Here we will dive into the works of Howard P. Lovecraft, and their esoteric meanings among these stories. The famous Howard P. Lovecraft would be known for his creatures and cosmic Horror stories, based on the unknown and such. Of course, the most known would be the octopus like creature called "Cthulhu", as a water dwelling god of the deep. (I will detail how this connects to gods in Revelations 12, in this form of adaption)
Here in the Wiki states this: "Cthulhu is a fictional cosmic entity created by writer H. P. Lovecraft and first introduced in the short story "The Call of Cthulhu", published in the American pulp magazine Weird Tales in 1928. Considered a Great Old One within the pantheon of Lovecraftian cosmic entities, the creature has since been featured in numerous popular culture references. Lovecraft depicts it as a gigantic entity worshipped by cultists, in shape like an octopus, a dragon, and a caricature of human form. Its name was given to the Lovecraft-inspired universe where it and its fellow entities existed, the Cthulhu Mythos."
"In "The Call of Cthulhu", H. P. Lovecraft describes a statue of Cthulhu as "A monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind." "Cthulhu is said to resemble an octopus, a dragon and a human caricature, hundreds of meters tall, with webbed human-looking arms and legs and a pair of rudimentary wings on its back. Its head is depicted as similar to the entirety of a gigantic octopus, with an unknown number of tentacles surrounding its supposed mouth. Lovecraft conceived a detailed genealogy for Cthulhu (published as "Letter 617" in Selected Letters) and made the character a central reference in his works. The short story "The Dunwich Horror" (1928) refers to Cthulhu, while "The Whisperer in Darkness" (1930) hints that one of his characters knows the creature's origins ("I learned whence Cthulhu first came, and why half the great temporary stars of history had flared forth."). The 1931 novella At the Mountains of Madness refers to the "star-spawn of Cthulhu", who warred with another race called the Elder Things before the dawn of man."
"August Derleth, a correspondent of Lovecraft, used the creature's name to identify the system of lore employed by Lovecraft and his literary successors: the Cthulhu Mythos. In 1937, Derleth wrote the short story "The Return of Hastur", and proposed two groups of opposed cosmic entities: the Old or Ancient Ones, the Elder Gods, of cosmic good, and those of cosmic evil, bearing many names, and themselves of different groups, as if associated with the elements and yet transcending them: for there are the Water Beings, hidden in the depths; those of Air that are the primal lurkers beyond time; those of Earth, horrible animate survivors of distant eons. :256 According to Derleth's scheme, "Great Cthulhu is one of the Water Elementals" and was engaged in an age-old arch-rivalry with a designated air elemental, Hastur the Unspeakable, described as Cthulhu's "half-brother" (Very important).
Then we go to "Hastur the Unspeakable", as the Wiki states this: "Hastur (The Unspeakable One, The King in Yellow, Him Who Is Not to be Named, Assatur, Xastur, H'aaztre, or Kaiwan) is an entity of the Cthulhu Mythos. Hastur first appeared in Ambrose Bierce's short story "Haïta the Shepherd" (1893) as a benign god of shepherds. Hastur is briefly mentioned in H. P. Lovecraft's The Whisperer in Darkness; previously, Robert W. Chambers had used the name in his own stories to represent both a person and a place associated with the names of several stars, including Aldebaran."
"In Chambers' The King in Yellow (1895), a collection of horror stories, Hastur is the name of a potentially supernatural character (in "The Demoiselle D'Ys"), a place (in "The Repairer of Reputations"), and mentioned without explanation in "The Yellow Sign". "The latter two stories also mention Carcosa, Hali, Aldebaran, and the Hyades, along with a "Yellow Sign" and a play called The King in Yellow. H. P. Lovecraft read Chambers' book in early 1927 and was so enchanted by it that he added elements of it to his own creations. There are two places in Lovecraft's own writings in which Hastur is mentioned: I found myself faced by names and terms that I had heard elsewhere in the most hideous of connections—Yuggoth, Great Cthulhu, Tsathoggua, Yog-Sothoth, R'lyeh, Nyarlathotep, Azathoth, Hastur, Yian, Leng, the Lake of Hali, Bethmoora, the Yellow Sign, L’mur-Kathulos, Bran, and the Magnum Innominandum—and was drawn back through nameless aeons and inconceivable dimensions to worlds of elder, outer entity at which the crazed author of the Necronomicon had only guessed in the vaguest way. — H. P. Lovecraft, "The Whisperer in Darkness".
"It is unclear from this quote if Lovecraft's Hastur is a person, a place, an object (such as the Yellow Sign), or a deity. This ambiguity is recurrent in Lovecraft's descriptions of mythic entities." Well, that can be broken down: H.P. Lovecraft knew his mythology very well which is why he masked his stories as these cosmic beings of the unknown".
The one called "Hastur the Yellow King" is like the Chinese god "Huang-di", as he is the "Yellow Emperor" that fought against Chiyou (Yandi) the "Flame Emperor". This is merely Zeus of the Skies battling Poseidon of the Seas, Marduk battling Tiamat of the Seas, and the Klamath God "Skell" of the skies battling "Llao" of the underworld....
Speaking of the battle between Hastur and Cthulu, here Job 41 states this on "Leviathan":
1Canst thou draw out leviathan with an hook? or his tongue with a cord which thou lettest down?
2Canst thou put an hook into his nose? or bore his jaw through with a thorn?
3Will he make many supplications unto thee? will he speak soft words unto thee?"
4Will he make a covenant with thee? wilt thou take him for a servant for ever?
5Wilt thou play with him as with a bird? or wilt thou bind him for thy maidens?
6Shall the companions make a banquet of him? shall they part him among the merchants?
7Canst thou fill his skin with barbed irons? or his head with fish spears?
8Lay thine hand upon him, remember the battle, do no more.
9Behold, the hope of him is in vain: shall not one be cast down even at the sight of him?
10None is so fierce that dare stir him up: who then is able to stand before me?
11Who hath prevented me, that I should repay him? whatsoever is under the whole heaven is mine.
12I will not conceal his parts, nor his power, nor his comely proportion.
13Who can discover the face of his garment? or who can come to him with his double bridle?
14Who can open the doors of his face? his teeth are terrible round about.
15His scales are his pride, shut up together as with a close seal."
16One is so near to another, that no air can come between them.
17They are joined one to another, they stick together, that they cannot be sundered.
18By his neesings a light doth shine, and his eyes are like the eyelids of the morning.
19Out of his mouth go burning lamps, and sparks of fire leap out.
20Out of his nostrils goeth smoke, as out of a seething pot or caldron.
21His breath kindleth coals, and a flame goeth out of his mouth.
22In his neck remaineth strength, and sorrow is turned into joy before him.
23The flakes of his flesh are joined together: they are firm in themselves; they cannot be moved.
24His heart is as firm as a stone; yea, as hard as a piece of the nether millstone."
25When he raiseth up himself, the mighty are afraid: by reason of breakings they purify themselves.
26The sword of him that layeth at him cannot hold: the spear, the dart, nor the habergeon.
27He esteemeth iron as straw, and brass as rotten wood.
28The arrow cannot make him flee: slingstones are turned with him into stubble.
29Darts are counted as stubble: he laugheth at the shaking of a spear.
30Sharp stones are under him: he spreadeth sharp pointed things upon the mire.
31He maketh the deep to boil like a pot: he maketh the sea like a pot of ointment.
32He maketh a path to shine after him; one would think the deep to be hoary.
33Upon earth there is not his like, who is made without fear.
34He beholdeth all high things: he is a king over all the children of pride.
It's very interesting as verse 8 states: "Lay thine hand upon him, remember the battle, do no more." Meaning this pertains to the battle between Michael and the Dragon God. Here these verses states this:
"4Will he make a covenant with thee? wilt thou take him for a servant for ever?"
"10None is so fierce that dare stir him up: who then is able to stand before me?"
"11Who hath prevented me, that I should repay him? whatsoever is under the whole heaven is mine."
"19Out of his mouth go burning lamps, and sparks of fire leap out."
"20Out of his nostrils goeth smoke, as out of a seething pot or caldron."
"21His breath kindleth coals, and a flame goeth out of his mouth."
"31He maketh the deep to boil like a pot: he maketh the sea like a pot of ointment."
"34He beholdeth all high things: he is a king over all the children of pride."
Then from these verses, does this not connect to Psalms 18:7,8 "Then the earth shook and trembled; the foundations also of the hills moved and were shaken, because he was wroth. There went up a smoke out of his nostrils, and fire out of his mouth devoured: coals were kindled by it."
