it was peopled by the Ten Tribes at the dispersion of Israel. Some think it received its population from China or Japan; others that it was colonized by some wandering tribes of Japheth, who penetrated into the trackless regions of North America by the straits of Asian. Some have been bold enough to assert that America was not inundated at the Deluge, and that, consequently, the aborigines were Antediluvians, and the most ancient people on earth, (which last assertion is correct). "

"Others suppose that there were few individuals preserved on this vast continent at the Deluge that it might be without difficulty re-peopled. And we are told, “That America was peopled after the Deluge, at the same time as it were, with other parts of the earth equidistant from the spot where on the Ark is acknowledged to have grounded. For the grand division of the Eastern and Western Hemispheres through the natural effect of causes operating from the Deluge, did not take place till about half a century after that event; and thus a subject that has uniformly puzzled the most learned historians and philosophers, and given ground for the most elaborate dissertations, namely, the manner by which America was peopled, appears to be made simple and easy, as are all those questions that are submitted to the ordeal of truth, the infallible attestations of Holy Writ. Robertson supposes the Americans to have derived their original from the Asiatics; supports his conjecture by some ancient traditions amongst the Mexicans, which ascribe their primitive population to a horde from a remote country to the northwest; whose gradual progress from the northern coast, where they landed, to the interior provinces, is distinctly traced. And in the infancy of Christianity, Mexico is said to have been in a more advanced state of civilization than Denmark, Sweden, and Russia."

"From what people so ever Americans descended, or in whatever manner that vast continent was originally furnished with human beings; it is a certain that the first inhabitants brought with them a system of Mysteries which they applied to the purposes of Religious Worship, and though this system, in process of time, was almost entirely lost amongst the scattered tribes which led an erratic life in its deepest wilds, yet the Truths on which it was founded were preserved in a deteriorated form, by the two great nations which had planted themselves on each side of the Isthmus of Panama."

"Of this there can be no doubt. The Pyramids were built by Atlantians long centuries before Egypt was a civilized country. Why then were they built in Egypt instead of on some part of what is now America? Because Egypt was then the center of the earth and the Atlantians with their vast knowledge sought the center, for that will stand as long as time." from the page America is Atlantis federationmsta.org/Mysterious_America_Revealed.pdf) (See "Legends of Atlantis" for more connections to America)