Then states how the "whatsoever under the whole Heaven is mine", can connect to Psalms 47: "2For the LORD most high is terrible; he is a great King over all the earth. 3He shall subdue the people under us, and the nations under our feet. 4He shall choose our inheritance for us, the excellency of Jacob whom he loved. Selah. 5God is gone up with a shout, the LORD with the sound of a trumpet. 6Sing praises to God, sing praises: sing praises unto our King, sing praises. 7For God is the King of all the earth: sing ye praises with understanding."
Psalms 50: "7Hear, O my people, and I will speak; O Israel, and I will testify against thee: I am God, even thy God. 8I will not reprove thee for thy sacrifices or thy burnt offerings, to have been continually before me. 9I will take no bullock out of thy house, nor he goats out of thy folds. 10For every beast of the forest is mine, and the cattle upon a thousand hills. 11I know all the fowls of the mountains: and the wild beasts of the field are mine. 12If I were hungry, I would not tell thee: for the world is mine, and the fulness thereof. 13Will I eat the flesh of bulls, or drink the blood of goats? 14Offer unto God thanksgiving; and pay thy vows unto the most High: 15And call upon me in the day of trouble: I will deliver thee, and thou shalt glorify me."
Then Deuteronomy 32 states this: "37And he shall say, Where are their gods, their rock in whom they trusted, 38Which did eat the fat of their sacrifices, and drank the wine of their drink offerings? let them rise up and help you, and be your protection. 39See now that I, even I, am he, and there is no god with me: I kill, and I make alive; I wound, and I heal: neither is there any that can deliver out of my hand. 40For I lift up my hand to heaven, and say, I live for ever. 41If I whet my glittering sword, and mine hand take hold on judgment; I will render vengeance to mine enemies, and will reward them that hate me. 42I will make mine arrows drunk with blood, and my sword shall devour flesh; and that with the blood of the slain and of the captives, from the beginning of revenges upon the enemy."
Now, when we study how one God battles against another God, at times it's hard to sift through which is which, and as it depends on the Mythos due to one God's role switching overtime. I needed to compact together the aspects of both Gods, and see which ones we are dealing. For Example, the Chinese battle between Zhurong (fire God) and Gonggong (water god) is similarly based on this legend, as Gonggong was said to have a body of a serpent in the same form as Typhon, and have red hair. (Even the Black Madonna is also shown with black skin and red hair in some statues)
Now, the God "Typhon" is said to be Set as a "Fire and Storm God" battling Horus of the "Black Soil", and yet, in the Greek mythos, Typhon is described as a watery God with a body of a serpent, and has his consort "Echidna", who also is described as a woman who has a serpent's body. They both would have children like "Cerberus", the Lernaean "Hydra", the two headed dog "Othrus", the Chimera etc. (See "The Black God"). It's noted that Typhon is based on Cronus and Saturn, thus connecting to Osiris, while Set is the storm God that battles against this God.
Then when you look at the two Akkadian Gods "Lahmu and Lahamu" states this: "Lahamu (also Lakhamu, Lachos, Lumasi, or Assyro-Akkadian Lammasu) was the first-born daughter of Tiamat and Abzu in Akkadian mythology. With her brother Lahmu she is the mother of Anshar and Kishar, who were in turn parents of the first gods. Lahamu is sometimes seen as a serpent, and sometimes as a woman with a red sash and six curls on her head. It is suggested that the pair were represented by the silt of the sea-bed, but more accurately are known to be the representations of the zodiac, parent-stars, or constellations."
"Lahmu, meaning parent star or constellation, is the name of a protective and beneficent deity, the first-born son of Abzu and Tiamat. He and his sister Laḫamu are the parents of Anshar and Kishar, the sky father and earth mother, who birthed the gods of the Mesopotamian Pantheon. Laḫmu is depicted as a bearded man with a red sash – usually with three strands – and four to six curls on his head and they are also depicted as monsters, which each encompasses a specific constellation. He is often associated with the Kusarikku or "Bull-Man". In Sumerian times Laḫmu may have meant "the muddy one". Lahmu guarded the gates of the Abzu temple of Enki at Eridu. He and his sister Laḫamu are primordial deities in the Babylonian Epic of Creation Enuma Elis and Lahmu may be related to or identical with "Lahamu", one of Tiamat's creatures in that epic.
Then this connects to the God "Dumuzid", who was said to be called the "God of Shepherds and Flocks" (like Hastur), with his consort "Ishtar" (Or Innana). And then "Ningishzida", who was said to have a body of a serpent with a human head, and have his consort Azimua (Enki's wife, but Enki is again, a serpentine deity) Geshtinnana (still the same goddess as daughter of Enki, and sister of Dumuzid). It also states that Ningishzida could be female, but from seeing the "serpentine" symbolism, I can detail this to be Osiris and Isis amongst these forms. And "Lahmu", interestingly is called "The muddy one", as it pertains to Osiris of the "Black soil" as the Dragon God. It's based on Fuxi and Nuwa in the Chinese Myths.
Now, based on the Bird God "Leigong" states this: "Leigong or Leizhenzi (Bird God of Thunder and fire), is the god of thunder in Chinese folk religion, Chinese mythology and Taoism. In Taoism, when so ordered by heaven, Leigong punishes both earthly mortals guilty of secret crimes and evil spirits who have used their knowledge of Taoism to harm human beings. He carries a drum and mallet to produce thunder, and a chisel to punish evildoers. Leigong rides a chariot driven by a young boy named A Xiang."
"Leigong is depicted as a fearsome creature with claws, bat wings, and a blue face with a bird's beak who wears only a loincloth. Temples dedicated to him are rare, but some people honor him in the hope that he will take revenge on their personal enemies. He used to smile a lot and also wore a friendly face. Leigong began life as a mortal. While on earth, he encountered a peach tree that originated from Heaven during the struggle between the Fox Demon and one of the Celestial Warriors. When Leigong took a bite out of one of its fruit he was transformed into his godly form. He soon received a mace and a hammer that could create thunder."
The God that is granted immortality is based on the story of Sun Wukong and Garuda in Hinduism. This again connects to "Red Horn", as He is described as having red hair, being red from head to toe, and having the looks of a bird. This pertains to "Fudo Myoo" who would have the "Karura flames" (flames of Garuda), as He is Acala. And from the "thunder and lightning" aspect of Leigong, this is where the connections of Zeus is based on as the bird symbolism connects to Michael the Archangel.
Based from the "Galactic Warfare 1&2", I detail how AGNI (Set) in the original myth was depicted as a "Fiery bird" that fought the Dragon God Osiris.
Now, there is the Elephant Elder God called: "Chaugnar Faugn", also known as Chaugnar Faughn, The Elephant God or The Horror from the Hills, is a Great Old One who features in the H.P. Lovecraft-inspired Cthulhu Mythos." In the Chapter "The Encounters", this Elephant like being is mentioned in the "Alien mythology", as they are called "Space Jockeys", and then the later "Engineers". But let's see what the Wiki states here: "Chaugnar Faugn appears as a "statue" made from an unidentifiable element of a disgusting humanoid hybrid creature which combines the very worst aspects of the octopus, elephant, and human being. His proboscoid trunk sports a horrible lamprey-like mouth at the tip, which Chaugnar uses to drain his prey of their essence. This process also causes the victim to slowly transform into the likeness of The Elephant God himself. Chaugnar Faugn is also said to have five "brothers," but evidence would suggest that these beings are actually all avatars of the same interdimensional entity."
"Originally from a dimension very different from our own, Chaugnar Faugn travelled to Earth in its far distant past. Discovering that the dominant indigenous life was in the form of primitive amphibians, he proceeded to create a race of humanoid servant beings, naming them the Miri Nigri. Much later in Earth's prehistory, these Miri Nigri would eventually interbreed with early Man to create the horrible, cannibalistic Tcho-Tcho race. In the mid-twentieth century, an archaeological expedition sent by the Manhattan Museum of Fine Arts to Asia returned with what was assumed to be a statue of Chaugnar Faugn. Not realising what it really was, Chaugnar killed several people clandestinely in the night before embarking on a rampage across the city, killing and feeding upon many more. After tracking Chaugnar to the shore where it became trapped in mud by the river, a group of scientists and a mystic were eventually able to employ an experimental "anti-entropy ray" on the beast, which reduced it to the primordial sludge from which it was formed, although whether this was enough to permanently banish Chaugnar from the Earth remains to be seen."
It's very interesting as this mythos details the same description of the Elephant God Ganesha in Hinduism. He would be called a "Space Jockey" in the Alien Mythology, the helmet of the Engineers are modeled the same way, and even the beings that live under the Earth in the "Shaver Mysteries".
In the Wiki states this: "Ganesha, or Ganesh, also known as Ganapati and Vinayaka, is one of the best-known and most worshipped deities in the Hindu pantheon. His image is found throughout India, Nepal, Sri Lanka, Thailand, Bali (Indonesia) and Bangladesh and in countries with large ethnic Indian populations including Fiji, Mauritius and Trinidad and Tobago. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists. Although he is known by many attributes, Ganesha's elephant head makes him easy to identify. Ganesha is widely revered as the remover of obstacles, the patron of arts and sciences and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as patron of letters and learning during writing sessions. Several texts relate mythological anecdotes associated with his birth and exploits."
"Ganesha may have emerged as a deity as early as the 1st century BCE, but most certainly by the 4th and 5th centuries CE, during the Gupta period, though he inherited traits from Vedic and pre-Vedic precursors. Hindu mythology identifies him as the restored son of Parvati and Shiva of the Shaivism tradition, but he is a pan-Hindu god found in its various traditions. In the Ganapatya tradition of Hinduism, Ganesha is the supreme deity. The principal texts on Ganesha include the Ganesha Purana, the Mudgala Purana and the Ganapati Atharvashirsa. Brahma Purana and Brahmanda Purana are other two Puranic genre encyclopaedic texts that deal with Ganesha."
In Japan, He is called "Kangi-tin" : "Kangi-ten (Japanese: 歓喜天, "God of Bliss") is a god (deva or ten) in Shingon and Tendai schools of Japanese Buddhism. He is generally considered the Japanese Buddhist form of the Hindu god of wisdom, Ganesha and is sometimes also identified with the bodhisattva Avalokiteshvara. He is also known as Kanki-ten, Shō-ten ("sacred god" or "noble god"), Daishō-ten ("great noble god"), Daishō Kangi-ten , Tenson ("venerable god"), Kangi Jizai-ten , Shōden-sama, Vinayaka-ten, Binayaka-ten , Ganapatei and Zōbi-ten . Kangiten has many aspects and names, associated with Vajrayana (Esoteric Buddhist, Tantric, mantrayana) schools, Shingon being one of them. Although Kangiten is depicted with an elephant's head like Ganesha as a single male deity, his most popular aspect is the Dual(-bodied) Kangiten or the Embracing Kangiten depicted as an elephant-headed male-female human couple standing in an embrace."
In the Wiki states on the Space Jockey: "Space Jockey (or simply "The Pilot") is the nickname given to a type of extraterrestrial life form from the Alien series of movies and games. Aliens director James Cameron also called the creature the "Big Dental Patient". These large biomechanical creatures may be the first victims of the Xenomorphs (also seen in the Alien series) and perhaps also their creators. Their discovery was made in the first Alien movie, when the commercial starship Nostromo set down on the unsurveyed moon LV-426 in response to a signal interpreted as a distress call. The crew found a wrecked derelict spacecraft with a dead lifeform inside, apparently its pilot. Individual Space Jockeys have been observed to vary in appearance as well as abilities."
"...In the novelization of Alien by Alan Dean Foster Ash describes the Space Jockey's race as a noble people and hopes that mankind will encounter them under more pleasant circumstances. It also states that they were larger, stronger and possibly more intelligent than humans. The first Space Jockey was seen in the original Alien movie as a giant humanoid corpse sitting in front of a telescope-like device aboard the derelict craft. It had been there for an extremely long time, due to the fact the corpse was fossilized. The Jockey that the starship Nostromo's crew found aboard the derelict seemed to be growing out of the chair of the telescope, as if it had fused itself into it. Its rib cage was bent outward; it is evident that a Xenomorph escaped from the creature, though no adult Xenomorphs were encountered on the derelict but this can be explained that there would have been no food sources for them to live for long periods of time and the inhospitable environment of the planet."
"In the comics, the Jockey is shown to have an elephantine trunk. This is inconsistent with the original concept. An inspection of the concept art done by H.R. Giger, shows that the "trunk" is supposed to be an air hose and there is a helmet surrounding the Jockey's head. This is also supported by the fact that soft tissue such as elephant trunks do not fossilize. This does not leave out the possibility of a different kind of trunk, but the one depicted in the comics is very much like an elephant's. None of the works depicting the Jockey with a "trunk" are considered canon—the only canon appearance of the Space Jockey is in Alien and its novelization and directly related works. In an early script visualized but never written, the Pilot ship had crashed or landed on LV-426 some 10 million years prior to discovery by the Nostromo. It was depicted as having been dragged in some unknown manner to the top of a pyramidal structure, which was the top of an enormous subterranean temple containing the Xenomorph eggs. This is evident in the first Alien film, when Kane notices the hole torn in the bottom of the Pilot ship. It should also be noted that despite later rewrites and storylines, Giger and O'Bannon designed the Pilot so that it appeared to be a sympathetic and friendly lifeform."
It seems that the story of Chaugnar Faugn, is based on him coming to Earth and creating a race of beings called "Miri-Nigri". Now, I don't know too much about this particular race, but this is exactly how the different Extraterrestrial races seem to be, as they are "Party crashers" to Earth, and are "gangs" coming with an agenda.
Now, the God called "Shub Niggurath" is also called "Black Goat of the Woods". In the Wiki states this: "Shub-Niggurath is a fictional deity created by writer H. P. Lovecraft. She is often associated with the phrase "The Black Goat of the Woods with a Thousand Young". The only other name by which Lovecraft referred to her was "Lord of the Wood" in his story The Whisperer in Darkness. Shub-Niggurath is first mentioned in Lovecraft's revision story "The Last Test" (1928); she is not described by Lovecraft, but is frequently mentioned or called upon in incantations. Most of her development as a literary figure was carried out by other Mythos authors, including August Derleth, Robert Bloch, and Ramsey Campbell. August Derleth classified Shub-Niggurath as a Great Old One, but the Call of Cthulhu role-playing game classifies her as an Outer God. The CthulhuTech role-playing game, in turn, returns to Derleth's classification of Shub-Niggurath as a Great Old One."
"Shub-Niggurath's appearances in Lovecraft's main body of fiction do not provide much detail about his conception of the entity. Her first mention under Lovecraft's byline was in "The Dunwich Horror" (1928), where a quote from the Necronomicon discussing the Old Ones breaks into an exclamation of "Iä! Shub-Niggurath!" The story provides no further information about this peculiar expression. The next Lovecraft story to mention Shub-Niggurath is scarcely more informative. In The Whisperer in Darkness (1930), a recording of a ceremony involving human and nonhuman worshipers includes the following exchange: Ever Their praises, and abundance to the Black Goat of the Woods. Iä! Shub-Niggurath! Iä! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young! Similarly unexplained exclamations occur in "The Dreams in the Witch House" (1932) and "The Thing on the Doorstep" (1933)."
"Lovecraft only provided specific information about Shub-Niggurath in his "revision tales", stories published under the names of clients for whom he ghost-wrote. As Price points out, "For these clients he constructed a parallel myth-cycle to his own, a separate group of Great Old Ones", including Yig, Ghatanothoa, Rhan-Tegoth, "the evil twins Nug and Yeb"—and Shub-Niggurath. While some of these revision stories just repeat the familiar exclamations, others provide new elements of lore."
"In "The Last Test" (1927), the first mention of Shub-Niggurath seems to connect her to Nug and Yeb: "I talked in Yemen with an old man who had come back from the Crimson Desert—he had seen Irem, the City of Pillars, and had worshipped at the underground shrines of Nug and Yeb—Iä! Shub-Niggurath!" The revision story The Mound, which describes the discovery of an underground realm called K'n-yan by a Spanish conquistador, reports that a temple of Tsathoggua there "had been turned into a shrine of Shub-Niggurath, the All-Mother and wife of the Not-to-Be-Named-One. This deity was a kind of sophisticated Astarte, and her worship struck the pious Catholic as supremely obnoxious."
"The reference to "Astarte", the consort of Baal in Semitic mythology, ties Shub-Niggurath to the related fertility goddess Cybele, the Magna Mater mentioned in Lovecraft's "The Rats in the Walls", and implies that the "great mother worshipped by the hereditary cult of Exham Priory" in that story "had to be none other than Shub-Niggurath". The Not-to-Be-Named-One, not being named, is difficult to identify; a similar phrase, translated into Latin as the Magnum Innominandum, appears in a list in The Whisperer in Darkness and was included in a scrap of incantation that Lovecraft wrote for Robert Bloch's "The Shambler from the Stars". August Derleth identifies this mysterious entity with Hastur (though Hastur appears in the same Whisperer in Darkness list with the Magnum Innominandum), while Robert M. Price equates him with Yog-Sothoth—though he also suggests that Shub-Niggurath's mate is implicitly the snake god Yig."
"Finally, in "Out of the Aeons", a revision tale set in part on the lost continent of Mu, Lovecraft describes the character T'yog as the "High Priest of Shub-Niggurath and guardian of the copper temple of the Goat with a Thousand Young". In the story, T'yog surprisingly maintains that "the gods friendly to man could be arrayed against the hostile gods, and ... that Shub-Niggurath, Nug, and Yeb, as well as Yig the Serpent-god, were ready to take sides with man" against the more malevolent Ghatanothoa. Shub-Niggurath is called "the Mother Goddess", and reference is made to "her sons", presumably Nug and Yeb."
"Although Shub-Niggurath is often associated with the epithet "The Black Goat of the Woods with a Thousand Young", it is possible that this Black Goat is a separate entity. Rodolfo Ferraresi, in his essay "The Question of Shub-Niggurath", says that Lovecraft himself separated the two in his writings, such as in "Out of the Aeons" (1935) in which a distinction is made between Shub-Niggurath and the Black Goat—the goat is the figurehead through which Shub-Niggurath is worshipped. In apparent contrast to Shub-Niggurath, the Black Goat is sometimes depicted as a male, most notably in the rite performed in The Whisperer in Darkness (1931) in which the Black Goat is called the "Lord of the Woods". However, Lovecraft clearly associates Shub-Niggurath with The Black Goat of the Woods with a Thousand Young in two of his stories—"The Dreams in the Witch House" and "The Thing on the Doorstep".
"The Black Goat may be the personification of Pan, since Lovecraft was influenced by Arthur Machen's The Great God Pan (1890), a story that inspired Lovecraft's "The Dunwich Horror" (1929). In this incarnation, the Black Goat may represent Satan in the form of the satyr, a half-man, half-goat. In folklore, the satyr symbolized a man with excessive sexual appetites. The Black Goat may otherwise be a male, earthly form of Shub-Niggurath—an incarnation she assumes to copulate with her worshipers."
Well, if you read the Chapter "The Black God" series, then you should understand the "black goat" symbolism and where it belongs in the esoteric perspective. It belongs to Hermes and Aphrodite, and they are correct as the Goddess "Astarte" (Cybele), is called "The Mother of the Gods", thus the term "Black Goat of the woods with a thousand young", is referred to the Goddess Lilith and her children. Even H.R. Giger had given some interesting "hints" in his artwork.....
Then there is the known Sea God called "Dagon". Here in the Wiki states this: "Dagon" is a short story by American author H. P. Lovecraft. It was written in July 1917 and is one of the first stories that Lovecraft wrote as an adult. It was first published in the November 1919 edition of The Vagrant (issue #11). Dagon was later published in Weird Tales. It is considered by many to be one of Lovecraft's most forward-looking stories."
"The story is the testament of a tortured, morphine-addicted man who relates an incident that occurred during his service as an officer during World War I. In the unnamed narrator's account, his cargo ship is captured by an Imperial German sea-raider in "one of the most open and least frequented parts of the broad Pacific". He escapes on a lifeboat and drifts aimlessly, south of the equator, until he eventually finds himself stranded on "a slimy expanse of hellish black mire which extended about [him] in monotonous undulations as far as [he] could see.... The region was putrid with the carcasses of decaying fish and less describable things which [he] saw protruding from the nasty mud of the unending plain."
"He theorizes that this area was formerly a portion of the ocean floor thrown to the surface by volcanic activity, "exposing regions which for innumerable millions of years had lain hidden under unfathomable watery depths." After waiting three days for the seafloor to dry out sufficiently to walk on, he ventures out on foot to find the sea and possible rescue. After two days of walking, he reaches his goal, a hill which turns out to be a mound on the edge of an "immeasurable pit or canyon". Descending the slope, he sees a gigantic white stone object that he soon perceives to be a "well-shaped monolith whose massive bulk had known the workmanship and perhaps the worship of living and thinking creatures."
"The monolith, situated next to a channel of water in the bottom of the chasm, is covered in unfamiliar hieroglyphs "consisting for the most part of conventionalized aquatic symbols such as fishes, eels, octopuses, crustaceans, mollusks, whales, and the like."
"There are also "crude sculptures" depicting: men—at least, a certain sort of men; though the creatures were shown disporting like fishes in the waters of some marine grotto, or paying homage at some monolithic shrine which appeared to be under the waves as well... [T]hey were damnably human in general outline despite webbed hands and feet, shockingly wide and flabby lips, glassy, bulging eyes, and other features less pleasant to recall. Curiously enough, they seemed to have been chiseled badly out of proportion with their scenic background; for one of the creatures was shown in the act of killing a whale represented as but little larger than himself. As the narrator looks at the monolith, a creature emerges from the water: With only a slight churning to mark its rise to the surface, the thing slid into view above the dark waters. Vast, Polyphemus-like, and loathsome, it darted like a stupendous monster of nightmares to the monolith, about which it flung its gigantic scaly arms, the while it bowed its hideous head and gave vent to certain measured sounds. Horrified, the mariner flees back to his stranded boat and vaguely recalls a "great storm".
"His next memory is of a San Francisco hospital, where he was taken after being rescued in mid-ocean by a U.S. ship. There are no reports of any Pacific upheavals, and he does not expect anyone to believe his incredible story. He mentions one abortive attempt to gain understanding of his experience: Once I sought out a celebrated ethnologist, and amused him with peculiar questions regarding the ancient Philistine legend of Dagon, the Fish-God; but soon perceiving that he was hopelessly conventional, I did not press my inquiries."
"Haunted by visions of the creature, "especially when the moon is gibbous and waning", he describes his fears for the future of humanity: I cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed, worshipping their ancient stone idols and carving their own detestable likenesses on submarine obelisks of water-soaked granite. I dream of a day when they may rise above the billows to drag down in their reeking talons the remnants of puny, war-exhausted mankind --of a day when the land shall sink, and the dark ocean floor shall ascend amidst universal pandemonium. With the drug that has given him "transient surcease" running out, he declares himself ready to do himself in; the narrative is revealed to be a suicide note. The story ends with the narrator hearing "a noise at the door, as of some immense slippery body lumbering against it" before shouting "God, that hand! The window! The window!"
"After reading Lovecraft's juvenilia in 1917, W. Paul Cook, editor of the amateur press journal The Vagrant, encouraged him to resume writing fiction. That summer, Lovecraft wrote two stories: "The Tomb" and "Dagon". The story was inspired in part by a dream he had. "I dreamed that whole hideous crawl, and can yet feel the ooze sucking me down!" he later wrote. The story mentions the Piltdown Man, which had not been exposed by the scientific community as an alleged fraud and hoax at the time of writing. As to the name of the story, Lovecraft seems to be referring to the ancient Sumerian god named Dagon who is the fertility god of grains and fish, because in the story, the main character makes inquiries "....regarding the ancient Philistine legend of Dagon, the Fish-God." The Sumerian deity is sometimes depicted as being part fish, or simply wearing a fish. Since Lovecraft was fond of references to actual archaeological discoveries in his writings from time to time, he may have come across this ancient god."
"Dagon is the first of Lovecraft's stories to introduce a Cthulhu Mythos element — the sea deity Dagon itself. Worship of Dagon later appeared in Lovecraft’s tale "The Shadow over Innsmouth". The creature that appears in the story is often identified with the deity Dagon, but the creature is not identified by that name in the story "Dagon", and seems to be depicted as a typical member of his species, a worshipper rather than an object of worship."
"It's unlikely that Lovecraft intended "Dagon" to be the name used by the deity's nonhuman worshippers, as Robert M. Price points out: "When Lovecraft wanted to convey something like the indigenous name of one of the Old Ones, he coined some unpronounceable jumble". Price suggests that readers of "The Shadow Over Innsmouth" may be mistaken as to the identity of the "Dagon" worshipped by that story's Deep Ones: in contrast to the Old Ones' alien-sounding names, "the name 'Dagon' is a direct borrowing from familiar sources, and implies that [Obed] Marsh and his confederates had chosen the closest biblical analogy to the real object of worship of the deep ones, namely Great Cthulhu."
"Lin Carter, who thought "Dagon" an "excellent" story, remarked that it was "an interesting prefiguring of themes later to emerge in [Lovecraft's] Cthulhu stories. The volcanic upheaval that temporarily exposes long-drowned horrors above the waves, for example, reappears in "The Call of Cthulhu" (1926)". Other parallels between the two stories include a horrifying tale told by a sailor rescued at sea; a gigantic, sea-dwelling monster (compared to Polyphemus in each tale); an apocalyptic vision of humanity's destruction at the hands of ancient nonhuman intelligences; and a narrator who fears he is doomed to die because of the knowledge he has gained. S. T. Joshi and David E. Schultz call the latter story "manifestly an exhaustive reworking of 'Dagon'". In "The Call of Cthulhu", one of the newspaper clippings collected by the late Professor Angell mentions a suicide from a window that may correspond to the death of the narrator of "Dagon".
It becomes easy to understand what Jacob had done to honor this God, and what he saw in his dream in Genesis 28. Then of course, when you have the understanding, you don't need to look far as this very "relic" is shown through out the world.....
If you ever played the video game "Dead Space", it has been a popular game relating to the "Lovecraftian Horror" aspect. In the Wiki states this: "Markers are enigmatic double-helix shaped objects of extraterrestrial origin. The purpose of these objects are to create Necromorphs and finally a Moon. Two types of Markers are known to exist: Black Markers and Red Markers. Black Markers originate from extraplanetary sources, traveling through space until they impact a planet. Red Markers are artificial copies of Black Markers, created by intelligent civilizations. Both are functionally similar, serving as emitters of an electromagnetic signal that both compels sentient beings to create more Red Markers and reanimates necrotic tissue into Necromorphs."
"The ultimate purpose of the Markers is to create a Necromorph Moon (also known as Brethren Moons), by spreading an alien contagion that reanimates dead cells and kills all life in the area. This results in the activation of the Markers, known as the Convergence Event, and pulls all of the infected in space to create another Necromorph Moon. The creation of a Brethren Moon begins with a Black Marker being sent to a hospitable planet. There, the Black Marker emits an electromagnetic signal that guides and teaches forms of life into civilization, forcing evolution of certain sentient species. The sole purpose of guiding a species into civilization is for the species to grow in numbers and overpopulate. Because of overpopulation, the species depletes all available energy and becomes desperate in finding new sources. By this time, the Black Marker is revealed to the species. Once they discover it is a reciever of limitless energy, from an unknown source, the species is controlled by it to worship the relic and to create copies of the original."
"Thought to be for the purpose of gaining more energy, the reasoning behind the copies is to spread the soon to be contagion and limit quarantine protocol. Eventually, the Black Marker and the copies made by them send out multiple signals. Those alive and afflicted, with lower intelligence, begin to experience hallucinations and contract dementia, sending the living into a paranoid state causing homicidal and suicidal actions. This ultimately prepares the next event by creating increasing dead bodies. Those with a higher intelligence, however, are instead given blueprints of creating a Marker directly into their brains. The signals finally are released to begin the final stage which is the Necromorph Infestation. This contagion's genetic code is written in an Alien language on the Markers itself. This signal reanimates the dead cells and tissues of all dead species. These dead bodies are then twisted into nightmarish, monstrous creatures that are built for the purpose of killing other living species and infecting them. This infection occurs not only with the Black Marker, but also where the other duplicate Markers have spread. When the bodies become numerous, they prepare for the ultimate stage of Convergence."
"The Convergence Event is when all of the able-bodied Necromorphs gather around all the Markers. A final signal is released and the Black Marker begins to rotate and levitate into the sky. Its signal then connects to all of the other duplicate Markers. The Black Marker then pulls in every single Necromorph made by the Black Marker and its duplicates into the sky and stratosphere. The Black Marker then joins them and pulls the Necrotic flesh all around it to create a Necromorph Moon. It is created and then feeds off the remaining life on the planet. When it is done, it goes into hibernation and joins its kin in a chain network signal, possibly spreading the infestation farther in space."
"When the original Marker or Necromorph Moon was created is still unknown, but it is known that a Convergence Event has happened many times to countless other civilizations in space. The only recorded events to species has happened to the Aliens on Tau Volantis and is currently happening to the Humans on Earth and other inhabited colonies in space where the man-made Red Markers have spread. Aliens of Tau VolantisEdit By the year 2311, Tau Volantis has been frozen over and inhabited by the Sovereign Colonies. After extensive research, Dr. Earl Serrano discovered the events that plagued the planet two million years ago."
"Apparently, Tau Volantis was not frozen over, but an aquatic planet full of life. Eventually, a sentient alien species evolved and built a rising civilization. The aliens became overpopulated over time and diminished many of the planet's resources. However, the aliens soon found a Black Marker on their planet and discovered its limitless energy. Worshiping it, the aliens created duplicates across the planet to harvest its power. The Aliens were deceived and the Black Marker and its copies released the Necromorph contagion among their species. Eventually, the infestation reached its limit and activated a Convergence Event, forming the Necromorph Moon from the dead Aliens. During the event, several living Aliens realized the impeding doom of the Convergence Event and built a machine that would freeze the planet and the moon, halting Convergence. The machine was also built to bring down the moon, crashing it into the planet. However, the Alien species died before this could occur. Since this event, the Moon has been frozen along with Tau Volantis, but is fully aware of the situation and now calls out via Markers to "make it whole" and "turn it off", meaning to turn off the machine and resume Convergence. The moon was briefly completed in the year 2514 by Jacob Arthur Danik, but not before Isaac Clarke and John Carver complete the machine and sent the moon crashing down to Tau Volantis. However, this action has awakened the Brethren Moons and are now on course to Earth following the signals from the Markers."
"Humans of Earth: 65 Million years ago, the Black Marker arrived on Earth via asteroid, in the gulf of Mexico, which caused the extinction event of the dinosaurs. From that time, the Marker replicated a signal to guide certain species, mainly primates, into knowledge and become the supreme species to ultimately create civilization, resulting in the evolution of Humans. By 2214, the Black Marker began affecting the inhabitants of the Yucatán Peninsula in the Gulf of Mexico. A research team, led by Michael Altman, discovered the Black Marker and recovered it from the flooded crater."
"After doing so, it produced dementia among the scientists and released the Necromorph infestation. Altman then replicated the signal which culled the Black Marker. Altman then sank the research facility along with the Marker back in the crater. After doing so, two men of the government assassinated Altman and recovered the Marker codes Altman used. His mysterious death and work with the Markers made him a martyr and a figure head of the newly formed religion, the Church of Unitology. Using these codes, the government wished to not only study the Marker's effects, but also use them as sources of energy following an energy crisis due to overpopulation. The Sovereign Colonies built three Red Markers, which were located on the classified distant planets of Aspera, Kreemar, and Aegis VII. However, outbreaks commenced around the facilities and were forced to shut down, erasing any knowledge of the Red Markers. In 2311, the Sovereign Colonies and Dr. Earl Serrano wished to find the source of energy the Markers received. They traced the signal back to Tau Volantis where the Aliens once existed."
"The team uncovered the thousands of Markers made by the Aliens and another outbreak was brought upon the humans. General Spencer Mahad then issued Scenario Five to eliminate everything and everyone about this entire mission. After Earl Serrano uncovered the secrets of the Alien Civilization, the Moon, the Machine, and the Codex, he sent Tim Caufman and Sam Ackerman to recover the codex. But resulted in the demise of Tim, Sam, Mahad, and eventually Serrano himself. By 2508, the human population has inhabited thousands of colonies across the universe, but still there is an overpopulation and energy issue. This forces the Humans to go into deep-space mining. Forming the Concordance Extraction Corporation, deep-space mining became a reality with the USG Ishimura. In 2508, with the support of the Church of Unitology, Captain Benjamin Mathius of the USG Ishimura was set to recover the Red Marker. When arriving to Aegis VII and unearthing the Marker, the planet was cracked open for the other purpose of arriving at the planet. However, this caused the Necromorph infestation in the colony which then spread to the Ishimura."
"After the USG Kellion and Isaac Clarke arrives on the Ishimura, Isaac's objective is to return the Marker back on the planet to end the infestation. He did so, but not before being touched by the Red Marker's influence and having the mined rock destroy the planet. He along with Nolan Stross, who caused another outbreak on the USG O'Bannon using a shard of the Red Marker, were brought to Titan Station to revive the Marker program run by EarthGov for the sake of harvesting limitless energy. Eventually creating the Site 12 Marker on the Station, it resulted in another outbreak. Isaac Clarke, along with Ellie Langford, escaped Titan Station before it and the Marker were destroyed. Unfortunately, the Markers had spread to nearly every major colony."
"Due to this "violation", a radical Unitologist group known as The Circle began unleashing the Markers among the colony, spreading the Necromorphs to cause a universal Convergence. After Isaac Clarke and Ellie Langford uncovered Serrano's work on Tau Volantis, they completed the machine and killed the Moon orbiting Tau Volantis. Ellie returned to Earth, believing Isaac dead. Isaac is still alive but their actions with the Moon have awakened the other moons."
So, of course they state that the "Black Marker" came crashing into Earth. This is what the movie "2001 a Space Odyssey" is about, as they came across the "Black Monolith" on the Moon. This applies again to Acts 19:35 "“And when the townclerk had appeased the people, he said, Ye men of Ephesus, what man is there that knoweth not how that the city of the Ephesians is a worshipper of the great goddess Diana, and of the image which fell down from Jupiter?” (See "The Black God series" and Antarctica Mystery 1&2)
The intertwined Monolith (See "NASA symbolism" for the Monolith symbolism) that is shown in the video game "Dead Space", is in the same shape as the Caduceus/Kerykeion symbol that is shown throughout the world. This is Fuxi and Nuwa, Osiris and Isis, Baal and Ahstoreth, Shiva/Vishnu and Kali/Parvati, to Hermes and Aphrodite...
Then there is the story of "At the Mountain of Madness", in which is an interesting story (in my opinion). Here in the Wiki states this: "The story is recalled in a first-person perspective by the geologist William Dyer, a professor at Arkham's Miskatonic University, in the hope to prevent an important and much publicized scientific expedition to Antarctica. Throughout the course of his explanation, Dyer relates how he led a group of scholars from Miskatonic University on a previous expedition to Antarctica, during which they discovered ancient ruins and a dangerous secret, beyond a range of mountains higher than the Himalayas."
"A small advance group, led by Professor Lake, discovers the remains of fourteen prehistoric life-forms, previously unknown to science, and also unidentifiable as either plants or animals. Six of the specimens have been badly damaged, while another eight have been preserved in pristine condition. The specimens' stratum places them far too early on the geologic time scale for the features of the specimens to have evolved. Some fossils of Cambrian age show signs of the use of tools to carve a specimen for food. When the main expedition loses contact with Lake's party, Dyer and his colleagues investigate."
"Lake's camp is devastated, with the majority of men and dogs slaughtered, while a man named Gedney and one of the dogs are absent. Near the expedition's campsite, they find six star-shaped snow mounds with one specimen under each. They also discover that the better preserved life-forms have vanished, and that some form of dissection experiment has been done on both an unnamed man and a dog. The missing man is suspected of having gone utterly insane and having killed and mutilated all the others."
"Dyer and a graduate student, named Danforth, fly an aeroplane across the mountains, which they identify as the outer walls of a vast abandoned stone-city, alien to any human architecture. For their resemblance to creatures of myth mentioned in the Necronomicon, the builders of this lost civilization are dubbed the "Elder Things". By exploring these fantastic structures, the men learn through hieroglyphic murals that the Elder Things first came to Earth shortly after the Moon took form and built their cities with the help of "shoggoths" — biological entities created to perform any task, assume any form, and reflect any thought. There is a hint that all earthly life evolved from cellular material left over from the creation of the shoggoths. As more buildings are explored, the explorers learn about the Elder Things' conflict with both the Star-spawn of Cthulhu and the Mi-go, who arrived on Earth shortly afterwards."
"The images also reflect a degradation of their civilization, once the shoggoths gain independence. As more resources are applied in maintaining order, the etchings become haphazard and primitive. The murals also allude to an unnamed evil lurking within an even larger mountain range located beyond the city. This mountain range rose in one night and certain phenomena and incidents deterred the Elder Things from exploring it."
"When Antarctica became uninhabitable, even for the Elder Things, they soon migrated into a large, subterranean ocean. Dyer and Danforth eventually realize that the Elder Things missing from the advance party's camp had somehow returned to life and, after slaughtering the explorers, have returned to their city. Dyer and Danforth also discover traces of the Elder Things' earlier exploration, as well as sleds containing the corpses of both Gedney and his missing dog. They are ultimately drawn towards the entrance of a tunnel, into the subterranean region depicted in the murals. Here, they find evidence of various Elder Things killed in a brutal struggle and blind six-foot-tall penguins wandering placidly, apparently used as livestock."
"They are then confronted by a black, bubbling mass, which they identify as a shoggoth, and escape. Aboard the plane, high above the plateau, Danforth looks back and sees something which causes him to lose his own sanity, implied to be the unnamed evil itself. Dyer concludes the Elder Things are merely survivors of a bygone era, who slaughtered Lake's group only out of self-defense or scientific curiosity. Their civilization was eventually destroyed by the shoggoths and that this further entity has preyed on the enormous penguins. He warns the planners of the next proposed Antarctic expedition to stay distant from the site."
Now, I had originally thouth that this story was based on "The Thing" from the movie directed by John Carpenter in 1982, and the 1951 version. It's supposed to be based on the book "Who goes there" by John W. Campbell. However, in the case of Antarctica, the United Nations had issued a treaty in 1959. In the Britannica states this: "Antarctic Treaty, (Dec. 1, 1959), agreement signed by 12 nations, in which the Antarctic continent was made a demilitarized zone to be preserved for scientific research. The treaty resulted from a conference in Washington, D.C., attended by representatives of Argentina, Australia, Belgium, Britain, Chile, France, Japan, New Zealand, Norway, South Africa, the United States, and the Soviet Union. Later other nations acceded to the treaty."
"The treaty did not deny or support national claims to territorial sovereignty in Antarctica, but it did forbid all contracting parties from establishing military bases, carrying on military maneuvers, testing any weapons (including nuclear weapons), or disposing of radioactive wastes in the area. The treaty encouraged the freedom of scientific investigation and the exchange of scientific information and personnel in Antarctica. The treaty bound its members indefinitely, with a review of its provisions possible after 30 years. A protocol to the 1959 treaty was signed in 1991. The agreement banned mineral and oil exploration for 50 years and included regulations for the protection of the Antarctic environment."
In "Disarmament.un.org/treaties/t/antarctic/text", states this: "The Governments of Argentina, Australia Belgium, Chile, the French Republic, Japan, New Zealand, Norway, the Union of South Africa, the Union of Soviet Socialist Republics, the United Kingdom of Great Britain and Northern Ireland and the United States of America, Recognizing that it is in the interest of all mankind that Antarctica shall continue forever to be used exclusively for peaceful purposes and shall not become the scene or object of international discord; Acknowledging the substantial contributions to scientific knowledge resulting from international cooperation in scientific investigation in Antarctica; Convinced that the establishment of a firm foundation for the continuation and development of such cooperation on the basis of freedom of scientific investigation in Antarctica as applied during the International Geophysical Year accords with the interests of science and the progress of all mankind; Convinced also that a treaty ensuring the use of Antarctica for peaceful purposes only and the continuance of international harmony in Antarctica will further the purposes and principles embodied in the Charter of the United Nations; Have agreed as follows:
Article I 1. Antarctica shall be used for peaceful purposes only. There shall be prohibited, inter alia, any measures of a military nature, such as the establishment of military bases and fortifications, the carrying out of military maneuvers, as well as the testing of any type of weapons.
2. The present Treaty shall not prevent the use of military personnel or equipment for scientific research or for any other peaceful purpose.
Article II Freedom of scientific investigation in Antarctica and cooperation toward that end, as applied during the International Geophysical Year, shall continue, subject to the provisions of the present Treaty.
Article III 1. In order to promote international cooperation in scientific investigation in Antarctica, as provided for in Article II of the present Treaty, the Contracting Parties agree that, to the greatest extent feasible and practicable:
(a) information regarding plans for scientific programs in Antarctica shall be exchanged to permit maximum economy and efficiency of operations;
(b) scientific personnel shall be exchanged in Antarctica between expeditions and stations;
(c) scientific observations and results from Antarctica shall be exchanged and made freely available.
2. In implementing this Article, every encouragement shall be given to the establishment of cooperative working relations with those Specialized Agencies of the United Nations and other international organizations having a scientific or technical interest in Antarctica.
Article IV 1. Nothing contained in the present Treaty shall be interpreted as: (a) a renunciation by any Contracting Party of previously asserted rights of or claims to territorial sovereignty in Antarctica; (b) a renunciation or diminution by any Contracting Party of any basis of claim to territorial sovereignty in Antarctica which it may have whether as a result of its activities or those of its nationals in Antarctica, or otherwise; (c) prejudicing the position of any Contracting Party as regards its recognition or non-recognition of any other State’s right of or claim or basis of claim to territorial sovereignty in Antarctica.
2. No acts or activities taking place while the present Treaty is in force shall constitute a basis for asserting, supporting or denying a claim to territorial sovereignty in Antarctica or create any rights of sovereignty in Antarctica. No new claim, or enlargement of an existing claim, to territorial sovereignty in Antarctica shall be asserted while the present Treaty is in force. Article V 1. Any nuclear explosions in Antarctica and the disposal there of radioactive waste material shall be prohibited.
2. In the event of the conclusion of international agreements concerning the use of nuclear energy, including nuclear explosions and the disposal of radioactive waste material, to which all of the Contracting Parties whose representatives are entitled to participate in the meetings provided for under Article IX are parties, the rules established under such agreements shall apply in Antarctica. Article VI The provisions of the present Treaty shall apply to the area south of 60o South Latitude, including all ice shelves, but nothing in the present Treaty shall prejudice or in any way affect the rights, or the exercise of the rights, of any State under international law with regard to the high seas within that area.
Article VII 1. In order to promote the objectives and ensure the observance of the provisions of the present Treaty, each Contracting Party whose representatives are entitled to participate in the meetings referred to in Article IX of the Treaty shall have the right to designate observers to carry out any inspection provided for by the present Article. Observers shall be nationals of the Contracting Parties which designate them. The names of observers shall be communicated to every other Contracting Party having the right to designate observers, and like notice shall be given of the termination of their appointment.
2. Each observer designated in accordance with the provisions of paragraph 1 of this Article shall have complete freedom of access at any time to any or all areas of Antarctica.
3. All areas of Antarctica, including all stations, installations and equipment within those areas, and all ships and aircraft at points of discharging or embarking cargoes or personnel in Antarctica, shall be open at all times to inspection by any observers designated in accordance with paragraph 1 of this Article.
4. Aerial observation may be carried out at any time over any or all areas of Antarctica by any of the Contracting Parties having the right to designate observers.
5. Each Contracting Party shall, at the time when the present Treaty enters into force for it, inform the other Contracting Parties, and thereafter shall give them notice in advance, of (a) all expeditions to and within Antarctica, on the part of its ships or nationals, and all expeditions to Antarctica organized in or proceeding from its territory; (b) all stations in Antarctica occupied by its nationals; and (c) any military personnel or equipment intended to be introduced by it into Antarctica subject to the conditions prescribed in paragraph 2 of Article I of the present Treaty.
Article VIII 1. In order to facilitate the exercise of their functions under the present Treaty, and without prejudice to the respective positions of the Contracting Parties relating to jurisdiction over all other persons in Antarctica, observers designated under paragraph 1 of Article VII and scientific personnel exchanged under subparagraph 1 (b) of Article III of the Treaty, and members of the staffs accompanying any such persons, shall be subject only to the jurisdiction of the Contracting Party of which they are nationals in respect of all acts or omissions occurring while they are in Antarctica for the purpose of exercising their functions.
2. Without prejudice to the provisions of paragraph 1 of this Article, and pending the adoption of measures in pursuance of subparagraph 1 (e) of Article IX, the Contracting Parties concerned in any case of dispute with regard to the exercise of jurisdiction in Antarctica shall immediately consult together with a view to reaching a mutually acceptable solution.
Article IX 1. Representatives of the Contracting Parties named in the preamble to the present Treaty shall meet at the City of Canberra within two months after the date of entry into force of the Treaty, and thereafter at suitable intervals and places, for the purpose of exchanging information, consulting together on matters of common interest pertaining to Antarctica, and formulating and considering, and recommending to their Governments, measures in furtherance of the principles and objectives of the Treaty, including measures regarding: (a) use of Antarctica for peaceful purposes only; (b) facilitation of scientific research in Antarctica; (c) facilitation of international scientific cooperation in Antarctica; (d) facilitation of the exercise of the rights of inspection provided for in Article VII of the Treaty; (e) questions relating to the exercise of jurisdiction in Antarctica; (f) preservation and conservation of living resources in Antarctica.
2. Each Contracting Party which has become a party to the present Treaty by accession under Article XIII shall be entitled to appoint representatives to participate in the meetings referred to in paragraph 1 of the present Article, during such time as that Contracting Party demonstrates its interest in Antarctica by conducting substantial scientific research activity there, such as the establishment of a scientific station or the despatch of a scientific expedition.
3. Reports from the observers referred to in Article VII of the present Treaty shall be transmitted to the representatives of the Contracting Parties participating in the meetings referred to in paragraph 1 of the present Article.
4. The measures referred to in paragraph 1 of this Article shall become effective when approved by all the Contracting Parties whose representatives were entitled to participate in the meetings held to consider those measures. 5. Any or all of the rights established in the present Treaty may be exercised as from the date of entry into force of the Treaty whether or not any measures facilitating the exercise of such rights have been proposed, considered or approved as provided in this Article.
Article X Each of the Contracting Parties undertakes to exert appropriate efforts, consistent with the Charter of the United Nations, to the end that no one engages in any activity in Antarctica contrary to the principles or purposes of the present Treaty.
Article XI 1. If any dispute arises between two or more of the Contracting Parties concerning the interpretation or application of the present Treaty, those Contracting Parties shall consult among themselves with a view to having the dispute resolved by negotiation, inquiry, mediation, conciliation, arbitration, judicial settlement or other peaceful means of their own choice.
2. Any dispute of this character not so resolved shall, with the consent, in each case, of all parties to the dispute, be referred to the International Court of Justice for settlement; but failure to reach agreement on reference to the International Court shall not absolve parties to the dispute from the responsibility of continuing to seek to resolve it by any of the various peaceful means referred to in paragraph 1 of this Article.
(There is a reason why the United Nations Map is designed in this way, as the Mercator's map is shown in it's similar manner)
Article XII 1. (a) The present Treaty may be modified or amended at any time by unanimous agreement of the Contracting Parties whose representatives are entitled to participate in the meetings provided for under Article IX.
Any such modification or amendment shall enter into force when the depositary Government has received notice from all such Contracting Parties that they have ratified it.
(b) Such modification or amendment shall thereafter enter into force as to any other Contracting Party when notice of ratification by it has been received by the depositary Government. Any such Contracting Party from which no notice of ratification is received within a period of two years from the date of entry into force of the modification or amendment in accordance with the provisions of subparagraph 1(a) of this Article shall be deemed to have withdrawn from the present Treaty on the date of the expiration of such period.
2. (a) If after the expiration of thirty years from the date of entry into force of the present Treaty, any of the Contracting Parties whose representatives are entitled to participate in the meetings provided for under Article IX so requests by a communication addressed to the depositary Government, a Conference of all the Contracting Parties shall be held as soon as practicable to review the operation of the Treaty.
(b) Any modification or amendment to the present Treaty which is approved at such a Conference by a majority of the Contracting Parties there represented, including a majority of those whose representatives are entitled to participate in the meetings provided for under Article IX, shall be communicated by the depositary Government to all the Contracting Parties immediately after the termination of the Conference and shall enter into force in accordance with the provisions of paragraph 1 of the present Article.
(c) If any such modification or amendment has not entered into force in accordance with the provisions of subparagraph 1(a) of this Article within a period of two years after the date of its communication to all the Contracting Parties, any Contracting Party may at any time after the expiration of that period give notice to the depositary Government of its withdrawal from the present Treaty; and such withdrawal shall take effect two years after the receipt of the notice by the depositary Government. Article XIII 1.
The present Treaty shall be subject to ratification by the signatory States. It shall be open for accession by any State which is a Member of the United Nations, or by any other State which may be invited to accede to the Treaty with the consent of all the Contracting Parties whose representatives are entitled to participate in the meetings provided for under Article IX of the Treaty.
2. Ratification of or accession to the present Treaty shall be effected by each State in accordance with its constitutional processes.
3. Instruments of ratification and instruments of accession shall be deposited with the Government of the United States of America, hereby designated as the depositary Government.
4. The depositary Government shall inform all signatory and acceding States of the date of each deposit of an instrument of ratification or accession, and the date of entry into force of the Treaty and of any modification or amendment thereto.
5. Upon the deposit of instruments of ratification by all the signatory States, the present Treaty shall enter into force for those States and for States which have deposited instruments of accession. Thereafter the Treaty shall enter into force for any acceding State upon the deposit of its instrument of accession.
6. The present Treaty shall be registered by the depositary Government pursuant to Article 102 of the Charter of the United Nations. Article XIV The present Treaty, done in the English, French, Russian and Spanish languages, each version being equally authentic, shall be deposited in the archives of the Government of the United States of America, which shall transmit duly certified copies thereof to the Governments of the signatory and acceding States. IN WITNESS WHEREOF the undersigned Plenipotentiaries, duly authorized, have signed the present Treaty. DONE at Washington this first day of December, one thousand nine hundred and fifty-nine.
(I often wonder if they are dealing with the North Pole instead of the South Pole, in which I only state this because of the "Mountain" in the middle of the Earth, mentioned in the Book "The King of the World"....)
Now, there was a tweet a few years ago by the former Astronaut Buzz Aldrin, in which he had stated "something evil in Antarctica", and how we are all in danger etc. Then there are accounts of John Kerry who apparently had traveled to Antarctica for a certain reason. Now, if this treaty states for all the Countries that had signed this treaty to take turns as they research, and study the Antarctic regions, then why ould Buzz tweet this message? (He probably did this just to cause a storm of Conspiracies) Anyway, there a movies that show "something" residing in this particular location.
For example, the 1950s and 1980s the movie “The Thing” shows a group of scientists in the Antarctic discover a creature encased in ice. They had first found a crashed Spaceship, and a Norwegian camp devastated by something.
In Michael Bay’s Transformers details the villain Megatron being encased in ice in the Antarctic region. They take the body into their secret base, but Megatron is freed and starts to seek for the All Spark (the Cube).
Then the movie “Godzilla: King of the monsters” also shows the villain of Godzilla, "King Ghidorah", being encased in ice, and is found in "Antarctica".
Then in the Comic of "Superman", the" Fortress of Solitude" was a place made of crystals settled in the Arctic, then later changed in Antarctica, the Andes, and the Amazon Forest (depending on the Era as the Comics are detailed).
There is a movie called "Into the mouth of Madness", in which details an Insurance Investigator looking into the works of an Author named Sutter Cane, until he comes across some other world events. It's interesting as this movie details how our lives are being written by an Author, and you can't control it even if you read, from what was being written down.
I highly recommend this movie as it details some interesting symbolism. For example, there is a scene in the beginning of the movie where the character "John Trent" is taken to a Mental Hospital and put into his cell. But then in the end details him having crosses all over him, and had seemingly survived an Apocalypse, of the coming creatures that had wiped out the Population. This pays homage to the Aztec monsters Tzitzimitl that would come from the stars to eat mankind in the time of the Eclipse, Revelations 9 as it states of the monsters coming from under the Earth, the King of the World who would wipe out a certain Population, to Kiniche Kakmaw sending the "Jaguars" to eat the men of the Earth etc.
Even the Music video "Doom or Destiny" with Blondie and Joan Jett, details a scene of "Man from Mars eating Cars and Bars", of Aliens vaporizing people, and another scene of a "three eyed" demon with a qoute "Demon summoned to save mankind from self". Is this all a coincidence?
Then comes the intriguing figure called "Nyarlethotep" ceated by Lovecraft. In the Wiki states this: "Nyarlathotep is a fictional character created by H. P. Lovecraft. The character is a malign deity in the Lovecraft Mythos, a shared universe. First appearing in Lovecraft's 1920 prose poem "Nyarlathotep", he was later mentioned in other works by Lovecraft and by other writers. Later writers describe him as one of the Outer Gods, a malevolent pantheon."
"In his first appearance in "Nyarlathotep" (1920), he is described as a "tall, swarthy man" who resembles an ancient Egyptian pharaoh. In this story he wanders the Earth, seemingly gathering legions of followers, the narrator of the story among them, through his demonstrations of strange and seemingly magical instruments. These followers lose awareness of the world around them, and through the narrator's increasingly unreliable accounts, the reader gets an impression of the world's collapse."
"Fritz Leiber proposes three interpretations of the character based on this appearance: the universe's mockery of man's attempts to understand it; a negative view of the commercial world, represented by Nyarlathotep's self-promotion and contemptuous attitude; and man's self-destructive rationality. Nyarlathotep subsequently appears as a major character in The Dream Quest of Unknown Kadath (1926/27), in which he again manifests in the form of an Egyptian pharaoh when he confronts protagonist Randolph Carter. Leiber describes Nyarlathotep as "evilly intelligent" in this story, in contrast to the mindless Azathoth, his master. The 21st sonnet of Lovecraft's poem-cycle Fungi from Yuggoth (1929/30) is essentially a retelling of the original prose poem."
"In "The Dreams in the Witch House" (1933), Nyarlathotep appears to Walter Gilman and witch Keziah Mason (who has made a pact with the entity) in the form of "the 'Black Man' of the witch-cult", a black-skinned avatar of the Devil described by witch hunters. Although inhuman, some characters mistake him as a human of African descent, though his facial features are described as Caucasian. Finally, in "The Haunter of the Dark" (1936), the nocturnal, tentacled, bat-winged monster dwelling in the steeple of the Starry Wisdom sect's church is identified as another manifestation of Nyarlathotep. This avatar cannot tolerate light. Lovecraft suggests that the fake Henry Akeley that appears at the end of The Whisperer in Darkness (1930) is also Nyarlathotep."
"In the story, the Mi-Go chant his name in reverential tones, stating "To Nyarlathotep, Mighty Messenger, must all things be told. And he shall put on the semblance of man, the waxen mask and the robes that hide, and come down from the world of Seven Suns to mock". At the end of The Whisperer in Darkness, the main character to his horror discovers a loose dressing gown and the dismembered head and arms of Akeley lying on the couch, presumed in the story to have been a Mi-Go in disguise. But due to the mention in the chant to Nyarlathotep wearing the "waxen mask and the robes that hide", S. T. Joshi writes that "this seems a clear allusion to Nyarlathotep disguised with Akeley's face and hands; but if so, it means that at this time Nyarlathotep is, in bodily form, one of the fungi — especially if, as seems likely, Nyarlathotep is one of the two buzzing voices Albert Wilmarth overhears at the end". Joshi notes this is problematic, because "if Nyarlathotep is (as critics have termed it) a 'shapeshifter', why would he have to don the face and hands of Akeley instead of merely reshaping himself as Akeley?"
"Though Nyarlathotep appears as a character in only four stories and two sonnets, his name is mentioned frequently in other works. In "The Rats in the Walls" (1924), Nyarlathotep is mentioned as a faceless god in the caverns of Earth's center. In "The Shadow Out of Time" (1936), the "hideous secret of Nyarlathotep" is revealed to the protagonist by Khephnes during their imprisonment by the Great Race of Yith. Nyarlathotep does not appear in Lovecraft's story "The Crawling Chaos" (1920/21), despite the similarity of the title to the character's epithet. Lovecraft wrote to a correspondent that he reused the phrase because he "liked the sound of it".
It's very interesting as this being is described as being an African man with Caucasian features, and is described as "Swarthy". Now, if you would look at the word "Swarthy", it states this: "dark · dark-colored · dark-skinned · dark-complexioned · dusky · tanned · black · saturnine · olive-skinned · sallow · swart".
Then when you put "Saturnine", it states this: "Gloomy · somber · melancholy · melancholic · moody · miserable · lugubrious · dour · glum · unsmiling · humorless · grumpy · bad-tempered · taciturn · uncommunicative · unresponsive". "Swarthy · dark · dark-skinned · dark-complexioned · mysterious · mercurial · moody". Then "Mecurial" pertains to being Tempermental, moody, light hearted, Volatile etc., and pertians to the God Mercury.
This is significant because Nyarlathotep is the servant to the outer God "Azathoth" (notice how they have "Thoth"), who is called the "Blind idot God", is like a messenger, but a trickster as well. "Nyarlathotep", would also be similar to the "Black Skinned" man who manages the "Men in Black", in the Movie "Alien Code". (See "The Encounters")
Funny enough, Emanuel Swedenborg had mentioned a mysterious figure he encountered in a Tavern. In the Wiki states this:
"Visions and spiritual insights In the last entry of the journal from 26–27 October 1744, Swedenborg appears to be clear as to which path to follow. He felt that he should drop his current project and write a new book about the worship of God. He soon began working on De cultu et amore Dei, or The Worship and Love of God. It was never fully completed, but Swedenborg still had it published in London in June 1745."
"In 1745, Swedenborg was dining in a private room at a tavern in London. By the end of the meal, a darkness fell upon his eyes, and the room shifted character. Suddenly, he saw a person sitting at a corner of the room, telling him: "Do not eat too much!". Swedenborg, scared, hurried home. Later that night, the same man appeared in his dreams. The man told Swedenborg that he was the Lord, that he had appointed Swedenborg to reveal the spiritual meaning of the Bible and that he would guide Swedenborg in what to write. The same night, the spiritual world was opened to Swedenborg."